Brain-Computer Music Interfaces (BCMIs) aim to allow users to control music using their brain activity information. In this thesis the design and implementation of a BCMI for controlling the expressive content of musical pieces using emotions is presented. Human emotions can be characterized as a combination of arousal and valence values. However, the variability of these values across different subjects complicates the use of emotions for controlling music expression. Two experiments are presented to study the best approach for calculating arousal and valence value boundaries. The obtained results indicate that using images with emotional content in the process of calibrating the BCMI is less reliable than instructing the subjects to consciously modulate their excitation/relaxation state. Another conclusion is that the computed valence value is less reliable than the arousal value for controlling the BCMI. The impact of using both music and visual feedback in the BCMI is investigated and the main conclusion is that most of the users participating in the experiment are able to control better the BCMI when receiving only musical feedback compared to both music and visual feedback.
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Brain-Computer Music Interfaces (BCMIs) aim to allow users to control music using their brain activity information. In this thesis the design and implementation of a BCMI for controlling the expressive content of musical pieces using emotions is presented. Human emotions can be characterized as a combination of arousal and valence values. However, the variability of these values across different subjects complicates the use of emotions for controlling music expression. Two experiments are presented to study the best approach for calculating arousal and valence value boundaries. The obtained results indicate that using images with emotional content in the process of calibrating the BCMI is less reliable than instructing the subjects to consciously modulate their excitation/relaxation state. Another conclusion is that the computed valence value is less reliable than the arousal value for controlling the BCMI. The impact of using both music and visual feedback in the BCMI is investigated and the main conclusion is that most of the users participating in the experiment are able to control better the BCMI when receiving only musical feedback compared to both music and visual feedback.
Macià Forteza was born in Mallorca (Spain) in 1985. He graduated in Computer Science at Universidad de Salamanca. Studying the master in Sound and Music Computing at Universitat Pompeu Fabra (Barcelona) he discovered the amazing topic of Brain Computer Interfaces.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Brain-Computer Music Interfaces (BCMIs) aim to allow users to control music using their brain activity information. In this thesis the design and implementation of a BCMI for controlling the expressive content of musical pieces using emotions is presented. Human emotions can be characterized as a combination of arousal and valence values. However, the variability of these values across different subjects complicates the use of emotions for controlling music expression. Two experiments are presented to study the best approach for calculating arousal and valence value boundaries. The obtained results indicate that using images with emotional content in the process of calibrating the BCMI is less reliable than instructing the subjects to consciously modulate their excitation/relaxation state. Another conclusion is that the computed valence value is less reliable than the arousal value for controlling the BCMI. The impact of using both music and visual feedback in the BCMI is investigated and the main conclusion is that most of the users participating in the experiment are able to control better the BCMI when receiving only musical feedback compared to both music and visual feedback. 104 pp. Englisch. N° de réf. du vendeur 9783659477386
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Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Brain-Computer Music Interfaces (BCMIs) aim to allow users to control music using their brain activity information. In this thesis the design and implementation of a BCMI for controlling the expressive content of musical pieces using emotions is presented. Human emotions can be characterized as a combination of arousal and valence values. However, the variability of these values across different subjects complicates the use of emotions for controlling music expression. Two experiments are presented to study the best approach for calculating arousal and valence value boundaries. The obtained results indicate that using images with emotional content in the process of calibrating the BCMI is less reliable than instructing the subjects to consciously modulate their excitation/relaxation state. Another conclusion is that the computed valence value is less reliable than the arousal value for controlling the BCMI. The impact of using both music and visual feedback in the BCMI is investigated and the main conclusion is that most of the users participating in the experiment are able to control better the BCMI when receiving only musical feedback compared to both music and visual feedback. N° de réf. du vendeur 9783659477386
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Brain-Computer Music Interfaces (BCMIs) aim to allow users to control music using their brain activity information. In this thesis the design and implementation of a BCMI for controlling the expressive content of musical pieces using emotions is presented. Human emotions can be characterized as a combination of arousal and valence values. However, the variability of these values across different subjects complicates the use of emotions for controlling music expression. Two experiments are presented to study the best approach for calculating arousal and valence value boundaries. The obtained results indicate that using images with emotional content in the process of calibrating the BCMI is less reliable than instructing the subjects to consciously modulate their excitation/relaxation state. Another conclusion is that the computed valence value is less reliable than the arousal value for controlling the BCMI. The impact of using both music and visual feedback in the BCMI is investigated and the main conclusion is that most of the users participating in the experiment are able to control better the BCMI when receiving only musical feedback compared to both music and visual feedback.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 104 pp. Englisch. N° de réf. du vendeur 9783659477386
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Taschenbuch. Etat : Neu. An EEG-based Emotion-driven Music Control System | Macià Forteza | Taschenbuch | 104 S. | Englisch | 2013 | LAP LAMBERT Academic Publishing | EAN 9783659477386 | Verantwortliche Person für die EU: BoD - Books on Demand, In de Tarpen 42, 22848 Norderstedt, info[at]bod[dot]de | Anbieter: preigu. N° de réf. du vendeur 105622514
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