Esta línea es mi arma: Chile - Lotty Rosenfeld for the first time provides insights into the personal archive and family history of the Chilean concept artist, feminist, and political activist Lotty Rosenfeld (1943–2020). Influenced by her family's life in exile, growing up in the shadow of loss and resistance, she developed a radical artistic practice under the Pinochet dictatorship in the 1970s. Using the simplest of resources—adhesive tape, lines, and crosses—she transformed streetscapes into places of protest and collective memory. Her "symbolic file of disobedience" brought into question the visual logic of power and transformed art into an instrument of political involvement. The publication combines personal memories with public statements and traces the Rosenfeld family's journey from a bourgeois Jewish life in Breslau through exile to a new beginning in Chile—and shows why her white line was more than just a symbol: it was a weapon of resistance.
Text in English and German.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Lotty Rosenfeld (1943–2020, Santiago de Chile, CL) was a Chilean artist and pioneer of socially engaged art practice. In her work, she questioned the public perception of symbols and social realities. In 1979, Rosenfeld, together with artist Juan Castillo, sociologist Fernando Balcells, writer Diamela Eltit, and poet Raúl Zurita, founded the interdisciplinary, political-artistic collective CADA (Colectivo de Acciones de Arte) to resist the totalitarian regime in Chile. CADA carried out actions in Chile and other places in public spaces, involving both civilians and activists and politicians. These actions were used to criticize totalitarian power structures and political injustices. The slogan "NO+" developed by the collective became a symbol of resistance against the Pinochet dictatorship and is still used today. During her lifetime, she exhibited in major museums, including the Museum of Modern Art (MoMA), New York, the Hammer Museum, Los Angeles, and the Brooklyn Museum, New York.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Esta línea es mi arma: Chile - Lotty Rosenfeld for the first time provides insights into the personal archive and family history of the Chilean concept artist, feminist, and political activist Lotty Rosenfeld (1943-2020). Influenced by her family's life in exile, growing up in the shadow of loss and resistance, she developed a radical artistic practice under the Pinochet dictatorship in the 1970s. Using the simplest of resources-adhesive tape, lines, and crosses-she transformed streetscapes into places of protest and collective memory. Her "symbolic file of disobedience" brought into question the visual logic of power and transformed art into an instrument of political involvement. The publication combines personal memories with public statements and traces the Rosenfeld family's journey from a bourgeois Jewish life in Breslau through exile to a new beginning in Chile-and shows why her white line was more than just a symbol: it was a weapon of resistance.Text in English and German. N° de réf. du vendeur LU-9783735610874
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Paperback. Etat : new. Paperback. Esta linea es mi arma: Chile Lotty Rosenfeld for the first time provides insights into the personal archive and family history of the Chilean concept artist, feminist, and political activist Lotty Rosenfeld (19432020). Influenced by her family's life in exile, growing up in the shadow of loss and resistance, she developed a radical artistic practice under the Pinochet dictatorship in the 1970s. Using the simplest of resources-adhesive tape, lines, and crosses-she transformed streetscapes into places of protest and collective memory. Her symbolic file of disobedience brought into question the visual logic of power and transformed art into an instrument of political involvement. The publication combines personal memories with public statements and traces the Rosenfeld family's journey from a bourgeois Jewish life in Breslau through exile to a new beginning in Chile-and shows why her white line was more than just a symbol: it was a weapon of resistance. Text in English and German. AUTHOR: Lotty Rosenfeld (19432020, Santiago de Chile, CL) was a Chilean artist and pioneer of socially engaged art practice. In her work, she questioned the public perception of symbols and social realities. In 1979, Rosenfeld, together with artist Juan Castillo, sociologist Fernando Balcells, writer Diamela Eltit, and poet Raul Zurita, founded the interdisciplinary, political-artistic collective CADA (Colectivo de Acciones de Arte) to resist the totalitarian regime in Chile. CADA carried out actions in Chile and other places in public spaces, involving both civilians and activists and politicians. These actions were used to criticize totalitarian power structures and political injustices. The slogan NO+ developed by the collective became a symbol of resistance against the Pinochet dictatorship and is still used today. During her lifetime, she exhibited in major museums, including the Museum of Modern Art (MoMA), New York, the Hammer Museum, Los Angeles, and the Brooklyn Museum, New York. SELLING POINTS: . First in-depth access to Lotty Rosenfeld's personal archive and family history: The book offers unprecedented insight into the private, political, and historical foundations of Rosenfeld's radical artistic practice . Art as resistance under dictatorship: Tracing her work during the Pinochet era, the publication reveals how Rosenfeld's iconic lines and crosses transformed public space into sites of protest and collective memory . Combining personal memories and public statements, the book situates Rosenfeld's practice within a transnational history of displacement, resistance, and visual dissent First in-depth access to Lotty Rosenfelds personal archive and family history. The book offers unprecedented insight into the private, political, and historical foundations of Rosenfelds radical artistic practice. Text in English and German. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783735610874
