This book takes a profound look at exhibition design, or scenography, as an artistic medium. Mathilde Roman’s introductory essay highlights the pioneering historical contributions by designers and architects like Lily Reich, Franco Albini, Lina Bo Bardi, Carlo Scarpa, and others who revolutionized their discipline. It examines how during the 20th and early 21st century experimentation with the display, the frame, the pedestal, the picture rails has become an artistic act in its own right. In-depth interviews with thirteen renowned international artists and designers―among them Philippe Parreno, Rosa Barba, Berger&Berger, or Monster Chetwynd―further highlight the relevance of scenography in contemporary culture. They show how artists’ integration of technical and perceptual aspects of exhibiting has fundamentally changed our understanding of art, thereby encouraging us to take a fresh look at art history.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Mathilde Roman is an art historian (PhD Paris 1 Sorbonne) and art critic living in Nice. Since 2006, she has worked as a Professor of Art History at Pavillon Bosio, Monaco. She contributes regularly to catalogues and magazines and is an active member of AICA France. She is the author of several essays, including “Habiter lexposition. L’artiste et la scénographie,” “Swimming with Laure Prouvost,” and “On Stage: The Theatrical Dimension of Video Image.” In addition, she has organized several symposiums and curated shows, among them “Faire, nager et s’envoler“ (Nice), “Performance TV” ( Nogent-sur-Marne).
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. This book takes a profound look at exhibition design, or scenography, as an artistic medium. Mathilde Roman's introductory essay highlights the pioneering historical contributions by designers and architects like Lily Reich, Franco Albini, Lina Bo Bardi, Carlo Scarpa, and others who revolutionized their discipline. It examines how during the 20th and early 21st century experimentation with the display, the frame, the pedestal, the picture rails has become an artistic act in its own right. In-depth interviews with thirteen renowned international artists and designers-among them Philippe Parreno, Rosa Barba, BergerandBerger, or Monster Chetwynd-further highlight the relevance of scenography in contemporary culture. They show how artists' integration of technical and perceptual aspects of exhibiting has fundamentally changed our understanding of art, thereby encouraging us to take a fresh look at art history. N° de réf. du vendeur LU-9783775762403
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Paperback. Etat : new. Paperback. This book takes a profound look at exhibition design, or scenography, as an artistic medium. Mathilde Roman's introductory essay highlights the pioneering historical contributions by designers and architects like Lily Reich, Franco Albini, Lina Bo Bardi, Carlo Scarpa, and others who revolutionized their discipline. It examines how during the 20th and early 21st century experimentation with the display, the frame, the pedestal, the picture rails has become an artistic act in its own right. In-depth interviews with thirteen renowned international artists and designersamong them Philippe Parreno, Rosa Barba, Berger&Berger, or Monster Chetwyndfurther highlight the relevance of scenography in contemporary culture. They show how artists' integration of technical and perceptual aspects of exhibiting has fundamentally changed our understanding of art, thereby encouraging us to take a fresh look at art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783775762403
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Paperback. Etat : Brand New. 280 pages. 5.50x2.00x8.25 inches. In Stock. N° de réf. du vendeur __377576240X
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Vendeur : Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. Neuware -This book takes a profound look at exhibition design, or scenography, as an artistic medium. Mathilde Roman's introductory essay highlights the pioneering historical contributions by designers and architects like Lily Reich, Franco Albini, Lina Bo Bardi, Carlo Scarpa, and others who revolutionized their discipline. It examines how during the 20th and early 21st century experimentation with the display, the frame, the pedestal, the picture rails has become an artistic act in its own right. In-depth interviews with thirteen renowned international artists and designers-among them Philippe Parreno, Rosa Barba, Berger&Berger, or Monster Chetwynd-further highlight the relevance of scenography in contemporary culture. They show how artists' integration of technical and perceptual aspects of exhibiting has fundamentally changed our understanding of art, thereby encouraging us to take a fresh look at art history.Mathilde Roman is an art historian (PhD Paris 1 Sorbonne) and art critic living in Nice. Since 2006, she has worked as a Professor of Art History at Pavillon Bosio, Monaco. She contributes regularly to catalogues and magazines and is an active member of AICA France. She is the author of several essays, including 'Habiter lexposition. L'artiste et la scénographie,' 'Swimming with Laure Prouvost,' and 'On Stage: The Theatrical Dimension of Video Image.' In addition, she has organized several symposiums and curated shows, among them 'Faire, nager et s'envoler' (Nice), 'Performance TV' ( Nogent-sur-Marne). 292 pp. Englisch. N° de réf. du vendeur 9783775762403
