When an English novel was translated into Chinese, would its style necessarily be rendered faithfully? In the light of Functionalism with Skopostheorie at the core, this book scrutinizes how the style of the Adventures of Huckleberry Finn was rendered by comparing two Chinese versions in terms of the translation of its linguistic deviations. The version by Zhang, published in the 1970s when translations remained a catalyst for the “political struggle” and “socialist revolution” that had long dominated the Chinese society, chose to normalize all linguistic deviations in Standard Chinese, ignoring the differences between Black English Vernacular (BEV) and Standard American English (SAE). In contrast, when the version by Xu was brought out two decades later in China with its door widely open to the outside world, the translator’s focus was shifted to the reproduction of what Mark Twain's masterpiece is foremost famous for—the unique style characterized by the massive use of BEV. This book is aimed at helping translators to understand that style in translation is not ready made, but rather shaped by their Skoposi for the production of the target text.
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When an English novel was translated into Chinese, would its style necessarily be rendered faithfully? In the light of Functionalism with Skopostheorie at the core, this book scrutinizes how the style of the Adventures of Huckleberry Finn was rendered by comparing two Chinese versions in terms of the translation of its linguistic deviations. The version by Zhang, published in the 1970s when translations remained a catalyst for the “political struggle” and “socialist revolution” that had long dominated the Chinese society, chose to normalize all linguistic deviations in Standard Chinese, ignoring the differences between Black English Vernacular (BEV) and Standard American English (SAE). In contrast, when the version by Xu was brought out two decades later in China with its door widely open to the outside world, the translator’s focus was shifted to the reproduction of what Mark Twain's masterpiece is foremost famous for—the unique style characterized by the massive use of BEV. This book is aimed at helping translators to understand that style in translation is not ready made, but rather shaped by their Skoposi for the production of the target text.
Xiaojia Huang is an English lecturer at South China Normal University. He holds a Ph.D. in translatology from Guangdong University of Foreign Studies. His research interests include E-C literary translation and Western translation theory. He has published in journals such as Chinese Translators Journal and Foreign Languages and Translation.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -When an English novel was translated into Chinese, would its style necessarily be rendered faithfully In the light of Functionalism with Skopostheorie at the core, this book scrutinizes how the style of the Adventures of Huckleberry Finn was rendered by comparing two Chinese versions in terms of the translation of its linguistic deviations. The version by Zhang, published in the 1970s when translations remained a catalyst for the political struggle and socialist revolution that had long dominated the Chinese society, chose to normalize all linguistic deviations in Standard Chinese, ignoring the differences between Black English Vernacular (BEV) and Standard American English (SAE). In contrast, when the version by Xu was brought out two decades later in China with its door widely open to the outside world, the translator s focus was shifted to the reproduction of what Mark Twain's masterpiece is foremost famous for the unique style characterized by the massive use of BEV. This book is aimed at helping translators to understand that style in translation is not ready made, but rather shaped by their Skoposi for the production of the target text. 88 pp. Englisch. N° de réf. du vendeur 9783639702422
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -When an English novel was translated into Chinese, would its style necessarily be rendered faithfully In the light of Functionalism with Skopostheorie at the core, this book scrutinizes how the style of the Adventures of Huckleberry Finn was rendered by comparing two Chinese versions in terms of the translation of its linguistic deviations. The version by Zhang, published in the 1970s when translations remained a catalyst for the 'political struggle' and 'socialist revolution' that had long dominated the Chinese society, chose to normalize all linguistic deviations in Standard Chinese, ignoring the differences between Black English Vernacular (BEV) and Standard American English (SAE). In contrast, when the version by Xu was brought out two decades later in China with its door widely open to the outside world, the translator's focus was shifted to the reproduction of what Mark Twain's masterpiece is foremost famous for-the unique style characterized by the massive use of BEV. This book is aimed at helping translators to understand that style in translation is not ready made, but rather shaped by their Skoposi for the production of the target text.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 88 pp. Englisch. N° de réf. du vendeur 9783639702422
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - When an English novel was translated into Chinese, would its style necessarily be rendered faithfully In the light of Functionalism with Skopostheorie at the core, this book scrutinizes how the style of the Adventures of Huckleberry Finn was rendered by comparing two Chinese versions in terms of the translation of its linguistic deviations. The version by Zhang, published in the 1970s when translations remained a catalyst for the political struggle and socialist revolution that had long dominated the Chinese society, chose to normalize all linguistic deviations in Standard Chinese, ignoring the differences between Black English Vernacular (BEV) and Standard American English (SAE). In contrast, when the version by Xu was brought out two decades later in China with its door widely open to the outside world, the translator s focus was shifted to the reproduction of what Mark Twain's masterpiece is foremost famous for the unique style characterized by the massive use of BEV. This book is aimed at helping translators to understand that style in translation is not ready made, but rather shaped by their Skoposi for the production of the target text. N° de réf. du vendeur 9783639702422
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Taschenbuch. Etat : Neu. Translating the Style of the Adventures of Huckleberry Finn | A Functionalist Approach | Xiaojia Huang | Taschenbuch | 88 S. | Englisch | 2013 | Scholars' Press | EAN 9783639702422 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 105598733
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