Photographic portraiture has long been one of the principal expressions of popular art in Africa, but, from the nineteenth-century to independence, the thematic scope was largely limited to the sitter's identity and social standing. So widely established is the great African tradition of portrait photography that it has eclipsed the rise of richer and more varied forms of expression that articulate a range of pressing contemporary concerns.
Drawing on an exhibition at the Miriam and Ira D. Wallach Art Gallery, Columbia University, The Expanded Subject offers a reconsideration of contemporary African photographic portraiture by presenting four photographers--Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi--whose concerns range well beyond questions of identity and social standing. Although each of the photographers approaches the genre differently, all four challenge the assumption that portraits must serve as mere reflections of the self. While Baloji employs a photomontage style to dislocate his subjects historically, Camara's photographs speak to the tenuous, often troubled relationships we have with our pasts, which remain with us even as we deny them and push them to the periphery. Dicko's subjects, cast in shadow, suggest uncertainty about the very possibility of representation, while Osodi engages his subjects as platforms for social and political commentary. By bringing together the works of these four important contemporary artists, curators Joshua I. Cohen, Sandrine Colard, and Giulia Paoletti offer new insights into the expressive and conceptual range of African photographic portraiture today, showing how young artists are enlisting the practice of portraiture to explore subjectivity, history, and the way they collide and coalesce in photographic form.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Joshua I. Cohen is assistant professor of African art history at the City College of New York. He received a PhD from the Department of Art History and Archaeology, Columbia University.
Sandrine Colard is a doctoral fellow at the Musee du Quai Branly--Jacques Chirac, Paris. She received a PhD from the Department of Art History and Archaeology, Columbia University.
Giulia Paoletti is the Andrew W. Mellon Postdoctoral Curatorial Fellow in the Department of the Arts of Africa, Oceania, and the Americas at the Metropolitan Museum of Art. She received a PhD from the Department of Art History and Archaeology, Columbia University.
Deborah Cullen-Morales is director and chief curator at the Miriam and Ira D. Wallach Art Gallery, Columbia University.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : New. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saïdou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. N° de réf. du vendeur LU-9783777426327
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Hardcover. Etat : new. Hardcover. From 19th-century studio practice through the independence era, African photography has best been known for modes of portraiture that crystallize the sitter's identity and social milieu. Even portraits by contemporary artists are often interpreted as windows into African realities. This exhibition reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Sammy Baloji, Mohamed Camara, Saidou Dicko, and George Osodi expand their subjects' interpretive possibilities, exemplifying a new creativity and versatility in portrait-making. While each artist employs different strategies, they all challenge the assumption that photographic portraits serve as mirrors of the "self." Baloji's montages dislocate the subject historically, Camara probes the boundaries of the portrait genre, Dicko expresses uncertainty at the possibility of representation, and Osodi engages his subjects as platforms for political commentary. The four artists enlist portraiture as a point of departure for exploring subjectivity, history, and photographic form. The Expanded Subject offers new insights into the expressive and conceptual range of African photo-portraiture today. From 19th-century studio practice through the independence era, African photography has been known for modes of portraiture that crystallize the sitter's identity and social milieu. This title reconsiders African contemporary photographic portraiture by presenting four practitioners whose concerns range well beyond questions of social identity. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783777426327
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