Known for its whimsy and levity, Paul Klee’s art is often considered gleefully childlike. This groundbreaking volume argues that Klee’s style emerged from a philosophical school that originated with early German Romanticism and consisted of perpetual shifts between satire and affirmation of the absolute, finite and infinite, and real and ideal. Featuring approximately 250 works, this careful appreciation of Klee connects each stage of his career to the larger philosophical context.
Exploring the satires and caricatures of Klee’s youth, his experimentations in Cubism and “mechanical theater,”and the constructivist approach of the Bauhaus school, this book follows the trajectory of Klee’s oeuvre as a reflection of prevailing styles. It closes with the artist’s final years, in which he was labeled a “degenerate artist” by the Nazi regime and struggled with illness. Viewed through the many facets of irony as a complex theme, and against the backdrop of Europe’s seismic political and artistic movements, Klee’s body of work takes on a renewed significance as one of the most critical of its generation.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
ANGELA LAMPE is Curator of Modern Art at the Centre Pompidou in Paris.
Known for its whimsy and levity, Paul Klee’s art is often considered gleefully childlike. This groundbreaking volume argues that Klee’s style emerged from a philosophical school that originated with early German Romanticism and consisted of perpetual shifts between satire and affirmation of the absolute, finite and infinite, and real and ideal. Featuring approximately 250 works, this careful appreciation of Klee connects each stage of his career to the larger philosophical context.
Exploring the satires and caricatures of Klee’s youth, his experimentations in Cubism and “mechanical theater,”and the constructivist approach of the Bauhaus school, this book follows the trajectory of Klee’s oeuvre as a reflection of prevailing styles. It closes with the artist’s final years, in which he was labeled a “degenerate artist” by the Nazi regime and struggled with illness. Viewed through the many facets of irony as a complex theme, and against the backdrop of Europe’s seismic political and artistic movements, Klee’s body of work takes on a renewed significance as one of the most critical of its generation.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Oxenbooks, Clunes, VIC, Australie
Hardcover. Etat : As New. No Jacket. 1st Edition. Fine copy of this important exhibition monograph on Paul Klee, original linen boards, no dust jacket (as issued). This is the English language version (published at the same time as the French version). Internally crisp and clean, no highlighting, markings or annotations to text. Not ex-library. In superb condition, as new, very presentable, appears to be unread. Book weight: 2.0 kg (4.4 lbs). Additional shipping may be requested, depending on buyer location. N° de réf. du vendeur OXN012403
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Vendeur : Rodney's Bookstore, Cambridge, MA, Etats-Unis
hardcover. Etat : As New. Still in publisher's shrinkwrap. N° de réf. du vendeur BLUE3IAW
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Vendeur : Rare Books Store, Suwanee, GA, Etats-Unis
Hardcover. Etat : New. New, sealed. N° de réf. du vendeur ABE-1779550428851
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Vendeur : BWS BKS, Ferndale, NY, Etats-Unis
Hardcover. Etat : New. N° de réf. du vendeur 120377
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