The history of emotion is an important interdisciplinary research field, not least because it touches fundamental questions about the distinction between psychobiology-based universals and socio-cultural, path-dependent and thus relative peculiarity. Conceptual incongruities between what is today understood as emotion and various views on emotions in antiquity should not distract from the fact that, while emotions do have a history, they substantially belong to all human experience as such. Visual media and images open perspectives for transcultural research that differ from the testimony of texts. Their study can thus make a major contribution to a better understanding of emotions in the Ancient Near East. How where gestures, body posture, facial expressions etc. visualized in images from Mesopotamia, the Levant and Egypt and what role does the visualization play in communicating emotions? The first part of the present volume takes concrete examples as a starting point and discusses the fundamental question whether or not emotions were represented and can thus be studied in Ancient Near Eastern art. Approaches and arguments are controversial: Some authors argue that there are no visualizations of emotions, but only cultural roles and ritual embodiments. Their view is contrasted by other contributors, who assume that one may detect non-verbal expressions hiding emotions in visual respresentations and that it is crucial to specify the appropriate tools and methodologies to interpret them in an adequate way. The second part offers five additional theoretical reflexions from comparative, linguistic and art-historical perspectives. With such a broad interdisciplinary approach including Assyriology, Egyptology, Near Eastern archaeology and Hebrew Bible/Old Testament studies, the volume offers a large panorama of the most important research positions on a fundamental topic.
Contributors include John Baines, Dominik Bonatz, Izak Cornelius, Margaret Jaques, Othmar Keel, Sara Kipfer, Florian Lippke, Silvia Schroer, Andreas Wagner, Elisabeth Wagner-Durand, and Wolfgang Zwickel.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Dr. Sara Kipfer is an SNSF-funded fellow at the universities of Chicago and Heidelberg. Her research focuses on reception-historical exegesis, biblical anthropology and prophecy.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ISD LLC, Bristol, CT, Etats-Unis
paperback. Etat : New. 1st. N° de réf. du vendeur 948914
Quantité disponible : Plus de 20 disponibles
Vendeur : Henry Hollander, Bookseller, Los Angeles, CA, Etats-Unis
Hardbound. Etat : Very Good-. Octavo, light blue paper covered boards with dark blue lettering and a small illustration, minor wear at the base of the spine, viii, 301 pp., b/w photos and drawings, indicies. An ex-library copy with ink-stamps and a small label but no other markings. Text is in English except for a few articles in German as noted below. Orbis Biblicuset Oreintalis 185. Introduction by Sara Kipfer. Articles are "Porträts altorientalischer Herrscher? Individualität oder Rolle," Othmar Keel, "Der stumme Schrei - Kritische Überlegungen zu Emotionen als Untersuchungsfeld der altorietalischen Bildwissenschaft," Dominik Bonatz, "Visualization of Emotions - Potentials and Obstacles: A Response to Dominick Bonatz," Elisabeth Wagner-Durand, "The Iconography of Emotions in the Ancient Near Easrt and in Ancient Egypt," Wolfgang Zwickel, "'The eyes have it and the benign smile' - The Iconography of Emotions in the Ancient Near East: From Gestures to Facial Expressions?" Izak Cornelius, "Kulturell Rollen - keine Gefühle! Eine Response zu Isak Cornelius," Silvia Schroer, "Analyzing 'Emotions' in Ancient Media: Between Skepticism and Conceptual Autonomy ('Eigenbegrifflichkeit')," Florian Lippke, "The Discourse on Emotion in Ancent Mesopotamia: A Theoretical Approach," Margaret Jaques, "Emotionen in Text, Sprache und materialen Bildern: Eine Skizze aus Sicht der Metaphernanalyse," Andeas Wagner, "Emotion and theancient Arts: Visualizing, Materializing, and Producing States of Being," Karen Sonik, "Epilogue: On Ancient Pictorial Representations of Emotion: Concluding Comments with Examples from Egypt," John Baines. N° de réf. du vendeur 94145
Quantité disponible : 1 disponible(s)
Vendeur : ISD LLC, Bristol, CT, Etats-Unis
hardcover. Etat : New. 1st. N° de réf. du vendeur 948912
Quantité disponible : 1 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 33044313
Quantité disponible : Plus de 20 disponibles
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2018. Hardcover. . . . . . N° de réf. du vendeur V9783727818172
Quantité disponible : Plus de 20 disponibles
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 33044313-n
Quantité disponible : Plus de 20 disponibles
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. 2018. Hardcover. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783727818172
Quantité disponible : Plus de 20 disponibles