Afterglow brings together the known memorial paintings by Frederic Edwin Church (1826–1900) for the first time, unveiling how Church returned to the medium of landscape throughout his career to create solace in times of loss. This book presents new scholarship on the memorial functions of landscape in nineteenth-century America through the lens of the distinctive oeuvre of the era’s foremost landscape painter.
Allegra K. Davis examines Church’s memorial paintings as a group within the context of the period’s material culture of mourning and sanctuary landscapes such as rural cemeteries. In doing so she illuminates the iconography and practices Church embraced, both in his paintings and in the creation of his home, Olana, to give voice to loss. An additional essay by Rebecca Bedell contextualizes the sentimental and therapeutic aspects of landscape painting and design in nineteenth-century American art.
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Allegra K. Davis is associate curator for the Olana Partnership at Olana State Historic Site in New York.
Afterglow brings together the known memorial paintings by Frederic Edwin Church (1826–1900) for the first time, unveiling how Church returned to the medium of landscape throughout his career to create solace in times of loss. This book presents new scholarship on the memorial functions of landscape in nineteenth-century America through the lens of the distinctive oeuvre of the era’s foremost landscape painter.
Allegra K. Davis examines Church’s memorial paintings as a group within the context of the period’s material culture of mourning and sanctuary landscapes such as rural cemeteries. In doing so she illuminates the iconography and practices Church embraced, both in his paintings and in the creation of his home, Olana, to give voice to loss. An additional essay by Rebecca Bedell contextualizes the sentimental and therapeutic aspects of landscape painting and design in nineteenth-century American art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : As new. Small quarto. Hardcover. Matte illustrated boards. No jacket as issued. 127 pages : illustrations (chiefly color), facsimiles, portraits ; 26 cm. Frederic Church gained fame and fortune with his large, panoramic landscapes, which were public spectacles seen by thousands. This exhibition innovatively highlights his lesser-known works: intimate landscapes memorializing the dead, whose primary audience was often a handful of individuals. Church painted these memorial landscapes throughout his career, crystallizing nineteenth-century America's pursuit of spiritual transcendence through the natural world. For Church and his family, this ideal was vividly realized at Olana, his Hudson Valley home and designed landscape. Today, Olana remains largely unchanged, enduring as Church's quintessential landscape of memory"--From page [4] of cover. N° de réf. du vendeur 213901
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Hardback. Etat : New. Afterglow brings together the known memorial paintings by Frederic Edwin Church (1826-1900) for the first time, unveiling how Church returned to the medium of landscape throughout his career to create solace in times of loss. This book presents new scholarship on the memorial functions of landscape in nineteenth-century America through the lens of the distinctive oeuvre of the era's foremost landscape painter. Allegra K. Davis examines Church's memorial paintings as a group within the context of the period's material culture of mourning and sanctuary landscapes such as rural cemeteries. In doing so she illuminates the iconography and practices Church embraced, both in his paintings and in the creation of his home, Olana, to give voice to loss. An additional essay by Rebecca Bedell contextualizes the sentimental and therapeutic aspects of landscape painting and design in nineteenth-century American art. N° de réf. du vendeur LU-9783777443584
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