Drawing on the theories of cultural studies, this book delivers a wide range of new and surprising insights into the Golden Age of American Comic Books. It traces the medium’s cultural roots, its rise to popularity, and its persistent struggles for meanings, cultural space, and an audience. Characters, genres, stereotypes, myths, and many other narrative elements are discussed as encodings of ideology, thereby exposing underlying assumptions of class, race, nationalism, sexism, and ageism. Some pre-Code comic books point to themselves as textual constructs, demystifying the fictional sphere by foregrounding their intertextual relationships, as well as their own production or reception. This study pioneers the systematic analysis of comic-book reflexivity. It investigates within a matrix of historical factors the commercial, social, and cultural functions of reflexive devices - an enterprise that reveals deep cultural ambivalences toward the medium and its assumed effects on readers. Combining a solid theoretical frame with in-depth research, the book provides an insightful and entertaining examination of the most popular and influential comic books of the Golden Age.
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Drawing on the theories of cultural studies, this book delivers a wide range of new and surprising insights into the Golden Age of American Comic Books. It traces the medium’s cultural roots, its rise to popularity, and its persistent struggles for meanings, cultural space, and an audience. Characters, genres, stereotypes, myths, and many other narrative elements are discussed as encodings of ideology, thereby exposing underlying assumptions of class, race, nationalism, sexism, and ageism. Some pre-Code comic books point to themselves as textual constructs, demystifying the fictional sphere by foregrounding their intertextual relationships, as well as their own production or reception. This study pioneers the systematic analysis of comic-book reflexivity. It investigates within a matrix of historical factors the commercial, social, and cultural functions of reflexive devices - an enterprise that reveals deep cultural ambivalences toward the medium and its assumed effects on readers. Combining a solid theoretical frame with in-depth research, the book provides an insightful and entertaining examination of the most popular and influential comic books of the Golden Age.
JAN PHILIPZIG completed a doctorate in Literary and Media Studies from the Christian-Albrechts-Universität in Kiel, Germany. He now lives in Edmonton, Canada where he teaches Sociology at Grant MacEwan University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Drawing on the theories of cultural studies, this book delivers a wide range of new and surprising insights into the Golden Age of American Comic Books. It traces the medium's cultural roots, its rise to popularity, and its persistent struggles for meanings, cultural space, and an audience. Characters, genres, stereotypes, myths, and many other narrative elements are discussed as encodings of ideology, thereby exposing underlying assumptions of class, race, nationalism, sexism, and ageism. Some pre-Code comic books point to themselves as textual constructs, demystifying the fictional sphere by foregrounding their intertextual relationships, as well as their own production or reception. This study pioneers the systematic analysis of comic-book reflexivity. It investigates within a matrix of historical factors the commercial, social, and cultural functions of reflexive devices - an enterprise that reveals deep cultural ambivalences toward the medium and its assumed effects on readers. Combining a solid theoretical frame with in-depth research, the book provides an insightful and entertaining examination of the most popular and influential comic books of the Golden Age. 340 pp. Englisch. N° de réf. du vendeur 9783659838118
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Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Autor/Autorin: Philipzig JanJAN PHILIPZIG completed a doctorate in Literary and Media Studies from the Christian-Albrechts-Universitaet in Kiel, Germany. He now lives in Edmonton, Canada where he teaches Sociology at Grant MacEwan University.Dra. N° de réf. du vendeur 151428966
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Vendeur : Biblios, Frankfurt am main, HESSE, Allemagne
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Vendeur : buchversandmimpf2000, Emtmannsberg, BAYE, Allemagne
Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Drawing on the theories of cultural studies, this book delivers a wide range of new and surprising insights into the Golden Age of American Comic Books. It traces the medium's cultural roots, its rise to popularity, and its persistent struggles for meanings, cultural space, and an audience. Characters, genres, stereotypes, myths, and many other narrative elements are discussed as encodings of ideology, thereby exposing underlying assumptions of class, race, nationalism, sexism, and ageism. Some pre-Code comic books point to themselves as textual constructs, demystifying the fictional sphere by foregrounding their intertextual relationships, as well as their own production or reception. This study pioneers the systematic analysis of comic-book reflexivity. It investigates within a matrix of historical factors the commercial, social, and cultural functions of reflexive devices - an enterprise that reveals deep cultural ambivalences toward the medium and its assumed effects on readers. Combining a solid theoretical frame with in-depth research, the book provides an insightful and entertaining examination of the most popular and influential comic books of the Golden Age.VDM Verlag, Dudweiler Landstraße 99, 66123 Saarbrücken 340 pp. Englisch. N° de réf. du vendeur 9783659838118
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Vendeur : preigu, Osnabrück, Allemagne
Taschenbuch. Etat : Neu. Ideology and Power in Pre-Code Comic Books | Struggles for Cultural Space, Audience, and Meaning | Jan Philipzig | Taschenbuch | 340 S. | Englisch | 2016 | Scholars' Press | EAN 9783659838118 | Verantwortliche Person für die EU: preigu GmbH & Co. KG, Lengericher Landstr. 19, 49078 Osnabrück, mail[at]preigu[dot]de | Anbieter: preigu. N° de réf. du vendeur 103806060
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Vendeur : Revaluation Books, Exeter, Royaume-Uni
Paperback. Etat : Brand New. 340 pages. 8.66x5.91x0.77 inches. In Stock. N° de réf. du vendeur 365983811X
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Drawing on the theories of cultural studies, this book delivers a wide range of new and surprising insights into the Golden Age of American Comic Books. It traces the medium's cultural roots, its rise to popularity, and its persistent struggles for meanings, cultural space, and an audience. Characters, genres, stereotypes, myths, and many other narrative elements are discussed as encodings of ideology, thereby exposing underlying assumptions of class, race, nationalism, sexism, and ageism. Some pre-Code comic books point to themselves as textual constructs, demystifying the fictional sphere by foregrounding their intertextual relationships, as well as their own production or reception. This study pioneers the systematic analysis of comic-book reflexivity. It investigates within a matrix of historical factors the commercial, social, and cultural functions of reflexive devices - an enterprise that reveals deep cultural ambivalences toward the medium and its assumed effects on readers. Combining a solid theoretical frame with in-depth research, the book provides an insightful and entertaining examination of the most popular and influential comic books of the Golden Age. N° de réf. du vendeur 9783659838118
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