This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations.
Michelangelo’s nude drawings are celebrated for their depiction of the heroic figure. Emanating exceptional strength, monumentality, and vigorous emotions, his nudes became the standard bearers for centuries of figure drawing. This book examines the legacy of that ideal, through highly engaging texts and luminous reproductions of drawings, prints, and sculptures. In addition to key works by Michelangelo—including drawings for the Sistine Chapel, the unfinished fresco of the Battle of Cascina, and the tomb of Pope Julius II—readers will discover works by Raphael, Dürer, Rembrandt, Rubens, Klimt, and Schiele.
Each chapter highlights a significant aspect of Michelangelo’s ideal of the human body and investigates its influence and adaptation by his contemporaries and subsequent artists. Topics such as depictions of Adam and Eve, the Crucifixion and the Pietà, and motifs from mythology such as the Labors of Hercules; how Michelangelo’s methods were taught in art schools from the 17th to the 19th century; the emergence of woman as subject; and the decline of the idealized human figure during modernism. These side-by-side comparisons provide generous insights into how artists portrayed the human body—as a model of virtue and heroism, and as a conveyor of vice and fragility. Together these texts and examples provide the perfect resource for students of the human form and of the history of western art.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Eva Michel is curator at The ALBERTINA Museum.
Klaus Albrecht Schröder is Director General of The ALBERTINA Museum in Vienna.
This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations.
Michelangelo's nude drawings are celebrated for their depiction of the heroic figure. Emanating exceptional strength, monumentality, and vigorous emotions, his nudes became the standard bearers for centuries of figure drawing. This book examines the legacy of that ideal, through highly engaging texts and luminous reproductions of drawings, prints, and sculptures. In addition to key works by Michelangelo-including drawings for the Sistine Chapel, the unfinished fresco of the Battle of Cascina, and the tomb of Pope Julius II-readers will discover works by Raphael, Dürer, Rembrandt, Rubens, Klimt, and Schiele.
Each chapter highlights a significant aspect of Michelangelo's ideal of the human body and investigates its influence and adaptation by his contemporaries and subsequent artists. Topics such as depictions of Adam and Eve, the Crucifixion and the Pietà, and motifs from mythology such as the Labors of Hercules; how Michelangelo's methods were taught in art schools from the 17th to the 19th century; the emergence of woman as subject; and the decline of the idealized human figure during modernism. These side-by-side comparisons provide generous insights into how artists portrayed the human body-as a model of virtue and heroism, and as a conveyor of vice and fragility. Together these texts and examples provide the perfect resource for students of the human form and of the history of western art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations. Michelangelo's nude drawings are celebrated for their depiction of the heroic figure. Emanating exceptional strength, monumentality, and vigorous emotions, his nudes became the standard bearers for centuries of figure drawing. This book examines the legacy of that ideal, through highly engaging texts and luminous reproductions of drawings, prints, and sculptures. In addition to key works by Michelangelo-including drawings for the Sistine Chapel, the unfinished fresco of the Battle of Cascina, and the tomb of Pope Julius II-readers will discover works by Raphael, Duerer, Rembrandt, Rubens, Klimt, and Schiele. Each chapter highlights a significant aspect of Michelangelo's ideal of the human body and investigates its influence and adaptation by his contemporaries and subsequent artists. Topics such as depictions of Adam and Eve, the Crucifixion and the Pieta, and motifs from mythology such as the Labors of Hercules; how Michelangelo's methods were taught in art schools from the 17th to the 19th century; the emergence of woman as subject; and the decline of the idealized human figure during modernism. These side-by-side comparisons provide generous insights into how artists portrayed the human body - as a model of virtue and heroism, and as a conveyor of vice and fragility. Together these texts and examples provide the perfect resource for students of the human form and of the history of western art. AUTHORS: Eva Michel is curator at The ALBERTINA Museum. Klaus Albrecht Schroeder is Director General of The ALBERTINA Museum in Vienna. 186 colour illustrations This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783791377162
