In her Letter to a Friend, dOCUMENTA (13)'s artistic director Carolyn Christov-Bakargiev gives an insight into her working process, outlining some of the key issues around the 2012 exhibition. In shifting voices, such as storytelling, theoretical speculation, travel diary, press release, or critical reflection, she describes dOCUMENTA (13) as something more than an exhibition-for her it is a state of mind. It is a constellation of artistic acts and gestures that are already taking place as well as an exhibition that will open on June 6, 2012, and that will run for 100 days. Given the heterogeneity of the audience it addresses and the historical development of group exhibitions as "a non-commercial place to intensely aggregate," what can this exhibition be today? Opening the boundaries of disciplines and fields of knowledge and emphasizing the procedural questions, dOCUMENTA (13) is coming together by thinking through a number of composite entangled ontologies instead of following a defined curatorial concept.
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In her Letter to a Friend, dOCUMENTA (13)'s artistic director Carolyn Christov-Bakargiev gives an insight into her working process, outlining some of the key issues around the 2012 exhibition. In shifting voices, such as storytelling, theoretical speculation, travel diary, press release, or critical reflection, she describes dOCUMENTA (13) as something more than an exhibition-for her it is a state of mind. It is a constellation of artistic acts and gestures that are already taking place as well as an exhibition that will open on June 6, 2012, and that will run for 100 days. Given the heterogeneity of the audience it addresses and the historical development of group exhibitions as "a non-commercial place to intensely aggregate," what can this exhibition be today? Opening the boundaries of disciplines and fields of knowledge and emphasizing the procedural questions, dOCUMENTA (13) is coming together by thinking through a number of composite entangled ontologies instead of following a defined curatorial concept.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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paperback. Etat : Gut. Auflage: 1. 31 Seiten. In german and english. Gutes Exemplar, leicht abgegriffen und vergilbt. Good copy. - - In her Letter to a Friend, dOCUMENTA (13)'s artistic director Carolyn Christov-Bakargiev gives an insight into her working process, outlining some of the key issues around the 2012 exhibition. In shifting voices, such as storytelling, theoretical speculation, travel diary, press release, or critical reflection, she describes dOCUMENTA (13) as something more than an exhibitionfor her it is a state of mind. It is a constellation of artistic acts and gestures that are already taking place as well as an exhibition that will open on June 6, 2012, and that will run for 100 days. Given the heterogeneity of the audience it addresses and the historical development of group exhibitions as "a non-commercial place to intensely aggregate," what can this exhibition be today? Opening the boundaries of disciplines and fields of knowledge and emphasizing the procedural questions, dOCUMENTA (13) is coming together by thinking through a number of composite entangled ontologies instead of following a defined curatorial concept. ISBN 9783775728522 Sprache: Deutsch Gewicht in Gramm: 90. N° de réf. du vendeur 1275981
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Paperback. Etat : New. Through stories, diaries, critical reflection and letters, Documenta 13's artistic director Carolyn Christov-Bakargiev describes some of the key issues around the 2012 exhibition. N° de réf. du vendeur 94639
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