Sheila Hicks has made wool, linen, and silk her central media, pushing the boundaries of traditional textile art. Her works combine color, form, and material in novel ways and explore architectural dimensions. As a pioneer of textile conceptual art, Hicks has developed a distinctive visual language over six decades, from finely woven miniatures to monumental installations that open up new perspectives on the possibilities of art.
This book contains views of Sheila Hicks's exhibition a little bit of a lot of things at the Kunstmuseum St. Gallen as well as a conversation with the curator Rob Storr and an essay by Gianni Jetzer. It also documents a master class held by the artist in St. Gallen and contains previously unpublished images.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Sheila Hicks (*1934 in Hastings, Nebraska) studierte Kunst an der Yale University unter Josef Albers. Auf Reisen durch Südamerika entdeckte sie ihre Leidenschaft für Textilien. In den 1960er Jahren etablierte sie sich in Paris und schuf großformatige Installationen, die Farbe, Form und Material vereinen. Hicks gilt als Pionierin der Konzeptkunst mit Textilien und stellt weltweit in renommierten Museen aus. Sie lebt in Paris.
Sheila Hicks has made wool, linen, and silk her central media, pushing the boundaries of traditional textile art. Her works combine color, form, and material in novel ways and explore architectural dimensions. As a pioneer of textile conceptual art, Hicks has developed a distinctive visual language over six decades, from finely woven miniatures to monumental installations that open up new perspectives on the possibilities of art.
This book contains views of Sheila Hicks's exhibition a little bit of a lot of things at the Kunstmuseum St. Gallen as well as a conversation with the curator Rob Storr and an essay by Gianni Jetzer. It also documents a master class held by the artist in St. Gallen and contains previously unpublished images.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. A pioneer of textile postmodernismSheila Hicks has made wool, linen, and silk her central media, pushing the boundaries of traditional textile art. Her works combine color, form, and material in novel ways and explore architectural dimensions. As a pioneer of textile conceptual art, Hicks has developed a distinctive visual language over six decades, from finely woven miniatures to monumental installations that open up new perspectives on the possibilities of art. This book contains views of Sheila Hicks's exhibition a little bit of a lot of things at the Kunstmuseum St. Gallen as well as a conversation with the curator Rob Storr and an essay by Gianni Jetzer. It also documents a master class held by the artist in St. Gallen and contains previously unpublished images. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783775759786
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Hardback. Etat : New. A pioneer of textile postmodernismSheila Hicks has made wool, linen, and silk her central media, pushing the boundaries of traditional textile art. Her works combine color, form, and material in novel ways and explore architectural dimensions. As a pioneer of textile conceptual art, Hicks has developed a distinctive visual language over six decades, from finely woven miniatures to monumental installations that open up new perspectives on the possibilities of art. This book contains views of Sheila Hicks's exhibition a little bit of a lot of things at the Kunstmuseum St. Gallen as well as a conversation with the curator Rob Storr and an essay by Gianni Jetzer. It also documents a master class held by the artist in St. Gallen and contains previously unpublished images. N° de réf. du vendeur LU-9783775759786
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