New Objectivity - Couverture rigide

Peters, Olaf

 
9783791377926: New Objectivity
Couverture rigide
ISBN 10 : 3791377922 ISBN 13 : 9783791377926
Editeur : Prestel, 2025

Synopsis

On the eve of its subject’s centennial, this richly illustrated and meticulously researched catalog celebrates―and reconsiders―one of the most significant artistic movements of the twentieth century.

Gustav F. Hartlaub’s 1925 exhibition Neue Sachlichkeit (New Objectivity) for the Kunsthalle Mannheim was a pivotal event that showcased a new artistic movement in Germany, characterized by its critical realism, social commentary, and detailed depiction of contemporary life; it marked a significant departure from Expressionism’s emotional intensity.

But it was divided by two philosophies―the unflinching and socially critical Verists (Otto Dix, George Grosz, Georg Scholz, and others) and the Classicists (Alexander Kanoldt, Georg Schrimpf, and Christian Schad) who focused on harmony and beauty. This wide-ranging survey explores the tension between these camps and interprets it as a coherent chapter in art history. Essays by leading experts shed new light on the movement through the lens of regionality while considering a wide spectrum of media: architecture, design, drawings, film, paintings, photography, and philosophy.

Their illuminating texts are accompanied by stunning reproductions of works such as Otto Dix’s Portrait of the Lawyer Dr. Fritz Glaser; Georg Scholz’s Of Things to Come; and Marcel Breuer’s Chair B 33. Impeccably produced and researched, this volume captures the ways that the New Objectivity proponents mirrored the Weimar period’s cultural, political, and social complexities.

Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.

À propos de l'auteur

OLAF PETERS is a professor of modern art at Martin Luther University in Halle- Wittenberg, Germany. He is the editor and contributing author of other Neue Galerie exhibition catalogs, including Modern Worlds: Austrian and German Art, 1890–1940, and Max Beckmann: The Formative Years, 1915–1925. Other contributors include Regina Bittner, Birgit Dalbajawa, Christian Drobe, Gustav F. Hartlaub, Jürgen Müller, Carina Plath, Franz Roh, Rolf Sachsse, and Robert Schnepf.

À propos de la quatrième de couverture

On the eve of its subject’s centennial, this richly illustrated and meticulously researched catalog celebrates―and reconsiders―one of the most significant artistic movements of the twentieth century.

Gustav F. Hartlaub’s 1925 exhibition Neue Sachlichkeit (New Objectivity) for the Kunsthalle Mannheim was a pivotal event that showcased a new artistic movement in Germany, characterized by its critical realism, social commentary, and detailed depiction of contemporary life; it marked a significant departure from Expressionism’s emotional intensity.

But it was divided by two philosophies―the unflinching and socially critical Verists (Otto Dix, George Grosz, Georg Scholz, and others) and the Classicists (Alexander Kanoldt, Georg Schrimpf, and Christian Schad) who focused on harmony and beauty. This wide-ranging survey explores the tension between these camps and interprets it as a coherent chapter in art history. Essays by leading experts shed new light on the movement through the lens of regionality while considering a wide spectrum of media: architecture, design, drawings, film, paintings, photography, and philosophy.

Their illuminating texts are accompanied by stunning reproductions of works such as Otto Dix’s Portrait of the Lawyer Dr. Fritz Glaser; Georg Scholz’s Of Things to Come; and Marcel Breuer’s Chair B 33. Impeccably produced and researched, this volume captures the ways that the New Objectivity proponents mirrored the Weimar period’s cultural, political, and social complexities.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
Prestel
Date d'édition
2025
Langue
anglais
ISBN 10 
3791377922
ISBN 13 
9783791377926
Reliure
Relié
Numéro d'édition
1
Nombre de pages
304
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