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Description du livre Etat : New. pp. 128. N° de réf. du vendeur 2697440405
Description du livre Etat : New. pp. 128. N° de réf. du vendeur 96038218
Description du livre Hardcover. Etat : new. Hardcover. Nathan Coley (*1967 in Glasgow) is interested in the idea of "public" space, and his practice explores the ways in which architecture becomes invested-and reinvested-with meaning. Across a range of media Coley investigates what the built environment reveals about the people it surrounds and how the social and individual response to it is in turn culturally conditioned. Using the readymade as a means to take from and re-place in the world, Coley addresses the ritual forms we use to articulate our beliefs-from hand-held placards and erected signs to religious sanctuaries. Whether highlighting in illuminated letters the testimony of a New Yorker recalling the World Trade Center attacks or erasing the names of the dead from their gravestones, his work frequently turns the specific into the general, thereby testing its function as a form of social representation; simply, does this aphorism, this gravestone, this building, speak on my behalf? The first substantial monograph on the artists work, covering the last ten years Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9783775736756
Description du livre Hardcover. Etat : new. Hardcover. Nathan Coley (*1967 in Glasgow) is interested in the idea of "public" space, and his practice explores the ways in which architecture becomes invested-and reinvested-with meaning. Across a range of media Coley investigates what the built environment reveals about the people it surrounds and how the social and individual response to it is in turn culturally conditioned. Using the readymade as a means to take from and re-place in the world, Coley addresses the ritual forms we use to articulate our beliefs-from hand-held placards and erected signs to religious sanctuaries. Whether highlighting in illuminated letters the testimony of a New Yorker recalling the World Trade Center attacks or erasing the names of the dead from their gravestones, his work frequently turns the specific into the general, thereby testing its function as a form of social representation; simply, does this aphorism, this gravestone, this building, speak on my behalf? The first substantial monograph on the artists work, covering the last ten years Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783775736756
Description du livre HARDCOVER. Etat : New. No Jacket. 1st Edition. Large 4to. in colour printed thick boards, 143pp on thick art paper, colour plates, etc. PLUS loosely inserted signed card from Nathan Coley on his headed stationary CONDITION: NEW unread copy ] __NOTE. Depending on destination, this item may require an extra payment for shipping insurance. If so, orders made by card will be completed only after you have approved the extra cost._ __To see more of our Art Monographs etc type DbbARTIST in the Keywords search box._We Ship in PROTECTIVE CARD PARCELS. N° de réf. du vendeur T18H1487