This volume engages from the perspective of the ancient Mediterranean world with current debates in the field of cultural studies revolving around the idea of embodied knowledge. In particular, it deals with the dissolution of the concept of the ideal body as a repository of knowledge through instances of deformation or hybridization. The starting point comprises a series of case studies of less than perfect bodies: bodies that are misshapen, stigmatized, fragmented, as well as hybrid human/animal creatures, transgendered persons, and bodies on the cultural periphery of the classical world. All of these examples represent deviations from the normal order of things and evoke familiar feelings of alienation. The ordered knowledge that has shaped the body is subverted and falls into disorder. One strategy for dealing with this is to canonize transgression in visual form. Fluid bodies are captured in the image and domesticated, creating a visual order in disorder. The body-as-ruin is a fixed figure of fluidity and thus especially receptive to attributions of meaning, which helps explain its persistence as a cultural trope. It allows for the observation of cultural change.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
This volume engages from the perspective of the ancient Mediterranean world with current debates in the field of cultural studies revolving around the idea of embodied knowledge. In particular, it deals with the dissolution of the concept of the ideal body as a repository of knowledge through instances of deformation or hybridization. The starting point comprises a series of case studies of less than perfect bodies: bodies that are misshapen, stigmatized, fragmented, as well as hybrid human/animal creatures, transgendered persons, and bodies on the cultural periphery of the classical world. All of these examples represent deviations from the normal order of things and evoke familiar feelings of alienation. The ordered knowledge that has shaped the body is subverted and falls into disorder. One strategy for dealing with this is to canonize transgression in visual form. Fluid bodies are captured in the image and domesticated, creating a visual order in disorder. The body-as-ruin is a fixed figure of fluidity and thus especially receptive to attributions of meaning, which helps explain its persistence as a cultural trope. It allows for the observation of cultural change.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Antiquariat An der Vikarie, Grafschaft-Leimersdorf, Allemagne
354 S. und 16 plates, very good and clean, text in English (partly German or French), Sprache: Englisch Gewicht in Gramm: 880 original softcover (no dustjacket), N° de réf. du vendeur 19683
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Etat : New. This volume deals with the dissolution of the concept of the ideal body as a repository of knowledge through instances of deformation or hybridization The starting point comprises a series of case studies of less than perfect bodies: bodies that are misshap. N° de réf. du vendeur 34796717
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Taschenbuch. Etat : Neu. Bodies in Transition | Dissolving the Boundaries of Embodied Knowledge, Morphomata 23 | Dietrich Boschung | Taschenbuch | 372 S. | Englisch | 2015 | Brill Fink, Wilhelm | EAN 9783770558087 | Verantwortliche Person für die EU: Brill Deutschland GmbH, Robert-Bosch-Breite 10, 37079 Göttingen, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. N° de réf. du vendeur 105277792
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