Designers refer to "concepts" as manifold relationships framing original design possibilities. Concepts – verbal or schematic – are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism – a computational theory introduced by Stiny and Gipps – is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic–interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic–interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises.
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Designers refer to 'concepts' as manifold relationships framing original design possibilities. Concepts - verbal or schematic - are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism - a computational theory introduced by Stiny and Gipps - is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic-interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic-interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises. 568 pp. Englisch. N° de réf. du vendeur 9783659395673
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Kotsopoulos Sotirios D.Sotirios D. Kotsopoulos examines the impact of computational procedural thinking in design theory and practice. He uses formal-generative means like shape algebras and rule schemata to reveal the constructive a. N° de réf. du vendeur 23636005
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Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. Constructing Design Concepts | A computational approach to the synthesis of architectural form | Sotirios D. Kotsopoulos | Taschenbuch | 568 S. | Englisch | 2015 | LAP LAMBERT Academic Publishing | EAN 9783659395673 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. N° de réf. du vendeur 104737362
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Designers refer to 'concepts' as manifold relationships framing original design possibilities. Concepts ¿ verbal or schematic ¿ are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism ¿ a computational theory introduced by Stiny and Gipps ¿ is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic¿interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic¿interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises.Books on Demand GmbH, Überseering 33, 22297 Hamburg 568 pp. Englisch. N° de réf. du vendeur 9783659395673
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Designers refer to 'concepts' as manifold relationships framing original design possibilities. Concepts - verbal or schematic - are economical and inclusive means towards the application of a particular order. This study offers a computational account of the use of concepts in creative design. Shape formalism - a computational theory introduced by Stiny and Gipps - is used to map the role of design concepts. Shape formalism engages a calculating part and a syntactic-interpretive part. The calculating part consists of shape algebras where the elements of Euclidean space are used in calculations. The syntactic-interpretive part consists of production rules confining the syntactic and semantic properties of sets of products, called languages. The disposition of the designer is freely associated here to that of a speaker. A speaker has to conform to the conventions of an existing mode of expression, a language, but also has to be original. The speaker constructs verbal arguments to produce a response in an audience by satisfying logical premises. The designer constructs spatial arguments to produce a response in a group of users by satisfying performative, aesthetic, or other premises. N° de réf. du vendeur 9783659395673
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