Although barely acknowledged in his native country in the aftermath of the Cuban Revolution, Emilio Sanchez dedicated much of his career to recreating the effects of Cuba's sun soaked colours onto canvas in his New York City studios. This volume collects Sanchez's acclaimed paintings, watercolours, and drawings, which are celebrated for their architectural forms, brilliant palettes, hard lines, and striking use of light and shadow. Sanchez's paintings reflect a dialogue with North American post War abstraction, as well as Latin American geometric abstraction. In addition to Cuban street scenes, Sanchez painted the architecture of New York, the Caribbean and North Africa, still lifes, and land- and seascapes. Offering diverse perspectives on this multifaceted painter, three compelling essays discuss Sanchez's work-from its relevance to aspects of modernism in Latin America, the Caribbean, and the U.S., to a glimpse into his private world and art through the lens of queer theory and aesthetics. This prismatic presentation gives readers a fresh look at this unique artist's vision while firmly positioning Sanchez within the discourse on twentieth century art history.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
RAFAEL DIAZCASAS is a curator and art historian who specializes in Latin American art. JOHN ANGELINE is an art historian and museum educator at the Metropolitan Museum of Art in New York. RUDI C. BLEYS writes widely in the field of queer theory.
Although barely acknowledged in his native country in the aftermath of the Cuban Revolution, Emilio Sanchez dedicated much of his career to recreating the effects of Cuba's sun soaked colours onto canvas in his New York City studios. This volume collects Sanchez's acclaimed paintings, watercolours, and drawings, which are celebrated for their architectural forms, brilliant palettes, hard lines, and striking use of light and shadow. Sanchez's paintings reflect a dialogue with North American post War abstraction, as well as Latin American geometric abstraction. In addition to Cuban street scenes, Sanchez painted the architecture of New York, the Caribbean and North Africa, still lifes, and land- and seascapes. Offering diverse perspectives on this multifaceted painter, three compelling essays discuss Sanchez's work-from its relevance to aspects of modernism in Latin America, the Caribbean, and the U.S., to a glimpse into his private world and art through the lens of queer theory and aesthetics. This prismatic presentation gives readers a fresh look at this unique artist's vision while firmly positioning Sanchez within the discourse on twentieth century art history.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Very Good. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 5308907-6
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Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. Hardback book (near fine) in dust jacket (near fine). Mailed the same or next working day in a cardboard book box. N° de réf. du vendeur 478.30
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hardcover. Etat : Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority! N° de réf. du vendeur S_482329961
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Vendeur : Harbeck Rare Books, Carina, Brisbane, QLD, Australie
Hardcover. Etat : Near Fine. Etat de la jaquette : Near Fine. 29 cm. 192 pp. with very many colour illustrations, mostly full-page. Orig. cloth with dust jacket. Top edge of text block with tiny stain (3 x 3 mm), a near fine copy. N° de réf. du vendeur 080422
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