Works that use the circus to question cultural and political structures.
Originating in London towards the end of the eighteenth century, the circus has long been a subject of fascination. Though today this spectacle can seem like a relic from the past, the entertainment, humor, and exploitation of the circus provide a basis to examine art, cultural history, animal rights, feminism, and racism. The illusions, struggles, successes, and failures staged at the circus can expose cultural dominance and marginalization.
Not My Circus, Not My Monkeys convenes works by an international array of contemporary artists who make use of the circus motif to examine society. Assembled to accompany a 2023 exhibit of the same name at Kunstmuseum Thun, the catalog includes art by Kathryn Andrews, Miriam Bäckström, Istvan Balogh, Beni Bischof, Mona Broschàr, Barbara Breitenfellner, Michael Dannenmann, Zilla Leutenegger, Dieter Meier, Yves Netzhammer, Tal R, Augustin Rebetez, Boris Rebetez, Ugo Rondinone, Niklaus Rüegg, Lin May Saeed, Francisco Sierra, Norbert Tadeusz, and William Wegman.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Helen Hirsch is an art historian and director of Kunstmuseum Thun, Switzerland.
Katrin Sperry is a curator and cultural scientist. Since 2021, she has been the director of the Benzeholz-Raum für zeitgenössische Kunst.
Works that use the circus to question cultural and political structures.
Originating in London towards the end of the eighteenth century, the circus has long been a subject of fascination. Though today this spectacle can seem like a relic from the past, the entertainment, humor, and exploitation of the circus provide a basis to examine art, cultural history, animal rights, feminism, and racism. The illusions, struggles, successes, and failures staged at the circus can expose cultural dominance and marginalization.
Not My Circus, Not My Monkeys convenes works by an international array of contemporary artists who make use of the circus motif to examine society. Assembled to accompany a 2023 exhibit of the same name at Kunstmuseum Thun, the catalog includes art by Kathryn Andrews, Miriam Bäckström, Istvan Balogh, Beni Bischof, Mona Broschàr, Barbara Breitenfellner, Michael Dannenmann, Zilla Leutenegger, Dieter Meier, Yves Netzhammer, Tal R, Augustin Rebetez, Boris Rebetez, Ugo Rondinone, Niklaus Rüegg, Lin May Saeed, Francisco Sierra, Norbert Tadeusz, and William Wegman.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Paperback. Etat : New. Clear the ring: The motif of the circus in contemporary art. The circus presents a deliberate staging of attractive illusions, hard struggle, success and failure as part of human existence. The volume assembles works by international contemporary artists who make use of the motif of the circus in order to examine current social circumstances and to question cultural and political structures. The circus originated in London towards the end of the 18th century and has long been a subject of fascination. Today this place of sensuous experiences seems like a relic from the past. The circus is a cosmos which with its entertaining and humorous as well as dark sides provides the basis for an examination of art, cultural history, animal ethics, feminism and racial criticism and also for the exposure of structures of cultural dominance, marginalisation and political and historical filters. ARTISTS: Kathryn Andrews Miriam Bäckström Istvan Balogh Beni Bischof Mona Boschàr Barbara Breitenfellner Michael Dannenmann Zilla Leutenegger Dieter Meier Yves Netzhammer Tal R Augustin Rebetez Boris Rebetez Ugo Rondinone Niklaus Rüegg Francisco Sierra Norbert Tadeusz William Wegman et. al. N° de réf. du vendeur LU-9783777441795
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Paperback. Etat : new. Paperback. Clear the ring: The motif of the circus in contemporary art.The circus presents a deliberate staging of attractive illusions, hard struggle, success and failure as part of human existence. The volume assembles works by international contemporary artists who make use of the motif of the circus in order to examine current social circumstances and to question cultural and political structures.The circus originated in London towards the end of the 18th century and has long been a subject of fascination. Today this place of sensuous experiences seems like a relic from the past. The circus is a cosmos which with its entertaining and humorous as well as dark sides provides the basis for an examination of art, cultural history, animal ethics, feminism and racial criticism and also for the exposure of structures of cultural dominance, marginalisation and political and historical filters.ARTISTS: Kathryn Andrews | Miriam Baeckstroem | Istvan Balogh | Beni Bischof | Mona Boschar | Barbara Breitenfellner | Michael Dannenmann | Zilla Leutenegger | Dieter Meier | Yves Netzhammer | Tal R | Augustin Rebetez | Boris Rebetez | Ugo Rondinone | Niklaus Rueegg | Francisco Sierra | Norbert Tadeusz | William Wegman et. al. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783777441795
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