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Paperback. Etat : New. Esta línea es mi arma: Chile - Lotty Rosenfeld for the first time provides insights into the personal archive and family history of the Chilean concept artist, feminist, and political activist Lotty Rosenfeld (1943-2020). Influenced by her family's life in exile, growing up in the shadow of loss and resistance, she developed a radical artistic practice under the Pinochet dictatorship in the 1970s. Using the simplest of resources-adhesive tape, lines, and crosses-she transformed streetscapes into places of protest and collective memory. Her "symbolic file of disobedience" brought into question the visual logic of power and transformed art into an instrument of political involvement. The publication combines personal memories with public statements and traces the Rosenfeld family's journey from a bourgeois Jewish life in Breslau through exile to a new beginning in Chile-and shows why her white line was more than just a symbol: it was a weapon of resistance.Text in English and German. N° de réf. du vendeur LU-9783735610874
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Taschenbuch. Etat : Neu. Neuware -'Lotty Rosenfeld. Esta línea es mi arma' for the first time provides insights into the personal archive and family history of the Chilean concept artist, feminist, and political activist Lotty Rosenfeld (1943-2020). Influenced by her family's life in exile, growing up in the shadow of loss and resistance, she developed a radical artistic practice under the Pinochet dictatorship in the 1970s. Using the simplest of resources-adhesive tape, lines, and crosses-she transformed streetscapes into places of protest and collective memory. Her 'symbolic file of disobedience' brought into question the visual logic of power and transformed art into an instrument of political involvement. The publication combines personal memories with public statements and traces the Rosenfeld family's journey from a bourgeois Jewish life in Breslau through exile to a new beginning in Chile-and shows why her white line was more than just a symbol: it was a weapon of resistance.; 'Lotty Rosenfeld. Esta línea es mi arma' eröffnet erstmals den Blick in das persönliche Archiv und die Familiengeschichte der chilenischen Konzeptkünstlerin, Feministin und politischen Aktivistin Lotty Rosenfeld (1943-2020). Geprägt vom Exil ihrer Familie und dem Aufwachsen im Schatten von Verlust und Widerstand, entwickelte sie in den 1970er-Jahren unter der Pinochet-Diktatur eine radikale künstlerische Praxis. Mit einfachsten Mitteln - Klebeband, Linien und Kreuzen - verwandelte sie Straßenräume in Orte des Protests und des kollektiven Gedächtnisses. Ihre 'symbolischen Akte des Ungehorsams' stellten die visuelle Logik von Macht infrage und machten Kunst zum Instrument politischer Teilhabe. Die Publikation verbindet persönliche Erinnerung mit öffentlicher Geste und zeichnet den Weg der Familie Rosenfeld vom jüdisch-bürgerlichen Leben in Breslau über das Exil bis zum Neubeginn in Chile nach - und zeigt, warum ihre weiße Linie mehr war als ein Zeichen: eine Waffe des Widerstands. 128 pp. Englisch, Deutsch. N° de réf. du vendeur 9783735610874
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Taschenbuch. Etat : Neu. Neuware -'Lotty Rosenfeld. Esta línea es mi arma' for the first time provides insights into the personal archive and family history of the Chilean concept artist, feminist, and political activist Lotty Rosenfeld (1943-2020). Influenced by her family's life in exile, growing up in the shadow of loss and resistance, she developed a radical artistic practice under the Pinochet dictatorship in the 1970s. Using the simplest of resources-adhesive tape, lines, and crosses-she transformed streetscapes into places of protest and collective memory. Her 'symbolic file of disobedience' brought into question the visual logic of power and transformed art into an instrument of political involvement. The publication combines personal memories with public statements and traces the Rosenfeld family's journey from a bourgeois Jewish life in Breslau through exile to a new beginning in Chile-and shows why her white line was more than just a symbol: it was a weapon of resistance.; 'Lotty Rosenfeld. Esta línea es mi arma' eröffnet erstmals den Blick in das persönliche Archiv und die Familiengeschichte der chilenischen Konzeptkünstlerin, Feministin und politischen Aktivistin Lotty Rosenfeld (1943-2020). Geprägt vom Exil ihrer Familie und dem Aufwachsen im Schatten von Verlust und Widerstand, entwickelte sie in den 1970er-Jahren unter der Pinochet-Diktatur eine radikale künstlerische Praxis. Mit einfachsten Mitteln - Klebeband, Linien und Kreuzen - verwandelte sie Straßenräume in Orte des Protests und des kollektiven Gedächtnisses. Ihre 'symbolischen Akte des Ungehorsams' stellten die visuelle Logik von Macht infrage und machten Kunst zum Instrument politischer Teilhabe. Die Publikation verbindet persönliche Erinnerung mit öffentlicher Geste und zeichnet den Weg der Familie Rosenfeld vom jüdisch-bürgerlichen Leben in Breslau über das Exil bis zum Neubeginn in Chile nach - und zeigt, warum ihre weiße Linie mehr war als ein Zeichen: eine Waffe des Widerstands. 128 pp. Englisch, Deutsch. N° de réf. du vendeur 9783735610874
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