Born in London and raised in Nigeria, Shonibare employs a diverse range of media-from sculpture, painting, and installation to photography and film-to probe matters of race, class, cultural identity, and history. He is perhaps best known for his signature use of a colorful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonizers. Incorporated into Victorian costumes, covering sculptures of extraterrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book-the most comprehensive resource available on Shonibare-presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in London's Trafalgar Square and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Rachel Kent, senior curator at the Museum of Contemporary Art Australia, organized the Shonibare retrospective that toured internationally in 2008 - 2010.
Born in London and raised in Nigeria, Shonibare employs a diverse range of media-from sculpture, painting, and installation to photography and film-to probe matters of race, class, cultural identity, and history. He is perhaps best known for his signature use of a colorful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonizers. Incorporated into Victorian costumes, covering sculptures of extraterrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book-the most comprehensive resource available on Shonibare-presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in London's Trafalgar Square and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Henry Hollander, Bookseller, Los Angeles, CA, Etats-Unis
Hardbound. Etat : Very Good. Large quarto, printed paper covered boards, 232 pp., color photos throughout, index of artworks Essays are "Time and Transformation in the Arts of Yika Shonibare MBE," Raichel Kent, "Yinka Shonibre MBE: The Politics of Representation," Robert Hobbs, "Setting the Stage," Yink Shonibare MBE in conversation with Anthony Downey. Revised and expanded version of a catalogue published in 2008. N° de réf. du vendeur 107467
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Vendeur : Arundel Books, Seattle, WA, Etats-Unis
Hardcover. Etat : Fine. Revised Edition. A fine copy of the Revised edition. N° de réf. du vendeur 644977
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Vendeur : Half Price Books Inc., Dallas, TX, Etats-Unis
hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_435592199
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 19665699
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Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 19665699-n
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Vendeur : Rarewaves.com USA, London, LONDO, Royaume-Uni
Hardback. Etat : New. Revised ed. Born in London and raised in Nigeria, Shonibare employs a diverse range of media - from sculpture, painting and installation to photography and film - to probe matters of race, class, cultural identity and history. He is perhaps best known for his signature use of a colourful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonisers. Incorporated into Victorian costumes, covering sculptures of extraterrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book - the most comprehensive resource available on Shonibare - presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in Trafalgar Square, London and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations. N° de réf. du vendeur LU-9783791348728
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Vendeur : PBShop.store US, Wood Dale, IL, Etats-Unis
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9783791348728
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Vendeur : PBShop.store UK, Fairford, GLOS, Royaume-Uni
HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9783791348728
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Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. Newly revised and updated, this authoritative book presents the exciting, ironic and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. Editor(s): Kent, Rachel. Num Pages: 240 pages, 175 colour. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 307 x 244 x 25. Weight in Grams: 1672. . 2014. Rev Exp. Hardcover. . . . . N° de réf. du vendeur V9783791348728
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Vendeur : Majestic Books, Hounslow, Royaume-Uni
Etat : New. pp. 240. N° de réf. du vendeur 96362518
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