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Lost in Transition - Memory, Trauma and the Image in Larisa Shepitko's "Wings" [1966] - Couverture souple
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Synopsis
Research Paper (undergraduate) from the year 2009 in the subject Communications - Movies and Television, grade: 1, University of Cambridge (Faculty of Modern and Medieval Languages), language: English, abstract: The release of Shepitko's Wings in 1966 could not have come at a more culturally contested time in the Soviet Union. Official discomfort about the treatment of the war and the dissatisfaction with ordinary life depicted in the film could itself be said to be a reflection of the themes explored by Shepitko's drama. The certainty of wartime moral purpose and the high regard for a paternalistic authority in the form of Stalin were hard to separate in the minds of those who lived through the war. Equally, the post-war generation saw an awkward rigidity and naivety in the conservative instincts of their parents' generation. Shepitko's heroine is ill at ease in a society that regards complexity and ambiguity as progressive and liberating. In the sense that she is a woman out of place in the modern Soviet Union, it might be argued that Petrukhina represents an image of the failure of an authority figure whose generational heritage and self-definition had become classed as pejorative and was therefore unable to fit in with the Thaw period.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
À propos de la quatrième de couverture
Research Paper (undergraduate) from the year 2009 in the subject Communications - Movies and Television, grade: 1, University of Cambridge (Faculty of Modern and Medieval Languages), language: English, abstract: The release of Shepitko's Wings in 1966 could not have come at a more culturally contested time in the Soviet Union. Official discomfort about the treatment of the war and the dissatisfaction with ordinary life depicted in the film could itself be said to be a reflection of the themes explored by Shepitko's drama. The certainty of wartime moral purpose and the high regard for a paternalistic authority in the form of Stalin were hard to separate in the minds of those who lived through the war. Equally, the post-war generation saw an awkward rigidity and naivety in the conservative instincts of their parents' generation. Shepitko's heroine is ill at ease in a society that regards complexity and ambiguity as progressive and liberating. In the sense that she is a woman out of place in the modern Soviet Union, it might be argued that Petrukhina represents an image of the failure of an authority figure whose generational heritage and self-definition had become classed as pejorative and was therefore unable to fit in with the Thaw period.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Lost in Transition - Memory, Trauma and the Image in Larisa Shepitko's "Wings" [1966]
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Lost in Transition - Memory, Trauma and the Image in Larisa Shepitko's "Wings" [1966]
impression à la demandeVendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Research Paper (undergraduate) from the year 2009 in the subject Communications - Movies and Television, grade: 1, University of Cambridge (Faculty of Modern and Medieval Languages), language: English, abstract: The release of Shepitko's Wings in 1966 could not have come at a more culturally contested time in the Soviet Union. Official discomfort about the treatment of the war and the dissatisfaction with ordinary life depicted in the film could itself be said to be a reflection of the themes explored by Shepitko's drama. The certainty of wartime moral purpose and the high regard for a paternalistic authority in the form of Stalin were hard to separate in the minds of those who lived through the war. Equally, the post-war generation saw an awkward rigidity and naivety in the conservative instincts of their parents' generation. Shepitko's heroine is ill at ease in a society that regards complexity and ambiguity as progressive and liberating. In the sense that she is a woman out of place in the modern Soviet Union, it might be argued that Petrukhina represents an image of the failure of an authority figure whose generational heritage and self-definition had become classed as pejorative and was therefore unable to fit in with the Thaw period. 20 pp. Englisch. N° de réf. du vendeur 9783640693023
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"Lost in Transition - Memory, Trauma and the Image in Larisa Shepitko's \"Wings\" [1966] "
Edité par
GRIN Verlag, GRIN Verlag, 2010
ISBN 10 : 3640693027
ISBN 13 : 9783640693023
Neuf
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Research Paper (undergraduate) from the year 2009 in the subject Communications - Movies and Television, grade: 1, University of Cambridge (Faculty of Modern and Medieval Languages), language: English, abstract: The release of Shepitko's Wings in 1966 could not have come at a more culturally contested time in the Soviet Union. Official discomfort about the treatment of the war and the dissatisfaction with ordinary life depicted in the film could itself be said to be a reflection of the themes explored by Shepitko's drama. The certainty of wartime moral purpose and the high regard for a paternalistic authority in the form of Stalin were hard to separate in the minds of those who lived through the war. Equally, the post-war generation saw an awkward rigidity and naivety in the conservative instincts of their parents' generation. Shepitko's heroine is ill at ease in a society that regards complexity and ambiguity as progressive and liberating. In the sense that she is a woman out of place in the modern Soviet Union, it might be argued that Petrukhina represents an image of the failure of an authority figure whose generational heritage and self-definition had become classed as pejorative and was therefore unable to fit in with the Thaw period. N° de réf. du vendeur 9783640693023
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"Lost in Transition - Memory, Trauma and the Image in Larisa Shepitko's \"Wings\" [1966]"
Edité par
GRIN Verlag, GRIN Verlag Sep 2010, 2010
ISBN 10 : 3640693027
ISBN 13 : 9783640693023
Neuf
Taschenbuch
Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Research Paper (undergraduate) from the year 2009 in the subject Communications - Movies and Television, grade: 1, University of Cambridge (Faculty of Modern and Medieval Languages), language: English, abstract: The release of Shepitko's Wings in 1966 could not have come at a more culturally contested time in the Soviet Union. Official discomfort about the treatment of the war and the dissatisfaction with ordinary life depicted in the film could itself be said to be a reflection of the themes explored by Shepitko's drama. The certainty of wartime moral purpose and the high regard for a paternalistic authority in the form of Stalin were hard to separate in the minds of those who lived through the war. Equally, the post-war generation saw an awkward rigidity and naivety in the conservative instincts of their parents' generation. Shepitko's heroine is ill at ease in a society that regards complexity and ambiguity as progressive and liberating. In the sense that she is a woman out of place in the modern Soviet Union, it might be argued that Petrukhina represents an image of the failure of an authority figure whose generational heritage and self-definition had become classed as pejorative and was therefore unable to fit in with the Thaw period.Books on Demand GmbH, Überseering 33, 22297 Hamburg 20 pp. Englisch. N° de réf. du vendeur 9783640693023
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Lost in Transition - Memory, Trauma and the Image in Larisa Shepitko's "Wings" [1966]
Edité par
GRIN Verlag, 2010
ISBN 10 : 3640693027
ISBN 13 : 9783640693023
Ancien ou d'occasion
Couverture souple
Vendeur : Buchpark, Trebbin, Allemagne
Évaluation du vendeur 5 sur 5 étoiles
Etat : Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Research Paper (undergraduate) from the year 2009 in the subject Communications - Movies and Television, grade: 1, University of Cambridge (Faculty of Modern and Medieval Languages), language: English, abstract: The release of Shepitko's Wings in 1966 could not have come at a more culturally contested time in the Soviet Union. Official discomfort about the treatment of the war and the dissatisfaction with ordinary life depicted in the film could itself be said to be a reflection of the themes explored by Shepitko's drama. The certainty of wartime moral purpose and the high regard for a paternalistic authority in the form of Stalin were hard to separate in the minds of those who lived through the war. Equally, the post-war generation saw an awkward rigidity and naivety in the conservative instincts of their parents' generation. Shepitko's heroine is ill at ease in a society that regards complexity and ambiguity as progressive and liberating. In the sense that she is a woman out of place in the modern Soviet Union, it might be argued that Petrukhina represents an image of the failure of an authority figure whose generational heritage and self-definition had become classed as pejorative and was therefore unable to fit in with the Thaw period. N° de réf. du vendeur 9204835/222
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