The book offers representative excerpts from the manuscript reviewed by the artist in the early 1990s. Stylistically aware and (self-)critical, the author comments on the cultural and social climate in postwar Germany. He offers new insights into the German art scene of the postwar period and its European network, the relations between the SPUR group and the Situationist International around Guy Debord - provocations and scandals included.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
BEATE SÖNTGEN (*1963) is professor of art history at Leuphana University Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group Cultures of Critique: Forms, Media, Effects and co-director of the program PriMus – Doctoral Studies in Museums.
JULIA VOSS (*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung.
The book offers representative excerpts from the manuscript reviewed by the artist in the early 1990s. Stylistically aware and (self-)critical, the author comments on the cultural and social climate in postwar Germany. He offers new insights into the German art scene of the postwar period and its European network, the relations between the SPUR group and the Situationist International around Guy Debord - provocations and scandals included.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : new. Paperback. How is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Soentgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context?Texts by: Ananda Kentish Coomaraswamy, Denis Diderot, Takashi Kashima, Patrick Mudekereza, Annemarie Sauzeau-Boetti, Bertha Zuckerkandl and many moreComments by: Juli Carson, Yuriko Furuhata, Isabelle Graw, Angela Harutyunyan, Monica Juneja, Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu, Sarah Wilson and many more Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783775750745
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Paperback. Etat : New. How is art criticism to be understood within an expanding artistic field? A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Söntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism? Which styles do they employ? What makes them extraordinary? What can we learn from their writings today, and why is it important in its contemporary context? Texts by: Ananda Kentish Coomaraswamy, Denis Diderot, Takashi Kashima, Patrick Mudekereza, Annemarie Sauzeau-Boetti, Bertha Zuckerkandl and many more Comments by: Juli Carson, Yuriko Furuhata, Isabelle Graw, Angela Harutyunyan, Monica Juneja, Wolfgang Kemp, Florencia Malbran, Yvette Mutumba, Azu Nwagbogu, Sarah Wilson and many more. N° de réf. du vendeur LU-9783775750745
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Vendeur : artbook-service, Berlin, Allemagne
Taschenbuch. Etat : Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -How is art criticism to be understood within an expanding artistic field A look at its history and its manifestations within globalized conditions shows the variety of the genre, of the criteria and of the styles of writing. This reader is an attempt to bring a diverse range of art-critical voices and perspectives into conversation with each other, with texts from the 18th century to the present. The editors Beate Söntgen and Julia Voss have invited colleagues from various geographical and intellectual backgrounds to present and discuss the art critics of their choice, choosing one example from their respective bodies of work to comment upon. How have these writers approached art criticism Which styles do they employ What makes them extraordinary What can we learn from their writings today, and why is it important in its contemporary context BEATE SÖNTGEN (\*1963) is professor of art history at Leuphana University Lüneburg. She studied art history, philosophy, and modern German literature in Marburg and Berlin. She is director of the DFG Research Training Group 'Cultures of Critique: Forms, Media, Effects' and co-director of the program 'PriMus - Doctoral Studies in Museums.'JULIA VOSS (\*1974) is an honorary professor at Leuphana University Lüneburg. She studied art history, modern German literature, and philosophy in Berlin and London. She is herself an art critic and journalist and was deputy head of the arts section of the Frankfurter Allgemeine Zeitung. 464 pp. Englisch. N° de réf. du vendeur 7186693
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