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Vendeur : BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Allemagne
Taschenbuch. Etat : Neu. Neuware -This book takes a profound look at exhibition design, or scenography, as an artistic medium. Mathilde Roman's introductory essay highlights the pioneering historical contributions by designers and architects like Lily Reich, Franco Albini, Lina Bo Bardi, Carlo Scarpa, and others who revolutionized their discipline. It examines how during the 20th and early 21st century experimentation with the display, the frame, the pedestal, the picture rails has become an artistic act in its own right. In-depth interviews with thirteen renowned international artists and designers-among them Philippe Parreno, Rosa Barba, Berger&Berger, or Monster Chetwynd-further highlight the relevance of scenography in contemporary culture. They show how artists' integration of technical and perceptual aspects of exhibiting has fundamentally changed our understanding of art, thereby encouraging us to take a fresh look at art history.Mathilde Roman is an art historian (PhD Paris 1 Sorbonne) and art critic living in Nice. Since 2006, she has worked as a Professor of Art History at Pavillon Bosio, Monaco. She contributes regularly to catalogues and magazines and is an active member of AICA France. She is the author of several essays, including 'Habiter lexposition. L'artiste et la scénographie,' 'Swimming with Laure Prouvost,' and 'On Stage: The Theatrical Dimension of Video Image.' In addition, she has organized several symposiums and curated shows, among them 'Faire, nager et s'envoler' (Nice), 'Performance TV' ( Nogent-sur-Marne). 292 pp. Englisch. N° de réf. du vendeur 9783775762403
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Taschenbuch. Etat : Neu. Neuware - This book takes a profound look at exhibition design, or scenography, as an artistic medium. Mathilde Roman's introductory essay highlights the pioneering historical contributions by designers and architects like Lily Reich, Franco Albini, Lina Bo Bardi, Carlo Scarpa, and others who revolutionized their discipline. It examines how during the 20th and early 21st century experimentation with the display, the frame, the pedestal, the picture rails has become an artistic act in its own right. In-depth interviews with thirteen renowned international artists and designers-among them Philippe Parreno, Rosa Barba, Berger&Berger, or Monster Chetwynd-further highlight the relevance of scenography in contemporary culture. They show how artists' integration of technical and perceptual aspects of exhibiting has fundamentally changed our understanding of art, thereby encouraging us to take a fresh look at art history.Mathilde Roman is an art historian (PhD Paris 1 Sorbonne) and art critic living in Nice. Since 2006, she has worked as a Professor of Art History at Pavillon Bosio, Monaco. She contributes regularly to catalogues and magazines and is an active member of AICA France. She is the author of several essays, including 'Habiter lexposition. L'artiste et la scénographie,' 'Swimming with Laure Prouvost,' and 'On Stage: The Theatrical Dimension of Video Image.' In addition, she has organized several symposiums and curated shows, among them 'Faire, nager et s'envoler' (Nice), 'Performance TV' ( Nogent-sur-Marne). N° de réf. du vendeur 9783775762403
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Etat : New. 2026. 1st Edition. paperback. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783775762403
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Vendeur : AussieBookSeller, Truganina, VIC, Australie
Paperback. Etat : new. Paperback. This book takes a profound look at exhibition design, or scenography, as an artistic medium. Mathilde Roman's introductory essay highlights the pioneering historical contributions by designers and architects like Lily Reich, Franco Albini, Lina Bo Bardi, Carlo Scarpa, and others who revolutionized their discipline. It examines how during the 20th and early 21st century experimentation with the display, the frame, the pedestal, the picture rails has become an artistic act in its own right. In-depth interviews with thirteen renowned international artists and designersamong them Philippe Parreno, Rosa Barba, Berger&Berger, or Monster Chetwyndfurther highlight the relevance of scenography in contemporary culture. They show how artists' integration of technical and perceptual aspects of exhibiting has fundamentally changed our understanding of art, thereby encouraging us to take a fresh look at art history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783775762403
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