Scientific Essay from the year 2017 in the subject Didactics for the subject English - Literature, Works, Johannes Gutenberg University Mainz, language: English, abstract: Since 9/11 many Muslims struggle with their identity and are exposed to xenophobia, violence, vicious defamation, harassment or displacement. In short the notion 'Muslim' in relation to that day has become a stigma. It is against this background and the post-traumatic aftermath of September 11, 2001 where many novelists disposing of a Muslim background wrote their novels. The logical consequence from this was that Muslim writing as such has become more complex stressing the standpoints of hearer and teller as elements of distortion. Interesting though is the fact that some novels dealing with Islam and Muslim characters have taken up and used the Oriental stereotypes where Muslims are - according to Said - seen as 'either oil suppliers or potential terrorists'. For a long time Muslim characters in literature have been connected to this negative image which Said also labels as 'other' and Spivak as 'subaltern'. The 'hybrid' in which many Muslim characters are often set is also (still) equated with the 'exotic' thus ignoring the energy of Bhabha' s term and its positive realizations in fiction. It is therefore one aim of this essay to throw light on this matter and to shortly reflect the present influence of 9/11 on Muslim writing.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Matthias Dickert, geb. 1955, ist von Beruf Gymnasiallehrer (Englisch, Sport, katholische Religion). Studium an der Philipps Universität/Marburg und Durham University (GB). Forschungsschwerpunkt: Migrationssoziologie/ Islamische Autorinnen und Autoren im gegenwärtigen englischen Roman. Zahlreiche Veröffentlichungen (z.B. Blickpunkt der Forschung, Zeitschrift für Interdisziplinäre ökonomische Forschung, GRIN Verlag); Vorträge an europäischen Hochschulen. Doktorarbeit über das Thema Islam, Islamic Fundamentalism and the Question of Identity in Muslim Writing.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Scientific Essay from the year 2017 in the subject Didactics - English - Literature, Works, Johannes Gutenberg University Mainz, language: English, abstract: Since 9/11 many Muslims struggle with their identity and are exposed to xenophobia, violence, vicious defamation, harassment or displacement. In short the notion 'Muslim' in relation to that day has become a stigma. It is against this background and the post-traumatic aftermath of September 11, 2001 where many novelists disposing of a Muslim background wrote their novels. The logical consequence from this was that Muslim writing as such has become more complex stressing the standpoints of hearer and teller as elements of distortion. Interesting though is the fact that some novels dealing with Islam and Muslim characters have taken up and used the Oriental stereotypes where Muslims are - according to Said - seen as 'either oil suppliers or potential terrorists'. For a long time Muslim characters in literature have been connected to this negative image which Said also labels as 'other' and Spivak as 'subaltern'. The 'hybrid' in which many Muslim characters are often set is also (still) equated with the 'exotic' thus ignoring the energy of Bhabha' s term and its positive realizations in fiction. It is therefore one aim of this essay to throw light on this matter and to shortly reflect the present influence of 9/11 on Muslim writing. 20 pp. Englisch. N° de réf. du vendeur 9783668545816
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Taschenbuch. Etat : Neu. This item is printed on demand - Print on Demand Titel. Neuware -Scientific Essay from the year 2017 in the subject Didactics - English - Literature, Works, Johannes Gutenberg University Mainz, language: English, abstract: Since 9/11 many Muslims struggle with their identity and are exposed to xenophobia, violence, vicious defamation, harassment or displacement. In short the notion 'Muslim' in relation to that day has become a stigma. It is against this background and the post-traumatic aftermath of September 11, 2001 where many novelists disposing of a Muslim background wrote their novels. The logical consequence from this was that Muslim writing as such has become more complex stressing the standpoints of hearer and teller as elements of distortion. Interesting though is the fact that some novels dealing with Islam and Muslim characters have taken up and used the Oriental stereotypes where Muslims are - according to Said - seen as 'either oil suppliers or potential terrorists'.For a long time Muslim characters in literature have been connected to this negative image which Said also labels as 'other' and Spivak as 'subaltern'.The 'hybrid' in which many Muslim characters are often set is also (still) equated with the 'exotic' thus ignoring the energy of Bhabha' s term and its positive realizations in fiction.It is therefore one aim of this essay to throw light on this matter and to shortly reflect the present influence of 9/11 on Muslim writing.Books on Demand GmbH, Überseering 33, 22297 Hamburg 20 pp. Englisch. N° de réf. du vendeur 9783668545816
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Taschenbuch. Etat : Neu. Druck auf Anfrage Neuware - Printed after ordering - Scientific Essay from the year 2017 in the subject Didactics - English - Literature, Works, Johannes Gutenberg University Mainz, language: English, abstract: Since 9/11 many Muslims struggle with their identity and are exposed to xenophobia, violence, vicious defamation, harassment or displacement. In short the notion 'Muslim' in relation to that day has become a stigma. It is against this background and the post-traumatic aftermath of September 11, 2001 where many novelists disposing of a Muslim background wrote their novels. The logical consequence from this was that Muslim writing as such has become more complex stressing the standpoints of hearer and teller as elements of distortion. Interesting though is the fact that some novels dealing with Islam and Muslim characters have taken up and used the Oriental stereotypes where Muslims are - according to Said - seen as 'either oil suppliers or potential terrorists'. For a long time Muslim characters in literature have been connected to this negative image which Said also labels as 'other' and Spivak as 'subaltern'. The 'hybrid' in which many Muslim characters are often set is also (still) equated with the 'exotic' thus ignoring the energy of Bhabha' s term and its positive realizations in fiction. It is therefore one aim of this essay to throw light on this matter and to shortly reflect the present influence of 9/11 on Muslim writing. N° de réf. du vendeur 9783668545816
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Taschenbuch. Etat : Neu. The Influence of the 9/11 novel on Muslim Writing | Matthias Dickert | Taschenbuch | 20 S. | Englisch | 2017 | GRIN Verlag | EAN 9783668545816 | Verantwortliche Person für die EU: GRIN Publishing GmbH, Waltherstr. 23, 80337 München, info[at]grin[dot]com | Anbieter: preigu Print on Demand. N° de réf. du vendeur 110062981
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