Articles liés à Why I Never Became a Dancer /anglais/allemand

Why I Never Became a Dancer /anglais/allemand - Couverture souple

Goetz, Ingvild

 
9783775731546: Why I Never Became a Dancer /anglais/allemand
Couverture souple
ISBN 10 : 3775731547 ISBN 13 : 9783775731546
Editeur : Hatje Cantz, 2011

Synopsis

The former air-raid shelter at the Haus der Kunst has been transformed into a venue for the presentation of international works on video that deal with the theme of a youth spent in media society and popular culture. Facets of socialization, hybrid patterns of behavior, and international influences appear in a multiplicity of forms. The exhibition presents a fascinating combination of social and personal dimensions, providing a wealth of material that virtually demands to be explored. And it is not only present-day generations that see themselves reflected here. Tobias Zielony's Behind the Block or Martin Brand's Station, for instance, capture a zeitgeist that has matured out of the past. The last thirty years are also called to mind in Rosemarie Trockel's Yvonne, Rineke Dijkstra's The Buzzclub, Liverpool, UK / Mysteryworld, Zaandam, NL, and especially in the eponymous story by Tracey Emin, Why I Never Became a Dancer.\n

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de la quatrième de couverture

The former air-raid shelter at the Haus der Kunst has been transformed into a venue for the presentation of international works on video that deal with the theme of a youth spent in media society and popular culture. Facets of socialization, hybrid patterns of behavior, and international influences appear in a multiplicity of forms. The exhibition presents a fascinating combination of social and personal dimensions, providing a wealth of material that virtually demands to be explored. And it is not only present-day generations that see themselves reflected here. Tobias Zielony's Behind the Block or Martin Brand's Station, for instance, capture a zeitgeist that has matured out of the past. The last thirty years are also called to mind in Rosemarie Trockel's Yvonne, Rineke Dijkstra's The Buzzclub, Liverpool, UK / Mysteryworld, Zaandam, NL, and especially in the eponymous story by Tracey Emin, Why I Never Became a Dancer.\n

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Hatje Cantz
Date d'édition
2011
Langue
anglais
ISBN 10 
3775731547
ISBN 13 
9783775731546
Reliure
Broché
Nombre de pages
120
Coordonnées du fabricant
non disponible
Personne responsable
non disponible