Pop Art: US/UK Connections 1956-1966 examines the critical transatlantic cultural exchange that led to the decade-long development of classic Pop Art. This publication explores the impact on British and American artists of post-World War II American popular culture as disseminated in the mass media of film, recorded music, advertising and television. While Pop Art drew its influences from many sources, include abstract and figurative modes in painting and advertising, assemblage, and early happenings, it is these mass cultural influences that are the most crucial. The main emphasis of the book is on the resultant ''pure'' aspects of Pop--its hard-edged imagery and its use of photographic media and reproduction processes. Pop Art: US/UK Connections 1956-1966 is the first major American publication focusing on how a dialogue between British and American artists provided the genesis of Pop Art. Many readers will be surprised by this full account of the complex history of Pop Art, which involved a series of successive developments, first in London and subsequently in New York and Los Angeles. Featuring extensive documentation of works from all of Pop Art's major figures--British and American, famous and less well-known--Pop Art: US/UK Connections 1956-1966 also presents essential essays and interviews devoted to all things Pop.
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Vendeur : Bay State Book Company, North Smithfield, RI, Etats-Unis
Etat : good. The book is in good condition with all pages and cover intact, including the dust jacket if originally issued. The spine may show light wear. Pages may contain some notes or highlighting, and there might be a "From the library of" label. Boxed set packaging, shrink wrap, or included media like CDs may be missing. N° de réf. du vendeur BSM.19B9F
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Vendeur : Greenworld Books, Arlington, TX, Etats-Unis
Etat : good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy. N° de réf. du vendeur GWV.377571023X.G
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Vendeur : WorldofBooks, Goring-By-Sea, WS, Royaume-Uni
Paperback. Etat : Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged. N° de réf. du vendeur GOR009579351
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Vendeur : medimops, Berlin, Allemagne
Etat : good. Befriedigend/Good: Durchschnittlich erhaltenes Buch bzw. Schutzumschlag mit Gebrauchsspuren, aber vollständigen Seiten. / Describes the average WORN book or dust jacket that has all the pages present. N° de réf. du vendeur M0377571023X-G
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Vendeur : medimops, Berlin, Allemagne
Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. N° de réf. du vendeur M0377571023X-V
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Vendeur : Kepler-Buchversand Huong Bach, Weil der Stadt, Allemagne
Gr.-4°, Broschiert. Etat : Gut. 264 S., Abb. Gebraucht: guter und sauberer Zustand. Sprache: Englisch Gewicht in Gramm: 1732. N° de réf. du vendeur 120556
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Vendeur : LEFT COAST BOOKS, Santa Maria, CA, Etats-Unis
Paperback. Etat : Fine. 1st. 262 pages, illustrations (some colour); 30 cm. Catalogue accompanying an exhibition held at the Menil Collection, Houston, Tex., January 26 to May 13, 2001. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Pop Art: U.S./U.K. Connections, 1956-1966 looks only at artwork by American and British practitioners that is considered 'pure' Pop. This definition of Pop rests on the adoption of preexisting or received images from mass media sources of advertising, television, and movies - images that convey the personalities, common objects, and scenery of vernacular culture. The techniques utilized, however, varied: the Americans generally used a more reductive method, arriving at a centralized iconic image, while the British preferred an episodic approach that generated an implied narrative. As the essays in this book make clear, Pop Art promoted no specific agenda beyond the investigation of the prevailing American environment." - Publisher. *** CONTENTS: London Pop Recollected, by Christopher Finch; New Painting of Common Objects, by Walter Hopps interviewed by Jim Edwards; British Pop Art: 1956-1966: A Documentary Essay, by David E. Brauer; The Confluence of East and West Coast Pop, by Jim Edwards; Plates and Catalogue Commentary. American Entries, by Jim Edwards; British Entries, by David E. Brauer; U.S./U.K. Chronology: 1956-1966. American Chronology, by Jim Edwards; British Chronology, by David E. Brauer. Size: 4to. Collectible. N° de réf. du vendeur 023646
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Vendeur : Materia Prima Books, New haven, CT, Etats-Unis
Soft cover. Etat : Very Good. 4to. 262 pp. b/w and color illustrations. Illustrated wraps. Small crease to crown of spine, minor rubbing. Very Good. N° de réf. du vendeur 3877
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Vendeur : Celler Versandantiquariat, Eicklingen, Allemagne
Hatje Cantz Publishers, Ostfildern-Ruit, 2001. 262 überweigend bebilderte S., kartoniert, quart---- gutes Exemplar / The Menil Collection / Herausgeberin/Editor: Polly Koch / Text englisch - 1745 Gramm. N° de réf. du vendeur 1Q2225
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Vendeur : Antiquariat Bäßler, Vohenstrauss, Allemagne
engl. Bro. 262 S. : zahlr. Ill. ; 30 cm Buch in guter Erhaltung, Einband sauber und unbestoßen, Seiten hell und sauber, im Randbereich wenig nachgedunkelt, leichte Gebrauchsspuren.Sprache: Englisch , Sprache: Englisch Gewicht in Gramm: 1900. N° de réf. du vendeur 140082
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