The book at hand offers a comprehensive view into an area of work from Max Bill that has so far received little attention: typography, advertising and book design. One discovers Max Bill as the tireless creator of highly individual types and commercial logos as well as a designer with a sense of visual humor - not exactly a common aspect of constructive design in this country.Bill pursued two opposing principles and accordingly left behind two lines in his work: a graphic one and a sculptural one. Taking Herbert Bayer's universal type as a point of departure, Bill developed two lettering schemes for the Neubühl housing development and the firm "wohnbedarf", which departed from all then-known forms. The reason for the stretched "o" in "wohnbedarf" may well have been grounded on how one perceives the text from the side; yet, behind this understanding lie formal ideas and the reductionist concept of the Bauhaus.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The book at hand offers a comprehensive view into an area of work from Max Bill that has so far received little attention: typography, advertising and book design. One discovers Max Bill as the tireless creator of highly individual types and commercial logos as well as a designer with a sense of visual humor - not exactly a common aspect of constructive design in this country.Bill pursued two opposing principles and accordingly left behind two lines in his work: a graphic one and a sculptural one. Taking Herbert Bayer's universal type as a point of departure, Bill developed two lettering schemes for the Neubühl housing development and the firm "wohnbedarf", which departed from all then-known forms. The reason for the stretched "o" in "wohnbedarf" may well have been grounded on how one perceives the text from the side; yet, behind this understanding lie formal ideas and the reductionist concept of the Bauhaus.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
EUR 3,99 expédition depuis Rébublique tchèque vers France
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Destinations, frais et délaisVendeur : Speedyhen, London, Royaume-Uni
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. One discovers Max Bill as the tireless creator of highly individual types and commercial logos as well as a designer with a sense of visual humour. This book offers a comprehensive view of an area of work from Bill: typography, advertising and book design. Num Pages: 304 pages, Illustrations (some col.), ports. (some col.). BIC Classification: AKD; AKH; AKL. Category: (G) General (US: Trade); (UF) Further/Higher Education; (XV) Technical / Manuals. Dimension: 283 x 235 x 27. Weight in Grams: 1708. . 1999. First Edition. Hardcover. . . . . N° de réf. du vendeur V9783721203417
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Vendeur : S.P.Tuohy, Oxford, OXF, Royaume-Uni
Hardcover. Etat : Fine. 4to. 28 cm. Pp. 304. Profusely illustrated, partly in colour. Text in German and English. Orig. cloth. D.w. N° de réf. du vendeur 002961
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Vendeur : Librairie chemin des arts, PARIS, France
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Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. One discovers Max Bill as the tireless creator of highly individual types and commercial logos as well as a designer with a sense of visual humour. This book offers a comprehensive view of an area of work from Bill: typography, advertising and book design. Num Pages: 304 pages, Illustrations (some col.), ports. (some col.). BIC Classification: AKD; AKH; AKL. Category: (G) General (US: Trade); (UF) Further/Higher Education; (XV) Technical / Manuals. Dimension: 283 x 235 x 27. Weight in Grams: 1708. . 1999. First Edition. Hardcover. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783721203417
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