John Baldessari is an important American conceptual artists and the last member of the American postwar avant-garde. His large collages, created for the Frankfurt exhibition, draw on masterpieces at the Städel, from Lucas Cranach the Elder to Maria Lassnig. A multifaceted opposition and juxtaposition of old and new art is revealed by the texts and photographs. By destroying all of his paintings created from 1953 to 1966 in 1970, John Baldessari (*1931) paved the way for an independent and unmistakeable pictorial style between painting and photography, text and image. He employs classic Modernist pictorial strategies such as montage and the integration of everyday elements in order to confront these with artistic practices of the post-war avant-gardes, such as discourses on consumerism and the media. Baldessari intertwines media and materials and thereby combines entirely distinct groups of artistic subjects. In the process, the unambiguousness of the pictorial language has given way to a multi-layered readability
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Martin Engler is an art historian and head of the contemporary art department at the Städel Museum Frankfurt in Germany.
John Baldessari is an important American conceptual artists and the last member of the American postwar avant-garde. His large collages, created for the Frankfurt exhibition, draw on masterpieces at the Städel, from Lucas Cranach the Elder to Maria Lassnig. A multifaceted opposition and juxtaposition of old and new art is revealed by the texts and photographs. By destroying all of his paintings created from 1953 to 1966 in 1970, John Baldessari (*1931) paved the way for an independent and unmistakeable pictorial style between painting and photography, text and image. He employs classic Modernist pictorial strategies such as montage and the integration of everyday elements in order to confront these with artistic practices of the post-war avant-gardes, such as discourses on consumerism and the media. Baldessari intertwines media and materials and thereby combines entirely distinct groups of artistic subjects. In the process, the unambiguousness of the pictorial language has given way to a multi-layered readability
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Vendeur : artbook-service, Berlin, Allemagne
Gebunden. Etat : Neu. Neu -Indem John Baldessari alle seine zwischen 1953 und 1966 entstandenen Gemälde 1970 vernichtete, ebnete er den Weg für einen eigenständigen und unverwechselbaren Bildbegriff zwischen Malerei und Fotografie, Text und Bild. Dabei verwendet er Bildstrategien der klassischen Moderne wie der Montage oder der Integration von Alltagselementen, um diese mit einer künstlerischen Praxis der Nachkriegsavantgarden wie dem Konsum- und Mediendiskurs zu konfrontieren. Baldessari verschränkt Medien und Materialien und verbindet so ganz unterschiedliche Motivwelten. Die Eindeutigkeit der Bildsprache ist dabei einer vielschichtigen Lesbarkeit gewichen. (Texte dt., engl.) 176 pp. N° de réf. du vendeur 720615
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Hardcover. Etat : Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M3777424498Z3
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175 Seiten ; 29 cm ISBN 9783777424491 Der Versand erfolgt innerhalb von 2 Werktagen.Bei Gewicht - wird bei Buchtitel angezeigt - ab 1000 Gramm = 7 Euro Portoanteil in D, EU = 20 Euro, WELT BITTE V O R BESTELUNG ERFRAGEN! NO SHIPPING TO THE UNITED STATES FOR US POSSIBLE. Über 2000 Titel wurden wegen Lagerauflösung reduziert - erkennbar meist an der Preisendziffer "9". Sprache: Englisch Gewicht in Gramm: 1600 Gebundener Originalpappband.Gutes Exemplar. N° de réf. du vendeur 37273
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Hardback. Etat : New. John Baldessari is an important American conceptual artists and the last member of the American postwar avant-garde. His large collages, created for the Frankfurt exhibition, draw on masterpieces at the Städel, from Lucas Cranach the Elder to Maria Lassnig. A multifaceted opposition and juxtaposition of old and new art is revealed by the texts and photographs. By destroying all of his paintings created from 1953 to 1966 in 1970, John Baldessari (*1931) paved the way for an independent and unmistakeable pictorial style between painting and photography, text and image. He employs classic Modernist pictorial strategies such as montage and the integration of everyday elements in order to confront these with artistic practices of the post-war avant-gardes, such as discourses on consumerism and the media. Baldessari intertwines media and materials and thereby combines entirely distinct groups of artistic subjects. In the process, the unambiguousness of the pictorial language has given way to a multi-layered readability. N° de réf. du vendeur LU-9783777424491
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Etat : New. Num Pages: 200 pages, 70 colour illustrations. BIC Classification: ACXJ; AFC; AGB. Category: (G) General (US: Trade). . . 2016. Hardcover. . . . . N° de réf. du vendeur V9783777424491
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