Robert Rauschenberg's Erased De Kooning Drawing, 1953: Modernism, Literalism, Postmodernism - Couverture souple

 
9783775755030: Robert Rauschenberg's Erased De Kooning Drawing, 1953: Modernism, Literalism, Postmodernism
Couverture souple
ISBN 10 : 3775755039 ISBN 13 : 9783775755030
Editeur : Hatje Cantz, 2024

Synopsis

Erased de Kooning Drawing is an artwork that radically challenged the very definition of art and questioned the notion of the artist as creator.
Three American artists were involved in its creation: In 1953, Robert Rauschenberg erased a drawing by Willem de Kooning, who had somewhat reluctantly been giving his consent. Jasper Johns created a label for its first public presentation that proved to be key to the psychological framing of the piece. Having been transmuted into something new, the obliterated drawing was soon perceived as a pivotal moment in art history: In the 1950s it was considered Neo-Dada, in the 1960s it was hailed as the beginning of conceptual art, and in the 1980s saw it as a departure into postmodernism.
Numerous artists referenced the work and it became a touchstone in Rauschenberg's oeuvre. Gregor Stemmrich outlines its status as a litmus test for the definitions of modernism, literalism and postmodernism, and demonstrates its continuing relevance for the theory of the image and the question of appropriation.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l?auteur

GREGOR STEMMRICH (*1953, Soest) is Professor of Art and Art History at NYU Abu Dhabi since 2015. His main focus is on modern and contemporary art. Previously, he was Professor at Freie Universität Berlin and Hochschule für Bildende Künste Dresden. He edited the interviews and writings of Lawrence Weiner as well as Dan Graham, and has published extensively on abstract, conceptual and minimal art.

À propos de la quatrième de couverture

Erased de Kooning Drawing is an artwork that radically challenged the very definition of art and questioned the notion of the artist as creator.
Three American artists were involved in its creation: In 1953, Robert Rauschenberg erased a drawing by Willem de Kooning, who had somewhat reluctantly been giving his consent. Jasper Johns created a label for its first public presentation that proved to be key to the psychological framing of the piece. Having been transmuted into something new, the obliterated drawing was soon perceived as a pivotal moment in art history: In the 1950s it was considered Neo-Dada, in the 1960s it was hailed as the beginning of conceptual art, and in the 1980s saw it as a departure into postmodernism.
Numerous artists referenced the work and it became a touchstone in Rauschenberg's oeuvre. Gregor Stemmrich outlines its status as a litmus test for the definitions of modernism, literalism and postmodernism, and demonstrates its continuing relevance for the theory of the image and the question of appropriation.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Hatje Cantz
Date d'édition
2024
Langue
anglais
ISBN 10 
3775755039
ISBN 13 
9783775755030
Reliure
Broché
Numéro d'édition
1
Nombre de pages
1028
Coordonnées du fabricant
non disponible
Personne responsable
non disponible