Weimar is famous for serving as the first home of the eminently modern Bauhaus movement. But how and when did modernism reach the German city, previously best known for its ties to Goethe and eighteenth-century classicism? This catalog for a permanent exhibition at the Neues Museum Weimar explores how such figures as Friedrich Nietzsche, Elisabeth Förster-Nietzsche, Harry Graf Kessler, and Henry van de Velde altered the cultural focus in Weimar circa 1900, ushering in modernism approximately two decades before the founding of the Bauhaus school.
Essays and more than one hundred full-color illustrations show how a worship of Goethe began to give way to the cult surrounding Nietzsche, who had spent his final years in Weimar with his sister, Förster-Nietzsche. As the idea of the New Man took hold among the cultural elite, Kessler introduced European modernism via pioneering exhibitions, while Van de Velde established a school of applied arts that would eventually be integrated into the Bauhaus school. Filled with provocative ideas and eye-catching images, this timely volume offers a vital account of the far-reaching roots of German modernism.Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Wolfgang Holler is the director of the museums of the Weimar-based nonprofit Klassik Stiftung Weimar. Sabine Walter is a research assistant with the board of directors for the Klassik Stiftung Weimar's museums. Thomas Föhl is a research assistant with the Klassik Stiftung Weimar's office of the president.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. By around 1900 Weimar had already become an arena of Modernism. Around the cult surrounding Friedrich Nietzsche, colourful personalities like Harry Graf Kessler and Elisabeth Förster-Nietzsche took up the idea of the New Man. Henry van de Velde looked to the future as he created a functional and elegant world in design and interiors. Succinct texts describe the beginnings of Modernism some twenty years before the Bauhaus. N° de réf. du vendeur LU-9783777432786
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Paperback. Etat : new. Paperback. By around 1900 Weimar had already become an arena of Modernism. Around the cult surrounding Friedrich Nietzsche, colourful personalities like Harry Graf Kessler and Elisabeth Foerster-Nietzsche took up the idea of the New Man. Henry van de Velde looked to the future as he created a functional and elegant world in design and interiors. Succinct texts describe the beginnings of Modernism some twenty years before the Bauhaus. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783777432786
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