The fifth volume in the Duchamp Research Centre's Poiesis series examines the artist's work from philosophical, art historical, and literary perspectives
With his sharp wit and love of controversy, Marcel Duchamp (1887-1968) pushed every possible boundary in the art world across his vast body of work, from his iconic urinal-as-sculpture Fountain piece to his drag alter ego Rrose Sélavy.
Founded in 2009, the Duchamp Research Centre operates out of the Staatliche Museum Schwerin in Germany, using its impressive 92-piece Duchamp collection as the basis for its interdisciplinary exploration of the artist's life and work. Since 2011, the Research Centre has published the results of its investigations in a series entitled Poiesis after the philosophical term for bringing something new into existence--an idea that perfectly describes Duchamp's pioneering work. This is the fifth volume in the series.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
MARCEL DUCHAMP: Actually Henri-Robert-Marcel Duchamp (1887–1968), Duchamp is one of the pioneers of Dadaism and Surrealism. His views posed radical questions about the concept of art and introduced the readymade to the art world.
KORNELIA RÖDER: Studied art history at Humboldt University in Berlin. Curator of the Staatliche Schlösser, Gärten und Kunstsammlungen (state palaces, gardens, and art collections) in Mecklenburg-Vorpommern. She and Gerhard Graulich have headed the Duchamp Research Center since 2009.
GERHARD GRAULICH: Studied art history, German, and philosophy at the Ruhr University in Bochum. He has been at the Staatliches Museum in Schwerin since 1994 in a variety of capacities, such as curator, head of the painting department, and assistant director; he is now co-chief of the Duchamp Research Center with Kornelia Röder.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Marcel Duchamp: one of his themes was the boundary between works of art and everyday objects, and with it, he set the art world in an uproar. Surely one of his most brilliant strokes of genius was the Fountain, a urinal he put on display. There are, of course, many more works that bear his signature, and the Duchamp Collection in Schwerin has ninety-two of them. Founded in 2009, the research centre has succeeded in establishing an interdisciplinary, globally connected network of researchers in Schwerin. Under the title Marcel Duchamp: Inventing the Presence, individual as well as groups of artworks from the Schwerin collection are examined from philosophical, art historical, and literary perspectives in volume five of the series Poiesis. N° de réf. du vendeur LU-9783775747295
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Paperback. Etat : new. Paperback. Marcel Duchamp: one of his themes was the boundary between works of art and everyday objects, and with it, he set the art world in an uproar. Surely one of his most brilliant strokes of genius was the Fountain, a urinal he put on display. There are, of course, many more works that bear his signature, and the Duchamp Collection in Schwerin has ninety-two of them. Founded in 2009, the research centre has succeeded in establishing an interdisciplinary, globally connected network of researchers in Schwerin. Under the title Marcel Duchamp: Inventing the Presence, individual as well as groups of artworks from the Schwerin collection are examined from philosophical, art historical, and literary perspectives in volume five of the series Poiesis. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783775747295
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