Articles liés à Nari Ward: Sun Splashed

Nari Ward: Sun Splashed - Couverture rigide

Nawi, Diana

 
9783791355184: Nari Ward: Sun Splashed

Synopsis

This book accompanies the largest exhibition to date of Nari Ward’s groundbreaking sculptures, videos, works on paper, and installations, which tackle themes of African-American history and culture, the dynamics of power and politics, and the Caribbean diaspora.

Featuring work from the 1990s to today, this mid-career survey of Nari Ward explores the artist’s best-known work in assemblage and installation, as well as his multimedia investigations. Employing the detritus of modern life, Ward creates arresting narratives about migration, social justice, and cultural identity. His enormous pieces have tested the boundaries of installation art, often creating immersive experiences for the viewer. The book features essays that approach Ward’s work through the lenses of site-specificity and Caribbean art history, a reflection by Ralph Lemon on his collaborations with Ward, and an interview with Philippe Vergne that focuses on some of the artist’s major projects. The result is a visually and intellectually stimulating in-depth look at an artist whose deft use of found objects and persistent questioning of social structures, constructions of identity, and notions of place and belonging has earned him international accolades.

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À propos de l'auteur

DIANA NAWI is Associate Curator at the Perez Art Museum Miami. NAOMIBECKWITH is the Marilyn and Larry Fields Curator at the Museum ofContemporary Art Chicago. ERICA MOIAH JAMES is Assistant Professor inthe Department of the History of Art and African American Studies at YaleUniversity. RALPH LEMON is a choreographer, writer, and visual artist, andArtistict Director of Cross Performance. PHILIPPE VERGNE is Director of theMuseum of Contemporary Art, Los Angeles.

À propos de la quatrième de couverture

This book accompanies the largest exhibition to date of Nari Ward’s groundbreaking sculptures, videos, works on paper, and installations, which tackle themes of African-American history and culture, the dynamics of power and politics, and the Caribbean diaspora.

Featuring work from the 1990s to today, this mid-career survey of Nari Ward explores the artist’s best-known work in assemblage and installation, as well as his multimedia investigations. Employing the detritus of modern life, Ward creates arresting narratives about migration, social justice, and cultural identity. His enormous pieces have tested the boundaries of installation art, often creating immersive experiences for the viewer. The book features essays that approach Ward’s work through the lenses of site-specificity and Caribbean art history, a reflection by Ralph Lemon on his collaborations with Ward, and an interview with Philippe Vergne that focuses on some of the artist’s major projects. The result is a visually and intellectually stimulating in-depth look at an artist whose deft use of found objects and persistent questioning of social structures, constructions of identity, and notions of place and belonging has earned him international accolades.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.