Dans l'exposition « Oltre Terra. Why Wool Matters » l'agence de design Formafantasma étudie l'histoire, l'écologie et la dynamique globale de l'extraction et de la production de laine. Une série d'œuvres d'art, objets agricoles et culturels, photographies, vidéos et autres matériaux montre comment la laine est plus qu'une simple matière première pour les industries textiles. Les humains ont donné aux moutons domestiqués nourriture et protection en échange de laine - un matériau aux propriétés magiques qui a profondément modifié le cours de l'histoire humaine et animale. L'installation plus large d'Oltre Terra est une approche critique du diorama comme mode d'exposition. Couramment utilisé dans les musées d'histoire naturelle pour représenter un scène statique de la nature, le diorama est ici explosé dans une installation qui contient six reproductions grandeur nature de différentes races de moutons, un tapis fabriqué à partir de fibres de laine jetées, ainsi que de documents, films, sous-produits de fabrication et divers types de matières organiques. Tous les éléments sont présentés côte à côte pour contrer les catégorisations persistantes qui séparent l'humain de l'animal et le produit de la matière biologique.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
In the exhibition "Oltre Terra. Why Wool Matters" the multidisciplinary design studio Formafantasma investigates the history, ecology and global dynamics of the extraction and production of wool. A wide range of artworks, agricultural and cultural objects, photographs, videos, and other materials shows how wool is more than simply a raw material for the design and textile industries. The domestic sheep as we know them today evolved over the course of hundreds of years. Humans gave sheep food and protection from predators and got wool in return - a material with magical properties that profoundly altered the course of both human and animal history.
The wider installation of Oltre Terra is a critical take on the display mode of the diorama. Commonly used in natural history museums to represent a static scene from nature, here the diorama is exploded into an installation that contains six life-size reproductions of different sheep breeds, a carpet made from discarded wool fibers, as well as documents, films, by-products of manufacturing processes and various types of organic matter. All the elements are presented side by side to counteract persisting categorizations that separate human from animal and product from biological matter.
Ed.: Kristian Wikborg Wiese, Marianne Yvenes.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Taschenbuch. Etat : Neu. Neuware -In the exhibition 'Oltre Terra. Why Wool Matters' the multidisciplinary design studio Formafantasma investigates the history, ecology and global dynamics of the extraction and production of wool. A wide range of artworks, agricultural and cultural objects, photographs, videos, and other materials shows how wool is more than simply a raw material for the design and textile industries. The domestic sheep as we know them today evolved over the course of hundreds of years. Humans gave sheep food and protection from predators and got wool in return - a material with magical properties that profoundly altered the course of both human and animal history. The wider installation of Oltre Terra is a critical take on the display mode of the diorama. Commonly used in natural history museums to represent a static scene from nature, here the diorama is exploded into an installation that contains six life-size reproductions of different sheep breeds, a carpet made from discarded wool fibers, as well as documents, films, by-products of manufacturing processes and various types of organic matter. All the elements are presented side by side to counteract persisting categorizations that separate human from animal and product from biological matter. Ed.: Kristian Wikborg Wiese, Marianne Yvenes. 176 pp. Englisch. N° de réf. du vendeur 9783753303666
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Taschenbuch. Etat : Neu. Neuware -In the exhibition 'Oltre Terra. Why Wool Matters' the multidisciplinary design studio Formafantasma investigates the history, ecology and global dynamics of the extraction and production of wool. A wide range of artworks, agricultural and cultural objects, photographs, videos, and other materials shows how wool is more than simply a raw material for the design and textile industries. The domestic sheep as we know them today evolved over the course of hundreds of years. Humans gave sheep food and protection from predators and got wool in return - a material with magical properties that profoundly altered the course of both human and animal history. The wider installation of Oltre Terra is a critical take on the display mode of the diorama. Commonly used in natural history museums to represent a static scene from nature, here the diorama is exploded into an installation that contains six life-size reproductions of different sheep breeds, a carpet made from discarded wool fibers, as well as documents, films, by-products of manufacturing processes and various types of organic matter. All the elements are presented side by side to counteract persisting categorizations that separate human from animal and product from biological matter. Ed.: Kristian Wikborg Wiese, Marianne Yvenes. 176 pp. Englisch. N° de réf. du vendeur 9783753303666
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Taschenbuch. Etat : Neu. Neuware -In the exhibition 'Oltre Terra. Why Wool Matters' the multidisciplinary design studio Formafantasma investigates the history, ecology and global dynamics of the extraction and production of wool. A wide range of artworks, agricultural and cultural objects, photographs, videos, and other materials shows how wool is more than simply a raw material for the design and textile industries. The domestic sheep as we know them today evolved over the course of hundreds of years. Humans gave sheep food and protection from predators and got wool in return - a material with magical properties that profoundly altered the course of both human and animal history.The wider installation of Oltre Terra is a critical take on the display mode of the diorama. Commonly used in natural history museums to represent a static scene from nature, here the diorama is exploded into an installation that contains six life-size reproductions of different sheep breeds, a carpet made from discarded wool fibers, as well as documents, films, by-products of manufacturing processes and various types of organic matter. All the elements are presented side by side to counteract persisting categorizations that separate human from animal and product from biological matter.Ed.: Kristian Wikborg Wiese, Marianne Yvenes. N° de réf. du vendeur 9783753303666
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