“The whole work, called art, knows no borders and peoples, but humanity.” This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911–1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists―among them Gabriele Münter, Alfred Kubin, Maria Marc and Elisabeth Epstein―not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus’ current exhibition catalogue, the idea of equal rights for all tural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety.
The project is funded by the German Federal tural Foundation as part of the Museum Global program. It will be followed in the fall of 2021 by a second exhibition, Group Dynamics― Collectives of Modernity, dedicated to groups of artists working worldwide. This catalogue is also published by Hatje Cantz.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : Riverby Books (DC Inventory), Fredericksburg, VA, Etats-Unis
hardcover. Etat : Very Good. Softcover in overall very good condition. Pictorial cover with very little wear. Pages are crisp, bright, and clean. 444 pages. Please contact us with questions or if you would like to see photographs. We ship every day from a real neighborhood bookstore. This description is written by an actual person, who is holding the book in front of them to make sure it?s properly described. N° de réf. du vendeur F-11494
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Vendeur : Colin Martin Books, Near Hull, EY, Royaume-Uni
Paperback. Etat : New. Qto., 446 pages. A New copy in the publishers shrinkwrap. N° de réf. du vendeur 100401
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Vendeur : Antiquariat UEBUE, Zürich, Suisse
Z : 446 Seiten, 605 farbige und s/w Abbildungen, Freirückenbroschur - »Das ganze Werk, Kunst genannt, kennt keine Grenzen und Völker, sondern die Menschheit.« So schrieben es Franz Marc und Wassily Kandinsky 1911 fu?r ihren Almanach Der Blaue Reiter. Dieses programmatische Jahrbuch etablierte den Blauen Reiter (ca. 1911-1914) als einen der ersten transnationalen Ku?nstler*innenkreise. Und dieses Credo inspirierte das Lenbachhaus dazu, das Werk der beteiligten Ku?nstler*innen - unter ihnen Gabriele Mu?nter, Alfred Kubin, Maria Marc und Elisabeth Epstein - nicht nur ästhetisch und historisch, sondern in seinen geistigen, sozio-ökonomischen sowie politischen Zusammenhängen zu betrachten. Denn nicht nur mit Worten, sondern auch mit Bildern und Taten setzte sich der Kreis des Blauen Reiter fu?r ein globales, gleichberechtigtes Kunstverständnis ein. Gefangen in der Zeit der kolonialen Weltordnung vor dem Ersten Weltkrieg, gelang es allerdings auch ihnen nicht, eine emanzipatorische Praxis von Kunst jenseits nationaler Zugehörigkeit sowie tradierter Hierarchien und Gattungen umzusetzen. N° de réf. du vendeur ABE-1755765297297
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. "The whole work, called art, knows no borders and peoples, but humanity." This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911-1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists-among them Gabriele Muenter, Alfred Kubin, Maria Marc and Elisabeth Epstein-not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus' current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety.The project is funded by the German Federal Cultural Foundation as part of the Museum Global program. It will be followed in the fall of 2021 by a second exhibition, Group Dynamics- Collectives of Modernity, dedicated to groups of artists working worldwide. This catalogue is also published by Hatje Cantz. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783775748407
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Vendeur : Antiquariat Lenzen, Düsseldorf, Allemagne
4°. 27 x 20,5 cm. 444 Seiten. Original-Klappenbroschur. 1. Auflage. Publikation anlässlich der beiden Projekte "Gruppendynamik - Der Blaue Reiter" und "Kollektive Der Moderne". Mit zahlreichen Abbildungen. Untere Blattecken durchgehend leicht bestoßen, wenig knickspurig, ansonsten sehr gutes Exemplar. N° de réf. du vendeur 64685CB
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Vendeur : AussieBookSeller, Truganina, VIC, Australie
Hardcover. Etat : new. Hardcover. "The whole work, called art, knows no borders and peoples, but humanity." This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911-1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists-among them Gabriele Muenter, Alfred Kubin, Maria Marc and Elisabeth Epstein-not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus' current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety.The project is funded by the German Federal Cultural Foundation as part of the Museum Global program. It will be followed in the fall of 2021 by a second exhibition, Group Dynamics- Collectives of Modernity, dedicated to groups of artists working worldwide. This catalogue is also published by Hatje Cantz. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783775748407
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Vendeur : CitiRetail, Stevenage, Royaume-Uni
Hardcover. Etat : new. Hardcover. "The whole work, called art, knows no borders and peoples, but humanity." This is what Franz Marc and Wassily Kandinsky wrote in 1911 in their almanac Der Blaue Reiter (The Blue Rider). This programmatic publication established Der Blaue Reiter (ca. 1911-1914) as one of the first transnational artist circles. Their credo also inspires the Lenbachhaus to consider the work of the participating artists-among them Gabriele Muenter, Alfred Kubin, Maria Marc and Elisabeth Epstein-not only aesthetically and historically, but also in its intellectual, socio-economic, and political context, for the Blue Rider circle advocated a global, equal understanding of art, not only in words, but also through images and deeds. Caught up in the time of the colonial world order before World War I, however, even they did not succeed in implementing an emancipatory practice of art beyond national affiliation and traditional hierarchies and genres. For the Lenbachhaus' current exhibition catalogue, the idea of equal rights for all cultural production, as pursued in the almanac, is nevertheless fundamental. For the first time, the many connections that the Blue Rider made to Japanese woodcuts, Bavarian and Russian folk art, children's drawings, contemporary music, and art from Bali, Gabon, Polynesia, New Caledonia, Sri Lanka, and Mexico are presented in their entirety.The project is funded by the German Federal Cultural Foundation as part of the Museum Global program. It will be followed in the fall of 2021 by a second exhibition, Group Dynamics- Collectives of Modernity, dedicated to groups of artists working worldwide. This catalogue is also published by Hatje Cantz. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9783775748407
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