À la fin du 19e siècle, les marques déposées commencent à remplacer les emblêmes traditionnels comme les blasons et les armoiries, que les entreprises utilisaient jusqu’alors comme symboles pour s’identifier. Les premiers logos étaient figuratifs, mais ils sont peu à peu devenus les marquages abstraits que nous connaissons aujourd’hui. Beaucoup de grandes marques ― comme Rolex, BMW, Louis Vuitton et les New York Yankees ― emploient encore des logos conçus il y a cent ans.
Pour composer ce recueil réunissant les deux tomes antérieurs ― Logo Beginnings et Logo Modernism ―, l’expert ès-design Jens Müller (surnommé “le détective du logo” par le magazine Wired) a fouillé les archives recensant les marques déposées et les publications dédiées au design, dont il a extrait des milliers de logos, remontant jusqu’à 1870, parmi lesquels de nombreuses créations oubliées et les premières versions des identifiants visuels actuels des grandes marques.
Afin que cet ouvrage soit clair et facile à consulter, les deux parties consacrées aux débuts du logo et à sa maturité moderniste sont scindées en catégories (pictural, forme, effet, typographie…), elles-mêmes divisées en plusieurs rubriques relatives à leurs caractéristiques de base: cercle, ligne, alphabet, superposition, pois et carrés.
Pour planter le décor, l’essai de l’auteur sur l’histoire de la marque déposée est complété par un essai de R. Roger Remington sur le modernisme dans le graphisme, et par les profils de huit designers phares, parmi lesquels Paul Rand, Yusaku Kamekura et Anton Stankowski.
Couvrant tous les domaines, des médias aux géants de la distribution, des compagnies aériennes aux galeries d’art, cet ouvrage est une ressource inestimable pour les graphistes, les publicitaires et les experts en identité de marque. Il réjouira aussi les amoureux d’histoire culturelle et entrepreneuriale, et quiconque est fasciné par le phénoménal pouvoir de persuasion de l’image et de la forme.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Jens Müller nació en la ciudad alemana de Coblenza en 1982 y estudió diseño gráfico. Ganador de numerosos premios de diseño nacionales e internacionales, Müller es socio del estudio de diseño Vista de Düsseldorf, editor de la colección A5 sobre la historia del diseño gráfico y autor de Logo Modernism. Es profesor de diseño corporativo en la Universidad de Ciencias Aplicadas y Artes de Dortmund.
Many iconic brands―like Rolex, BMW, Louis Vuitton, and the New York Yankees―use logos designed over 100 years ago. Tracing the origins of the trademark and gathering more than 3,000 logos from the mid-1800s up to 1980, design expert Jens Müller’s exhaustive anthology is a must for anyone fascinated by the evolution of modern corporate identities.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. By the late 19th century, trademarks began to replace traditional emblems, like coats of arms, as identifying symbols for companies. At first, logos tended to be figurative, but over time they morphed into the abstract marks that we see everywhere today. Yet many iconic brands-like Rolex, BMW, Louis Vuitton, and the New York Yankees-still use logos designed 100 years ago. Bringing together two previous volumes-Logo Beginnings and Logo Modernism-into one compendium, design expert Jens Mueller (dubbed "the logo detective" by Wired magazine) has trawled historical trademark archives and design publications to unearth 1000s of logos from as far back as 1870, including many forgotten designs and early versions of today's brand identifiers. For clarity and ease of reference, both the Beginnings and Modernism sections are divided into categories (like Pictorial, Form, Effect, and Typographic) with each category further subdivided by basic design elements, like circle, line, alphabet, overlay, dots and squares.For context, in addition to the author's essay on the history of the trademark, R. Roger Remington writes on modernism in graphic design, plus there are profiles of eight seminal designers-including Paul Rand, Yusaku Kamekura, and Anton Stankowski. Covering everything from media outfits to retail giants, airlines to art galleries, this is an invaluable resource for graphic designers, advertisers, and branding experts. It will also delight fans of cultural and corporate history, and anyone fascinated by the persuasive power of image and form. Many iconic brands-like Rolex, BMW, Louis Vuitton, and the New York Yankees-use logos designed over 100 years ago. Tracing the origins of the trademark and gathering more than 3,000 logos from the mid-1800s up to 1980, design expert Jens Mueller's exhaustive anthology is a must for anyone fascinated by the evolution of modern corporate identities. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783754401378
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Hardback. Etat : New. Multilingual. By the late 19th century, trademarks began to replace traditional emblems, like coats of arms, as identifying symbols for companies. At first, logos tended to be figurative, but over time they morphed into the abstract marks that we see everywhere today. Yet many iconic brands-like Rolex, BMW, Louis Vuitton, and the New York Yankees-still use logos designed 100 years ago. Bringing together two previous volumes-Logo Beginnings and Logo Modernism-into one compendium, design expert Jens Müller (dubbed "the logo detective" by Wired magazine) has trawled historical trademark archives and design publications to unearth 1000s of logos from as far back as 1870, including many forgotten designs and early versions of today's brand identifiers. For clarity and ease of reference, both the Beginnings and Modernism sections are divided into categories (like Pictorial, Form, Effect, and Typographic) with each category further subdivided by basic design elements, like circle, line, alphabet, overlay, dots and squares.For context, in addition to the author's essay on the history of the trademark, R. Roger Remington writes on modernism in graphic design, plus there are profiles of eight seminal designers-including Paul Rand, Yusaku Kamekura, and Anton Stankowski. Covering everything from media outfits to retail giants, airlines to art galleries, this is an invaluable resource for graphic designers, advertisers, and branding experts. It will also delight fans of cultural and corporate history, and anyone fascinated by the persuasive power of image and form. N° de réf. du vendeur LU-9783754401378
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Hardback. Etat : New. Multilingual. By the late 19th century, trademarks began to replace traditional emblems, like coats of arms, as identifying symbols for companies. At first, logos tended to be figurative, but over time they morphed into the abstract marks that we see everywhere today. Yet many iconic brands-like Rolex, BMW, Louis Vuitton, and the New York Yankees-still use logos designed 100 years ago. Bringing together two previous volumes-Logo Beginnings and Logo Modernism-into one compendium, design expert Jens Müller (dubbed "the logo detective" by Wired magazine) has trawled historical trademark archives and design publications to unearth 1000s of logos from as far back as 1870, including many forgotten designs and early versions of today's brand identifiers. For clarity and ease of reference, both the Beginnings and Modernism sections are divided into categories (like Pictorial, Form, Effect, and Typographic) with each category further subdivided by basic design elements, like circle, line, alphabet, overlay, dots and squares.For context, in addition to the author's essay on the history of the trademark, R. Roger Remington writes on modernism in graphic design, plus there are profiles of eight seminal designers-including Paul Rand, Yusaku Kamekura, and Anton Stankowski. Covering everything from media outfits to retail giants, airlines to art galleries, this is an invaluable resource for graphic designers, advertisers, and branding experts. It will also delight fans of cultural and corporate history, and anyone fascinated by the persuasive power of image and form. N° de réf. du vendeur LU-9783754401378
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