Numerous accounts of the RAF and the German Autumn in 1977 have been chronicled over the past forty years, from journalistic, historical, literary, cinematic, and artistic perspectives. Arwed Messmer begins with the various photographs made by police photographers at the time―pictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed artistically. His narrative strikes an arc from the beginnings of the movement to the multiple eruptions of violence in 1977, the abduction and murder of Hanns-Martin Schleyer, and the suicides of Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe in Stammheim Prison. Messmer’s work therefore also has an ethical dimension: which photographs can be shown, how can they be shown, and why do we want to see them? This investigation touches a key point in the debate on images that are on the one hand historical documents, and on the other hand embodiments of their own aesthetic
with powerful potential for an empathetic examination of history
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Numerous accounts of the RAF and the German Autumn in 1977 have been chronicled over the past forty years, from journalistic, historical, literary, cinematic, and artistic perspectives. Arwed Messmer begins with the various photographs made by police photographers at the time―pictures of demonstrators, crime scene images, and mug shots. He poses the question of how this past search for criminological evidence can be employed artistically. His narrative strikes an arc from the beginnings of the movement to the multiple eruptions of violence in 1977, the abduction and murder of Hanns-Martin Schleyer, and the suicides of Andreas Baader, Gudrun Ensslin, and Jan-Carl Raspe in Stammheim Prison. Messmer’s work therefore also has an ethical dimension: which photographs can be shown, how can they be shown, and why do we want to see them? This investigation touches a key point in the debate on images that are on the one hand historical documents, and on the other hand embodiments of their own aesthetic
with powerful potential for an empathetic examination of history
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Paperback. Etat : Used-Very Good. Reprint. Pap. Some edge wear; minor fray at head of spine. Some toning to wraps, spine. Else fine. Internally a nice clean copy with insert at front. N° de réf. du vendeur 2014357
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Vendeur : Lorrin Wong, Bookseller, Los Angeles, CA, Etats-Unis
264 pages, illustrated. Fine paperback exhibition catalog in decorative wrappers (soft cover book)/ no dust jacket. In original shrinkwrap. N° de réf. du vendeur 2020162
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Paperback. Etat : Good. 2 volume set. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M3775743464Z3
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Vendeur : Wimbauer Buchversand, Hagen, NRW, Allemagne
Broschur. Etat : Befriedigend. 113 Seiten ; 33 cm + 1 Appendix (48 Seiten) Mit dem Appendix.- Grossformat.- Kanten berieben / bestossen, Einrisse, Knicke, angegilbt /// Standort Wimregal SOL-20.881 ISBN 9783775743464 WITHIN THE EU: shipping only to GERMANY and AUSTRIA due to the new EPR regulations. Sprache: Deutsch Gewicht in Gramm: 987. N° de réf. du vendeur 358168
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Vendeur : Studibuch, Stuttgart, Allemagne
paperback. Etat : Gut. 136 Seiten; 9783775743464.3 Gewicht in Gramm: 2. N° de réf. du vendeur 1086162
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Vendeur : BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, Allemagne
Etat : gut. 2017. RAF - No evidence = RAF - Kein Beweis. Arwed Messmer In deutscher Sprache. pages. N° de réf. du vendeur BN656453
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