Graffiti has its roots in urban youth and protest cultures. However, in the past decades it has become an established visual art form. This volume investigates how graffiti oscillates between genuine subversiveness and a more recent commercialization and appropriation by the (art) market. At the same time it looks at how graffiti and street art are increasingly used as an instrument for collective re-appropriation of the urban space and so for the articulation of different forms of belonging, ethnicity, and citizenship. The focus is set on the role of graffiti in metropolitan contexts in the Spanish-speaking world but also includes glimpses of historical inscriptions in ancient Rome and Mesoamerica, as well as the graffiti movement in New York in the 1970s and in Egypt during the Arab Spring.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Graffiti has its roots in urban youth and protest cultures. However, in the past decades it has become an established visual art form. This volume investigates how graffiti oscillates between genuine subversiveness and a more recent commercialization and appropriation by the (art) market. At the same time it looks at how graffiti and street art are increasingly used as an instrument for collective re-appropriation of the urban space and so for the articulation of different forms of belonging, ethnicity, and citizenship. The focus is set on the role of graffiti in metropolitan contexts in the Spanish-speaking world but also includes glimpses of historical inscriptions in ancient Rome and Mesoamerica, as well as the graffiti movement in New York in the 1970s and in Egypt during the Arab Spring.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : SKULIMA Wiss. Versandbuchhandlung, Westhofen, Allemagne
Etat : Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/near mint. Visual Practices and Contestations in Urban Space. Edited by Eva Shamiran Youkhana and Larissa Förster. The volume investigates how graffiti oscillates between genuine subversiveness and a more recent commercialisation and appropriation by the (art) market. At the same time it looks at how graffiti and street art are increasingly used as an instrument to collectively re-appropriate the urban space and thus articulate different forms of belonging, ethnicity and citizenship. The focus lies on the role of graffiti in metropolitan contexts in the Spanish-speaking world and includes a glimpse at historical inscriptions in ancient Rome and Mesoamerica, as well as at the graffiti movement in Egypt. With contributions by Larissa Förster, Eva Youkhana, Martin Langner, Christiane Clados, Sascha Schierz, Tereza Ventura, Teobaldo Lagos Preller, Joaquín Barriendos, Sofía Carillo, Olaf Kaltmeier, Javier Abarca, Allan Gretzki and Mona Abaza. 316 Seiten mit 21 Farb- und 72 s/w-Abb., broschiert (Morphomata; Vol. 28/Wilhelm Fink Verlag 2015). Statt EUR 62,00. Gewicht: 729 g - Softcover/Taschenbuch. N° de réf. du vendeur 117537
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Vendeur : moluna, Greven, Allemagne
Kartoniert / Broschiert. Etat : New. Graffiti has its roots in urban youth and protest cultures. However, in the past decades it has become an established visual art form.The volume investigates how graffiti oscillates between genuine subversiveness and a more recent commercialisation and appr. N° de réf. du vendeur 31405483
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. Neuware - Graffiti has its roots in urban youth and protest cultures. However, in the past decades it has become an established visual art form. This volume investigates how graffiti oscillates between genuine subversiveness and a more recent commercialization and appropriation by the (art) market. At the same time it looks at how graffiti and street art are increasingly used as an instrument for collective re-appropriation of the urban space and so for the articulation of different forms of belonging, ethnicity, and citizenship. The focus is set on the role of graffiti in metropolitan contexts in the Spanish-speaking world but also includes glimpses of historical inscriptions in ancient Rome and Mesoamerica, as well as the graffiti movement in New York in the 1970s and in Egypt during the Arab Spring.; Graffiti has its roots in urban youth and protest cultures. However, in the past decades it has become an established visual art form.The volume investigates how graffiti oscillates between genuine subversiveness and a more recent commercialisation and appropriation by the (art) market. At the same time it looks at how graffiti and street art are increasingly used as an instrument to collectively re-appropriate the urban space and thus articulate different forms of belonging, ethnicity and citizenship. The focus lies on the role of graffiti in metropolitan contexts in the Spanish-speaking world and includes a glimpse at historical inscriptions in ancient Rome and Mesoamerica, as well as at the graffiti movement in Egypt. N° de réf. du vendeur 9783770559091
Quantité disponible : 2 disponible(s)
Vendeur : preigu, Osnabrück, Allemagne
Buch. Etat : Neu. Grafficity | Visual Practices and Contestations in Urban Space, Morphomata 28 | Larissa Förster | Buch | 316 S. | Deutsch | 2015 | Brill Fink, Wilhelm | EAN 9783770559091 | Verantwortliche Person für die EU: Brill Deutschland GmbH, Wollmarktstr. 115, 33098 Paderborn, productsafety[at]degruyterbrill[dot]com | Anbieter: preigu. N° de réf. du vendeur 104943736
Quantité disponible : 2 disponible(s)