This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lives. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity.
Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work--figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women--to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker's striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes--including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker's work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
JAY A. CLARKE is the Rothman Family Curator of Prints and Drawings at the Art Institute of Chicago. JILL LLOYD-PEPPIATT is a curator specializing in German and Austrian modernism. She has organized many critically acclaimed exhibitions for the Neue Galerie New York and other leading museums.
This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lives. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity.
Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work--figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women--to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker's striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes--including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker's work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
Vendeur : Bellwetherbooks, McKeesport, PA, Etats-Unis
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Vendeur : Bellwetherbooks, McKeesport, PA, Etats-Unis
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Vendeur : World of Books (was SecondSale), Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lives. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity. Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work-figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women-to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker's striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes-including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker's work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path. N° de réf. du vendeur CIN3791377345VG
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Vendeur : World of Books Inc, Montgomery, IL, Etats-Unis
Hardback. Etat : Very Good. This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lives. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity. Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work-figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women-to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker's striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes-including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker's work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path. N° de réf. du vendeur CIN3791377345VG
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Vendeur : Bellwetherbooks, McKeesport, PA, Etats-Unis
hardcover. Etat : Fine. LIKE NEW!!! Has a red or black remainder mark on bottom/exterior edge of pages. N° de réf. du vendeur mon0000901312
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Vendeur : Jeff Hirsch Books, ABAA, Wadsworth, IL, Etats-Unis
First Edition. First edition and first printing. Hardcover. 205 pages. Published in conjunction an exhibition that ran June 6 through September 9, 2024 at the Neue Gallery and then October 10, 2024 through January 13, 2025 at The Art Institute of Chicago. Features a preface by Ronald S. Lauder, a foreword by Renee Price and James Rondeau, essays by Jay A. Clarke and Jill Lloyd and with additional contributions by Rebecca Duckwitz, Felipe Villada Ruiz, and Wolfgang Werner. Includes numerous color and biographical information, a checklist, selected bibliography, and an index. A fine copy in orange cloth boards and in a fine dust jacket. A fresh copy. N° de réf. du vendeur 213987
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HRD. Etat : New. New Book. Shipped from UK. Established seller since 2000. N° de réf. du vendeur FW-9783791377346
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Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lives. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity. Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work--figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women--to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker's striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes--including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker's work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path. AUTHORS: Jay A. Clarke is the Rothman Family Curator of Prints and Drawings at the Art Institute of Chicago. Jill Lloyd-Peppiatt is a curator specializing in German and Austrian modernism. She has organized many critically acclaimed exhibitions for the Neue Galerie New York and other leading museums. 150 colour illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783791377346
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