The past is a continuous and inescapable part of Iranian art and culture. This book beautifully demonstrates this notion with examples dating from the 1970s to the present―a time of turmoil and political upheaval. Featuring a dizzying variety of works―from paintings and photography to political cartoons and posters―this volume shows how contemporary artists appropriate and recontextualize myth and history to tell powerful new stories about life in Iran. This book also explores how pre-Modern artists first began to manipulate time by visually shifting the past into the present as demonstrated by Persian miniature painting, in particular illustrated versions of the Shahnama, or Book of Kings, the Iranian national epic. Statements from prominent contemporary artists consider the creative means by which they evoke the past to address present-day social and political concerns. Designed to promote fluid movement between historical and modern, this wideranging book offers a unique and important exploration of a country with a rich and complicated heritage.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
LINDA KOMAROFF is Curator and Department Head of Art of the Middle East at the Los Angeles County Museum of Art.
The past is a continuous and inescapable part of Iranian art and culture. This book beautifully demonstrates this notion with examples dating from the 1970s to the present―a time of turmoil and political upheaval. Featuring a dizzying variety of works―from paintings and photography to political cartoons and posters―this volume shows how contemporary artists appropriate and recontextualize myth and history to tell powerful new stories about life in Iran. This book also explores how pre-Modern artists first began to manipulate time by visually shifting the past into the present as demonstrated by Persian miniature painting, in particular illustrated versions of the Shahnama, or Book of Kings, the Iranian national epic. Statements from prominent contemporary artists consider the creative means by which they evoke the past to address present-day social and political concerns. Designed to promote fluid movement between historical and modern, this wideranging book offers a unique and important exploration of a country with a rich and complicated heritage.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : ThriftBooks-Dallas, Dallas, TX, Etats-Unis
Hardcover. Etat : Good. No Jacket. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less. N° de réf. du vendeur G3791357387I3N00
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Vendeur : Michael Knight, Bookseller, Forest Grove, OR, Etats-Unis
hardcover. Etat : Good. Hardcover issued without dust-jacket. Small tear to edge of one page. Otherwise, clean and solid. N° de réf. du vendeur mon0000015970
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Vendeur : ANARTIST, New York, NY, Etats-Unis
Hardcover without dustjacket as issued, 208 pages; very good condition, small crimps to top and bottom of spine; small crease to lower right corner of pages; no internal marks. Foreign shipping may be extra. N° de réf. du vendeur InKoLA35
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Vendeur : Mullen Books, ABAA, Marietta, PA, Etats-Unis
Hardcover. Etat : VG. "Published in conjunction with the exhibition 'In The Fields of Empty Days: The Intersection of Past and Present in Iranian Art' at the Los Angeles County Museum of Art, May 6-September 9, 2018"--Colophon. Text in English, with a poem in Farsi. N° de réf. du vendeur 172887
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