Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of appropriation and those who engage in "institutional critique." Focusing on American artists who emerged from the late 1970s to the early 1990s, the book highlights dynamic practices in a variety of media: from performance to photography; video to installation; painting to writing. Artists as wide-ranging in approach as Dara Birnbaum, Mark Dion, Barbara Kruger, Zoe Leonard, Stephen Prina, Adrian Piper, and Fred Wilson are examined within the context of the larger culture - from the political landscape to design strategies in advertising. Essays by curators Anne Ellegood and Johanna Burton as well as scholars George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English explore the historical and current terrain of appropriation and institutional critique, while pursuing topics including the downtown music scene in New York in the '80s, new strategies of painting, and theories of race after identity politics' heyday
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Anne Ellegood is Senior Curator at the Hammer Museum in Los Angeles. Johanna Burton is the Keith Haring Director and Curator of Education and Public Engagement at New York's New Museum. Published in association with the Hammer Museum, Los Angeles.
Exploring two parallel strands of post-conceptual art, Take It or Leave It highlights artists known for their use of appropriation and those who engage in "institutional critique." Focusing on American artists who emerged from the late 1970s to the early 1990s, the book highlights dynamic practices in a variety of media: from performance to photography; video to installation; painting to writing. Artists as wide-ranging in approach as Dara Birnbaum, Mark Dion, Barbara Kruger, Zoe Leonard, Stephen Prina, Adrian Piper, and Fred Wilson are examined within the context of the larger culture - from the political landscape to design strategies in advertising. Essays by curators Anne Ellegood and Johanna Burton as well as scholars George Baker, Julia Bryan-Wilson, Gavin Butt, and Darby English explore the historical and current terrain of appropriation and institutional critique, while pursuing topics including the downtown music scene in New York in the '80s, new strategies of painting, and theories of race after identity politics' heyday
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Evergreen Goodwill, Seattle, WA, Etats-Unis
hardcover. Etat : Good. N° de réf. du vendeur mon0000828587
Quantité disponible : 1 disponible(s)
Vendeur : ThriftBooks-Atlanta, AUSTELL, GA, Etats-Unis
Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G379135342XI3N00
Quantité disponible : 1 disponible(s)
Vendeur : Powell's Bookstores Chicago, ABAA, Chicago, IL, Etats-Unis
Hardcover. Etat : Very Good. Minimal shelf wear, clean internals. May have remainder mark. N° de réf. du vendeur 2050602
Quantité disponible : 6 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Good. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 53619102-6
Quantité disponible : 1 disponible(s)
Vendeur : Better World Books, Mishawaka, IN, Etats-Unis
Etat : Fine. Used book that is in almost brand-new condition. May contain a remainder mark. Better World Books: Buy Books. Do Good. N° de réf. du vendeur 16204941-75
Quantité disponible : 1 disponible(s)
Vendeur : Black Cat Books, Shelter Island, NY, Etats-Unis
Hardcover. Etat : Very Good. Etat de la jaquette : Very Good. Hardbound, in dust jacket. [Heavy - Please contact for overseas shipping quote ]. N° de réf. du vendeur 82348
Quantité disponible : 1 disponible(s)
Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover with dustjacket, 288 pages; good condition; spine very slanted; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur TaBuHa25
Quantité disponible : 1 disponible(s)
Vendeur : KULTURAs books, Los Angeles, CA, Etats-Unis
Hardcover. Etat : As New. Etat de la jaquette : As New. 4to 11" - 13" tall; 288 pages. N° de réf. du vendeur 103745
Quantité disponible : 1 disponible(s)
Vendeur : Anybook.com, Lincoln, Royaume-Uni
Etat : Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Dust jacket in good condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,1850grams, ISBN:9783791353425. N° de réf. du vendeur 9737776
Quantité disponible : 1 disponible(s)
Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG. Electric blue cloth, BW illus. dust jacket, 288 pp., many BW & color illus.; weighs 4 lbs. Issued in conjunction with a 2014 exhibition that explores "two parallel strands of postconceptual art," and "is the first large-scale survey to explore intersections between the artistic strategies of appropriation and institutional critique in the work of American artists. . Focusing on [those] who emerged between the late 1970s and the early 1990s, [this book] highlights dynamic practices in a variety of mediums -- including painting, drawing, photography, video, installation, and performance -- and presents work by thirty-five artists, among them Gretchen Bender, Dara Birnbaum, Andrea Fraser, Robert Gober, Felix Gonzalez-Torres, Sherrie Levine, Glenn Ligon, Mary Kelly, Mike Kelley, Adrian Piper, Stephen Prina, Fred Wilson and David Wojnarowicz." (dj) With a variety of thematic essays, and samples of the artwork arranged by decade, 1970s-2000s. N° de réf. du vendeur 147697
Quantité disponible : 1 disponible(s)