Austrian avant-garde artist Hermann Nitsch is known for his visceral performance art pieces--often based on the ritualistic practice of sacrifice--which he conceived after experiencing World War II as a child. His performances, however, are not his only contribution to the art world. Around 1960, he produced his first "splatter" painting, a form of action painting that is primarily concerned with the substance of the paint. Nitsch: Spaces of Color follows the artist through the development of his painterly works from the early 1960s to the present day, tracing his investigation of paint from one painting to the next.
Focusing on the characteristics of Nitsch's various work cycles, the authors examine the artist's first splatter paintings, his floor splatter paintings from the Red Cycle in 1995, the works from his Six-Day Play in 1989, and his yellow Resurrection Cycle in 2002. While one color dominates in Nitsch's monochrome works, others reveal an explosion of colors. The paint, the authors show, is splattered, sprayed, or even possibly applied in liquid form or impasto. The essays also speculate that Nitsch may both use a paintbrush or smear the paint with his hands. Using 150 color images of these works, this book illustrates throughout that Nitsch's focal point is the exploration of the state of the paint itself, which constantly varies between liquid and solid. Marking Nitsch's eightieth birthday, Nitsch: Spaces of Color is a fascinating exploration of this outstanding experimental artist.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Klaus Albrecht Schröder is an art historian and museum director for the Albertina, a museum in Vienna, Austria. His previous publications are Ernst Ludwig Kirchner and Friends, Masterpieces, and Max Gubler, Ein Lebenswerk.
Elsy Lahner is a curator of contemporary art at the Albertina, Vienna, and cofounder of Das Weisse Haus, a residence and studio program for local and international artists, curators, and theorists.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Klaus Albrecht Schroeder, Hirmer Verlag. Hermann Nitsch produced his first "poured" paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.The main focus of the content lies in the characteristics of the various work cycles. In addition to the first "splatter" paintings it shows floor "splatter" paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid. Hardback. N° de réf. du vendeur 9783777432564
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Hardcover. Etat : new. Hardcover. Hermann Nitsch produced his first "poured" paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day.The main focus of the content lies in the characteristics of the various work cycles. In addition to the first "splatter" paintings it shows floor "splatter" paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783777432564
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Hardback. Etat : New. Hermann Nitsch produced his first "poured" paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day. The main focus of the content lies in the characteristics of the various work cycles. In addition to the first "splatter" paintings it shows floor "splatter" paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid. N° de réf. du vendeur LU-9783777432564
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Buch. Etat : Neu. Neuware -Um 1960 fertigt Hermann Nitsch seine allerersten Schüttbilder. Bei dieser Form der Aktionsmalerei geht es dem Künstler vorrangig um die Substanz der Farbe, die er von Malaktion zu Malaktion erforscht. Der Band präsentiert diese Entwicklung seines malerischen uvres von den frühen 1960er-Jahren bis heute.Der inhaltliche Schwerpunkt liegt auf der Charakteristik der einzelnen Werkzyklen. Gezeigt werden neben den ersten Schüttbildern Bodenschüttbilder aus dem Roten Zyklus (1995), Werke aus dem 6-Tage-Spiel (1989) oder dem gelben Auferstehungszyklus (2002). Dominiert in den monochromen Arbeiten eine Farbe, so kommt es in anderen zu regelrechten Farbexplosionen. Die Farbe wird mal geschüttet, mal gespritzt, mal flüssig, mal pastos aufgetragen, mal mit dem Pinsel oder mit der bloßen Hand verschmiert. Im Mittelpunkt steht die Auseinandersetzung mit dem Zustand der Farbe, der zwischen flüssig und fest variiert. 230 pp. Englisch. N° de réf. du vendeur 9783777432564
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Buch. Etat : Neu. Neuware -Um 1960 fertigt Hermann Nitsch seine allerersten Schüttbilder. Bei dieser Form der Aktionsmalerei geht es dem Künstler vorrangig um die Substanz der Farbe, die er von Malaktion zu Malaktion erforscht. Der Band präsentiert diese Entwicklung seines malerischen uvres von den frühen 1960er-Jahren bis heute.Der inhaltliche Schwerpunkt liegt auf der Charakteristik der einzelnen Werkzyklen. Gezeigt werden neben den ersten Schüttbildern Bodenschüttbilder aus dem Roten Zyklus (1995), Werke aus dem 6-Tage-Spiel (1989) oder dem gelben Auferstehungszyklus (2002). Dominiert in den monochromen Arbeiten eine Farbe, so kommt es in anderen zu regelrechten Farbexplosionen. Die Farbe wird mal geschüttet, mal gespritzt, mal flüssig, mal pastos aufgetragen, mal mit dem Pinsel oder mit der bloßen Hand verschmiert. Im Mittelpunkt steht die Auseinandersetzung mit dem Zustand der Farbe, der zwischen flüssig und fest variiert. 230 pp. Englisch. N° de réf. du vendeur 9783777432564
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