Like no other artist, Henry Moore (1898 - 1986) sought the challenge of the monumental and made the outdoors the playing field for his artistic creativity. In its handsome horizontal format, this volume puts Moore's large sculptures center stage and visuali zes the British artist's sources of inspiration from the Renaissance to Modernism. Central to Moore's art is the monumentalization of natural forms and the integration of the figure into the landscape. Impressive installation views show his sculptures in dialogue with Richard Meier's museum architecture and, in doing so, reinterpret Moore's fundamental theme of the interplay between sculpture, architecture, and nature. In addition to nature, the conception of man in the art of the Renaissance was an essenti al source of inspiration for the artist. Important impulses also came from immediate predecessors -above all Aristide Maillol and Auguste Rodin- as well as from his contemporary, Jean Arp, to whom drawing on nature was similarly paramount.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Like no other artist, Henry Moore (1898 - 1986) sought the challenge of the monumental and made the outdoors the playing field for his artistic creativity. In its handsome horizontal format, this volume puts Moore's large sculptures center stage and visuali zes the British artist's sources of inspiration from the Renaissance to Modernism. Central to Moore's art is the monumentalization of natural forms and the integration of the figure into the landscape. Impressive installation views show his sculptures in dialogue with Richard Meier's museum architecture and, in doing so, reinterpret Moore's fundamental theme of the interplay between sculpture, architecture, and nature. In addition to nature, the conception of man in the art of the Renaissance was an essenti al source of inspiration for the artist. Important impulses also came from immediate predecessors -above all Aristide Maillol and Auguste Rodin- as well as from his contemporary, Jean Arp, to whom drawing on nature was similarly paramount.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE Oversized. N° de réf. du vendeur M3777427934Z2
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. N° de réf. du vendeur M3777427934Z3
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Vendeur : Midtown Scholar Bookstore, Harrisburg, PA, Etats-Unis
Hardcover. Etat : Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized. N° de réf. du vendeur M3777427934Z4
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Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Hardcover. Etat : New. 1. New copy. N° de réf. du vendeur 2054321
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Vendeur : Kloof Booksellers & Scientia Verlag, Amsterdam, Pays-Bas
Etat : new. Munich : Hirmer, [2017]. Hardcover. 191 pp. illustrations (chiefly color) ; 25 x 31 cm. - Like no other artist, Henry Moore (1898-1986) sought the challenge of the monumental and made the outdoors the playing field for his artistic creativity. In its handsome horizontal format, this volume puts Moore's large sculptures center stage and visuali zes the British artist's sources of inspiration from the Renaissance to Modernism. Central to Moore's art is the monumentalization of natural forms and the integration of the figure into the landscape. Impressive installation views show his sculptures in d ialogue with Richard Meier's museum architecture and, in doing so, reinterpret Moore's fundamental theme of the interplay between sculpture, architecture, and nature. In addition to nature, the conception of man in the art of the Renaissance was an essenti al source of inspiration for the artist. Important impulses also came from immediate predecessors - above all Aristide Maillol and Auguste Rodin - as well as from his contemporary, Jean Arp, to whom drawing on nature was similarly paramount. Condition : new copy. ISBN 9783777427935. Keywords : ART, sculpture. N° de réf. du vendeur 292832
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Vendeur : SKULIMA Wiss. Versandbuchhandlung, Westhofen, Allemagne
Etat : Wie Neu. Zustandsbeschreibung: leicht bestoßen/slightly bumped. Vision. Creation. Obsession. Edited by Oliver Kornhoff. Englische Ausgabe/English edition. Anlässlich der Ausstellung im Arp Museum Bahnhof Rolandseck, Remagen, 28. Mai 2017 - 7. Januar 2018, kuratiert von Sebastiano Barassi, Susanne Blöcker, Oliver Kornhoff und Sarah-Lena Schuster. This book presents an overview of Moore's work, reproducing his sculptures in their settings to show how his use of natural forms and deliberate attempts to integrate his art with the landscape around it gave it a power and scale unmatched by the work of any other artist. The resulting book is both beautiful and awe-inspiring, a fitting tribute to a true modern master. 192 Seiten mit 172 Abb., Großformat, Querformat 30 cm x 24 cm, gebunden (Hirmer Verlag 2017). Früher EUR 49,90. Gewicht: 1320 g - Gebunden/Gebundene Ausgabe. N° de réf. du vendeur 808501
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Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Gebundene Ausgabe. Etat : Sehr gut. Gebraucht - Sehr gut SG - leichte Beschädigungen oder Verschmutzungen, ungelesenes Mängelexemplar, gestempelt - Im Zentrum von Moores Schaffen stehen die Umwandlung von Naturformen ins Große und die Einbindung der Figur in die Landschaft. Eindrucksvolle Installationsaufnahmen zeigen seine Skulpturen im Dialog mit Richard Meiers Museumsarchitektur und interpretieren so Moores Grundthema der Wechselwirkung zwischen Skulptur, Architektur und Natur neu. Neben der Natur war das Menschenbild der Renaissancekunst eine essenzielle Inspirationsquelle für den Künstler. Wichtige Impulse gingen auch von seinen direkten Vorläufern aus, allen voran Aristide Maillol und Auguste Rodin, sowie von seinem Weggefährten Hans Arp, mit dem ihn das Schöpfen aus der Natur verband. N° de réf. du vendeur INF1000564129
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Vendeur : O.o.l.p., Torino, TO, Italie
N° de réf. du vendeur 9783777427935
Quantité disponible : 1 disponible(s)
Vendeur : AHA-BUCH GmbH, Einbeck, Allemagne
Gebundene Ausgabe. Etat : Neu. Neu Neuware, Importqualität, auf Lager - Im Zentrum von Moores Schaffen stehen die Umwandlung von Naturformen ins Große und die Einbindung der Figur in die Landschaft. Eindrucksvolle Installationsaufnahmen zeigen seine Skulpturen im Dialog mit Richard Meiers Museumsarchitektur und interpretieren so Moores Grundthema der Wechselwirkung zwischen Skulptur, Architektur und Natur neu. Neben der Natur war das Menschenbild der Renaissancekunst eine essenzielle Inspirationsquelle für den Künstler. Wichtige Impulse gingen auch von seinen direkten Vorläufern aus, allen voran Aristide Maillol und Auguste Rodin, sowie von seinem Weggefährten Hans Arp, mit dem ihn das Schöpfen aus der Natur verband. N° de réf. du vendeur INF1000564123
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