Modernist sculptor Alexander Archipenko, (b.1887, Kiev; d.1964, New York City) has been called the Picasso of Sculpture for the new Cubist elements he introduced into his work. This deeply personal biography written by his artist wife during his last eight years, casts a new light on this extremely productive, innovative, period of his career.
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The acting president of the Archipenko Foundation, Frances Archipenko Gray is the leading expert in authenticating the work of Alexander Archipenko for collectors, curators, and auction houses. She lives in Woodstock, New York.
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Hardback. Etat : New. Modernist sculptor Alexander Archipenko, (born 1887, Kiev; died 1964, New York City) has been called the "Picasso of Sculpture" for the Cubist elements he introduced to create a new way of looking at the human figure. This deeply personal biography written by his artist wife during his last eight years, casts a new light on this extremely productive, innovative, but little-known period of his career. Despite an age difference of nearly fifty years, Frances Gray, a student at his school in Woodstock, New York, formed a deep and lasting companionship with Archipenko, leading to marriage in 1957. Gray paints a rounded picture of a complex and fascinating personality, part artist, part businessman, part spiritual seeker. When the art world turned away from modernism toward Abstract Expressionism, Archipenko's work fell from critical favour. Archipenko was increasingly plagued by problems with forgeries and fraudulent authentications of his work, and the book casts a new light on his resulting volatile relationships with many dealers, museums and collectors. N° de réf. du vendeur LU-9783777422480
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Hardcover. Etat : new. Hardcover. Modernist sculptor Alexander Archipenko, (born 1887, Kiev; died 1964, New York City) has been called the "Picasso of Sculpture" for the Cubist elements he introduced to create a new way of looking at the human figure. This deeply personal biography written by his artist wife during his last eight years, casts a new light on this extremely productive, innovative, but little-known period of his career. Despite an age difference of nearly fifty years, Frances Gray, a student at his school in Woodstock, New York, formed a deep and lasting companionship with Archipenko, leading to marriage in 1957. Gray paints a rounded picture of a complex and fascinating personality, part artist, part businessman, part spiritual seeker. When the art world turned away from modernism toward Abstract Expressionism, Archipenko's work fell from critical favour. Archipenko was increasingly plagued by problems with forgeries and fraudulent authentications of his work, and the book casts a new light on his resulting volatile relationships with many dealers, museums and collectors. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783777422480
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Etat : New. Num Pages: 200 pages, 85 colour and b&w. BIC Classification: ACXD; AFKB; AGB; BGF. Category: (G) General (US: Trade). Dimension: 184 x 263 x 25. Weight in Grams: 826. . 2014. Hardback. . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783777422480
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Hardcover. Etat : new. Hardcover. Modernist sculptor Alexander Archipenko, (born 1887, Kiev; died 1964, New York City) has been called the "Picasso of Sculpture" for the Cubist elements he introduced to create a new way of looking at the human figure. This deeply personal biography written by his artist wife during his last eight years, casts a new light on this extremely productive, innovative, but little-known period of his career. Despite an age difference of nearly fifty years, Frances Gray, a student at his school in Woodstock, New York, formed a deep and lasting companionship with Archipenko, leading to marriage in 1957. Gray paints a rounded picture of a complex and fascinating personality, part artist, part businessman, part spiritual seeker. When the art world turned away from modernism toward Abstract Expressionism, Archipenko's work fell from critical favour. Archipenko was increasingly plagued by problems with forgeries and fraudulent authentications of his work, and the book casts a new light on his resulting volatile relationships with many dealers, museums and collectors. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783777422480
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