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gebundene Ausgabe. Etat : Sehr gut. 264 Seiten Text Englisch - Leichte äußere Mängel - Buch ist als Mängelexemplar gekennzeichnet - Buch ansonsten in sehr gutem und ungelesenem Zustand - Jeder Lieferung liegt eine ordentliche Rechnung mit ausgewiesener MwSt. bei Sprache: Englisch Gewicht in Gramm: 1600. N° de réf. du vendeur 401159
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263 pages, copiously illustrated. Hardback 29.5x25.5cms. ISBN: 9783791377162. A consideration of Michelangelo's drawings and techniques in relation to subsequent artists. Twenty-six catalogue entries discuss elements of Michelanegelo's oeuvre and juxtapose them with artists addressing similar themes. Discussions include Schiele's tortured self-portraits, Durer's study of proportion and Rembrandt's - the 'anti-Michelangelo' - unidealised nudes. Text in English. N° de réf. du vendeur 123563
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Hardcover. Etat : new. Hardcover. This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations. Michelangelo's nude drawings are celebrated for their depiction of the heroic figure. Emanating exceptional strength, monumentality, and vigorous emotions, his nudes became the standard bearers for centuries of figure drawing. This book examines the legacy of that ideal, through highly engaging texts and luminous reproductions of drawings, prints, and sculptures. In addition to key works by Michelangelo-including drawings for the Sistine Chapel, the unfinished fresco of the Battle of Cascina, and the tomb of Pope Julius II-readers will discover works by Raphael, Duerer, Rembrandt, Rubens, Klimt, and Schiele. Each chapter highlights a significant aspect of Michelangelo's ideal of the human body and investigates its influence and adaptation by his contemporaries and subsequent artists. Topics such as depictions of Adam and Eve, the Crucifixion and the Pieta, and motifs from mythology such as the Labors of Hercules; how Michelangelo's methods were taught in art schools from the 17th to the 19th century; the emergence of woman as subject; and the decline of the idealized human figure during modernism. These side-by-side comparisons provide generous insights into how artists portrayed the human body - as a model of virtue and heroism, and as a conveyor of vice and fragility. Together these texts and examples provide the perfect resource for students of the human form and of the history of western art. AUTHORS: Eva Michel is curator at The ALBERTINA Museum. Klaus Albrecht Schroeder is Director General of The ALBERTINA Museum in Vienna. 186 colour illustrations This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783791377162
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Hardcover. Etat : new. Hardcover. This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations. Michelangelo's nude drawings are celebrated for their depiction of the heroic figure. Emanating exceptional strength, monumentality, and vigorous emotions, his nudes became the standard bearers for centuries of figure drawing. This book examines the legacy of that ideal, through highly engaging texts and luminous reproductions of drawings, prints, and sculptures. In addition to key works by Michelangelo-including drawings for the Sistine Chapel, the unfinished fresco of the Battle of Cascina, and the tomb of Pope Julius II-readers will discover works by Raphael, Duerer, Rembrandt, Rubens, Klimt, and Schiele. Each chapter highlights a significant aspect of Michelangelo's ideal of the human body and investigates its influence and adaptation by his contemporaries and subsequent artists. Topics such as depictions of Adam and Eve, the Crucifixion and the Pieta, and motifs from mythology such as the Labors of Hercules; how Michelangelo's methods were taught in art schools from the 17th to the 19th century; the emergence of woman as subject; and the decline of the idealized human figure during modernism. These side-by-side comparisons provide generous insights into how artists portrayed the human body - as a model of virtue and heroism, and as a conveyor of vice and fragility. Together these texts and examples provide the perfect resource for students of the human form and of the history of western art. AUTHORS: Eva Michel is curator at The ALBERTINA Museum. Klaus Albrecht Schroeder is Director General of The ALBERTINA Museum in Vienna. 186 colour illustrations This exhibition catalog charts the evolution of figure drawing in the western world, starting with Michelangelo, and explores his enormous influence over his contemporaries and later generations. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability. N° de réf. du vendeur 9783791377162
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