A conceptual artist pushing the boundaries of art in the twenty-first century, Peter Liversidge’s diverse oeuvre has a singular starting point, type-written proposals through which he explores almost every medium: drawing, performance, installation, photography, printmaking, painting, sculpture, interventions, and artist’s books. This book, for the first time, brings together Liversidge’s extraordinary body of work investigating the passing of time and memory through instant photography. Using a hand-held camera, Liversidge takes two images―the initial, carefully selected image guides the composition of the second image, which is taken moments after the first is developed and which attempts to replicate what was captured at the exact point of the original exposure. Sometimes profound, sometimes subtle, inevitable differences between the pair become evident. These differences are key to the works, not only in their reading, but also through their record of the passing of time―a quality not present in the individual images on their own.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Alec Soth was born in Minneapolis, Minnesota in 1969, where he still lives, works and teaches at the Minneapolis College of Art and Design. He has received fellowships from the McKnight and Jerome Foundations and was the recipient of the 2003 Santa Fe Prize for Photography. His photographs are in major public and private collections, including the Los Angeles County Museum, the Museum of Fine Arts Houston, and the Walker Art Center.
Colm Toibin is the author of seven novels, including "The Blackwater Lightship;" "The Master", winner of the Los Angeles Times Book Prize; "Brooklyn", winner of the Costa Book Award; and "The Testament of Mary", as well as two story collections. Twice shortlisted for the Man Booker Prize, Toibin lives in Dublin and New York.
A conceptual artist pushing the boundaries of art in the twenty-first century, Peter Liversidge’s diverse oeuvre has a singular starting point, type-written proposals through which he explores almost every medium: drawing, performance, installation, photography, printmaking, painting, sculpture, interventions, and artist’s books. This book, for the first time, brings together Liversidge’s extraordinary body of work investigating the passing of time and memory through instant photography. Using a hand-held camera, Liversidge takes two images―the initial, carefully selected image guides the composition of the second image, which is taken moments after the first is developed and which attempts to replicate what was captured at the exact point of the original exposure. Sometimes profound, sometimes subtle, inevitable differences between the pair become evident. These differences are key to the works, not only in their reading, but also through their record of the passing of time―a quality not present in the individual images on their own.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Gold Country Books, Sacramento, CA, Etats-Unis
Hardcover. Etat : New. New. Pristine, unmarked. 168 illustrations. // Shipped carefully packed in a sturdy box. N° de réf. du vendeur 021012
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued; 192 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur PeLiHa35
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Pearl grey cloth/boards. blind-stamp lettering; two mounted color images. 192 pp. full of mostly color images. Signed by the artist. With essays by Alec Soth and Colm Toibin. "A conceptual artist pushing the boundaries of art in the twenty-first century, Peter Liversidge's diverse oeuvre has a singular starting point, type-written proposals through which he explores almost every medium: drawing, performance, installation, photography, printmaking, painting, sculpture, interventions, and artist's books. This book, for the first time, brings together Liversidge's extraordinary body of work investigating the passing of time and memory through instant photography. Using a hand-held camera, Liversidge takes two imagesthe initial, carefully selected image guides the composition of the second image, which is taken moments after the first is developed and which attempts to replicate what was captured at the exact point of the original exposure. Sometimes profound, sometimes subtle, inevitable differences between the pair become evident. These differences are key to the works, not only in their reading, but also through their record of the passing of timea quality not present in the individual images on their own." - from the Sean Kelly Gallery web site. Good (scuffs, scratches & smudges to cloth; pulls/rubbing/ to cloth. spine ends bumped; top harshly w/ light identation. lower corners harshly bumped/bruised w/ deep creasing & rubbing. back upper corner harshly rubbed. N° de réf. du vendeur 198414
Quantité disponible : 1 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG. Signed. Pearl grey cloth/boards. Bline-stamp lettering; two color images laid on. 192 pp. full of mostly color images. Catalogue from the exhibition held at the Sean Kelly Gallery, New York. With essays by Alec Soth and Colm Toibin. "A conceptual artist pushing the boundaries of art in the twenty-first century, Peter Liversidge's diverse oeuvre has a singular starting point, type-written proposals through which he explores almost every medium: drawing, performance, installation, photography, printmaking, painting, sculpture, interventions, and artist's books. This book, for the first time, brings together Liversidge's extraordinary body of work investigating the passing of time and memory through instant photography. Using a hand-held camera, Liversidge takes two imagesthe initial, carefully selected image guides the composition of the second image, which is taken moments after the first is developed and which attempts to replicate what was captured at the exact point of the original exposure. Sometimes profound, sometimes subtle, inevitable differences between the pair become evident. These differences are key to the works, not only in their reading, but also through their record of the passing of timea quality not present in the individual images on their own." - from the Sean Kelly Gallery web site. This copy is SIGNED on the half title by the artist. N° de réf. du vendeur 158300
Quantité disponible : 2 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued; 192 pages; very good condition; tiny bump / crease to upper right corner of front cover and first 10 pages; on the half-title page; the printed name of Peter Liversidge is crossed out with black marker and then signed in pen beneath it by the artist; no other internal marks. Foreign shipping may be extra. N° de réf. du vendeur PeLiHa60
Quantité disponible : 1 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG. Signed. Pearl grey cloth/boards. Bline-stamp lettering; two color images laid on. 192 pp. full of mostly color images. Catalogue from the exhibition held at the Sean Kelly Gallery, New York. With essays by Alec Soth and Colm Toibin. "A conceptual artist pushing the boundaries of art in the twenty-first century, Peter Liversidge's diverse oeuvre has a singular starting point, type-written proposals through which he explores almost every medium: drawing, performance, installation, photography, printmaking, painting, sculpture, interventions, and artist's books. This book, for the first time, brings together Liversidge's extraordinary body of work investigating the passing of time and memory through instant photography. Using a hand-held camera, Liversidge takes two imagesthe initial, carefully selected image guides the composition of the second image, which is taken moments after the first is developed and which attempts to replicate what was captured at the exact point of the original exposure. Sometimes profound, sometimes subtle, inevitable differences between the pair become evident. These differences are key to the works, not only in their reading, but also through their record of the passing of timea quality not present in the individual images on their own." - from the Sean Kelly Gallery web site. This copy is SIGNED on the half title by the artist. N° de réf. du vendeur 166585
Quantité disponible : 1 disponible(s)
Vendeur : Schindler-Graf Booksellers, Westlake, OH, Etats-Unis
Hardcover. Etat : Very Good. Hardcover published by Hatje Cantz. 192 pages. Signed by the artist boldly, using dark marker, on the title page where he has scored through his imprinted name. Signed by Author(s). N° de réf. du vendeur FK-B9K3-DO9D
Quantité disponible : 1 disponible(s)
Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. *** FREE UPGRADE to Courier/Priority Shipping Upon Request *** - *** IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy, brand new, pristine, never opened. -- with a bonus offer--. N° de réf. du vendeur 125818
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