Satchmo Meets Amadeus examines the close encounters between classical music, the soundtrack of the Europeanization of the world, and jazz, the classical music of globalization. This collection of essays by renowned experts in the history of European and American music, African American culture, international cultural encounters, the political, economic, and cultural histories of New Orleans and Salzburg, the political exploitation of music during the eras of National Socialism and the Cold War, the economic utilization of art by music and tourism industries, bypasses the artificial crevice between classical music and jazz, the new world and the old. Satchmo Meets Amadeus analyzes the cultural, economic, social, and political structures shaping or hindering the creation of music as well as the construction of popular images and myths about (and against) these seminal musical figures - in short, the creation of Satchmo™ and Amadeus™ - from the 18th to the beginning of the 21st century.
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REINHOLD WAGNLEITNER, Associate Professor of Modern History at the University of Salzburg and past President of the Austrian Association for American Studies, also played and sang in Austrian pop, rock, and jazz bands. The English translation of his Coca-Colonization and the Cold War (1994) won the Stuart L. Bernath Prize of the Society for Historians of American Foreign Relations.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Buch. Etat : Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Satchmo Meets Amadeus examines the close encounters between classical music, the soundtrack of the Europeanization of the world, and jazz, the classical music of globalization. This collection of essays by renowned experts in the history of European and American music, African American culture, international cultural encounters, the political, economic, and cultural histories of New Orleans and Salzburg, the political exploitation of music during the eras of National Socialism and the Cold War, the economic utilization of art by music and tourism industries, bypasses the artificial crevice between classical music and jazz, the new world and the old. Satchmo Meets Amadeus analyzes the cultural, economic, social, and political structures shaping or hindering the creation of music as well as the construction of popular images and myths about (and against) these seminal musical figures - in short, the creation of Satchmo(TM) and Amadeus(TM) - from the 18th to the beginning of the 21st century.The collection is enhanced by the insights of noted musicians Joe Muranyi (the last surviving member of the Louis Armstrong All Stars), Tom McDermott, Wolfgang Pillinger, Abi von Reininghaus, and S. Frederick Starr. Other authors include Connie Atkinson, (University of New Orleans), John H. Baron (Tulane University, New Orleans); Erwin Giedenbacher (University of Salzburg), Hubert Giesinger (Salzburg), Christian Gruber (University of Salzburg), Rainer Gstrein (University of Innsbruck), Robert Hoffmann (University of Salzburg), Tad Jones (New Orleans), Kurt Luger (University of Salzburg), David Nelson (University of North Carolina at Greensboros School of Music), Berndt Ostendorf (Ludwig Maximilians University Munich), Clemens Panagl (Salzburg), Gilda Pasetzky (Université de Franche-Comté, Besançon), Lawrence N. Powell (Tulane University, New Orleans), Oliver Rathkolb (University of Vienna), Jack Stewart (New Orleans), Penny Von Eschen (University of Michigan, Ann Arbor), and Reinhold Wagnleitner (University of Salzburg). 328 pp. Englisch, Deutsch. N° de réf. du vendeur 9783706541503
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Vendeur : moluna, Greven, Allemagne
Etat : New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. REINHOLD WAGNLEITNER, Associate Professor of Modern History at the University of Salzburg and past President of the Austrian Association for American Studies, also played and sang in Austrian pop, rock, and jazz bands. The English translation of his Coca. N° de réf. du vendeur 5246627
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Buch. Etat : Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Satchmo Meets Amadeus examines the close encounters between classical music, the soundtrack of the Europeanization of the world, and jazz, the classical music of globalization. This collection of essays by renowned experts in the history of European and American music, African American culture, international cultural encounters, the political, economic, and cultural histories of New Orleans and Salzburg, the political exploitation of music during the eras of National Socialism and the Cold War, the economic utilization of art by music and tourism industries, bypasses the artificial crevice between classical music and jazz, the new world and the old. Satchmo Meets Amadeus analyzes the cultural, economic, social, and political structures shaping or hindering the creation of music as well as the construction of popular images and myths about (and against) these seminal musical figures - in short, the creation of Satchmo(TM) and Amadeus(TM) - from the 18th to the beginning of the 21st century. N° de réf. du vendeur 9783706541503
Quantité disponible : 1 disponible(s)