The artistic works of Andreas Slominski (*1959 in Meppen) are among some of the most unusual in contemporary German art. While his pieces from the early nineties still had the dimensions of small sculptures, in recent years they have grown into large installations. From the very beginning, the artist sought to engage in a direct dialogue with the art public. His so-called traps are absurd-looking snares, something between a sculpture and a functional object. His exhibitions feature bicycles, windmills, and found objects and materials taken from everyday life. As Duchamp did before him, Slominski puts ordinary objects into an artistic context in order to make us aware of the process of perceiving art. This monograph is a survey of the artist's oeuvre from 1996 to the present.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
The artistic works of Andreas Slominski (*1959 in Meppen) are among some of the most unusual in contemporary German art. While his pieces from the early nineties still had the dimensions of small sculptures, in recent years they have grown into large installations. From the very beginning, the artist sought to engage in a direct dialogue with the art public. His so-called traps are absurd-looking snares, something between a sculpture and a functional object. His exhibitions feature bicycles, windmills, and found objects and materials taken from everyday life. As Duchamp did before him, Slominski puts ordinary objects into an artistic context in order to make us aware of the process of perceiving art. This monograph is a survey of the artist's oeuvre from 1996 to the present.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : medimops, Berlin, Allemagne
Etat : very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages. N° de réf. du vendeur M03775726039-V
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Vendeur : Klondyke, Almere, Pays-Bas
Etat : Good. Original pictorial blind stamped boards, illustrated with numerous (full page) colour photographs, 8vo. N° de réf. du vendeur 339667-XF18
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Vendeur : Buchkanzlei, Bremen, Allemagne
Hardcover. Etat : Gut. 1. Auflage. 144 Seiten Originalverpackt in Folie, zweisprachig Englisch, Deutsch. 187 Sprache: Deutsch Gewicht in Gramm: 607. N° de réf. du vendeur 38939
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Vendeur : Specific Object / David Platzker, New York, NY, Etats-Unis
144 pp.; 24.6 x 17.6 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Exhibition catalogue published in conjunction with show held at Sammlung Goetz, Munich, May 25 - September 18, 2010. Edited and with texts by Ingvild Goetz, Karsten Löckemann, and Stephan Urbaschek. Additional texts by Birgit Sonna, Katharina Vossenkuhl, and Larissa Michelberger. Includes exhibition and publication history and an exhibition checklist. Very Good / Fine. Light denting of verso, otherwise Fine. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders. N° de réf. du vendeur 37954
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued, 144 pages, in English and German; as new condition, no internal marks, clean and crisp. N° de réf. du vendeur AnSlSa50
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Vendeur : Antiquariat UEBUE, Zürich, Suisse
Hardcover. Etat : Sehr gut. 1. Auflage. Z : 144 Seiten/pp., 98 Abb./ills. - Die Monografie bietet einen Überblick über das Schaffen des Künstlers von 1996 bis heute. N° de réf. du vendeur ABE-1583770524144
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Vendeur : Antiquariat J. Hünteler, Hamburg, Allemagne
Gr.-8°, Pappband-O. Etat : Gut. 144 S., Mit zahlreichen Abbildungen, sehr sauberes Exemplar. 202631_Kunst Sprache: Englisch Gewicht in Gramm: 1485. N° de réf. du vendeur 59250
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Vendeur : primatexxt Buchversand, München, Allemagne
gebundene Ausgabe. Etat : Sehr gut. 144 Seiten Leichte äußere Mängel - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Deutsch Gewicht in Gramm: 630. N° de réf. du vendeur 244316
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Vendeur : Buchmarie, Darmstadt, Allemagne
Etat : Good. N° de réf. du vendeur 2649758_77e_3x
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened -- Text in German and English. 144 pages; 77 color illustrations. -- with a bonus offer--; German artist Andreas Slominski (born 1959) explores the still fertile realm of the readymade, appropriating such functional objects as bicycles, windmills and other found materials which he then reproposes as freestanding sculptures, or which he incorporates, with the use of spray paint, into polystyrene wall reliefs. Slominski always intends his sculptures to elicit the more absurd qualities of the props of everyday life. Though the artist is perhaps best known for his work as an absurdist sculptor, Slominski is also a veteran of absurdist performance: he once famously charged two mimes with the task of carrying an invisible painting from the Royal College of Art to the Serpentine in London. For another similarly wacky work, he had a giraffe in a zoo lick a stamp for a letter he then sent. This monograph surveys the artist's work from 1996 to the present. N° de réf. du vendeur 88090
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