Graphic Design as an artistic genre wasn't universally accepted until the early 20th century. This striking book focuses on the pivotal years of 1928-1931 to show how fifty artists redefined the field and helped create modern graphic design. Art historian and graphic artist Alston Purvis provides a concise and engaging overview of the dawn of modern graphic design and the artistic possibilities that were laid bare in a seismically shifting Europe. He explores how a variety of burgeoning and established movements contributed to the innovations of graphic design such as the German Dadaists, the Bauhaus School, and the European avant-garde artists. He looks at how groundbreaking trends in typography, the rise of consumerism, and a new focus on schools of graphic design combined to create a new language of design that is still in use today. Featuring the designs of 50 pioneering artists, such as Walter Gropius, Paul Klee, and El Lissitzky, this book shows how their work in color, typography, and composition broke conventions and set new standards in a seminal period of graphic design.
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ALSTON PURVIS is Professor of Visual Arts and Chair of the Department of Graphic Design at the Boston University College of Fine Arts. He is the author of numerous books on typography and graphic design.
Graphic Design as an artistic genre wasn't universally accepted until the early 20th century. This striking book focuses on the pivotal years of 1928-1931 to show how fifty artists redefined the field and helped create modern graphic design. Art historian and graphic artist Alston Purvis provides a concise and engaging overview of the dawn of modern graphic design and the artistic possibilities that were laid bare in a seismically shifting Europe. He explores how a variety of burgeoning and established movements contributed to the innovations of graphic design such as the German Dadaists, the Bauhaus School, and the European avant-garde artists. He looks at how groundbreaking trends in typography, the rise of consumerism, and a new focus on schools of graphic design combined to create a new language of design that is still in use today. Featuring the designs of 50 pioneering artists, such as Walter Gropius, Paul Klee, and El Lissitzky, this book shows how their work in color, typography, and composition broke conventions and set new standards in a seminal period of graphic design.
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Vendeur : Funky Fox Books, HARLINGEN, TX, Etats-Unis
Hardcover. Etat : Good. 1st Edition. Hardcover, 4to., 399 pp. Ex-Lib, with usual faults, otherwise a clean, tight copy. N° de réf. du vendeur 001082
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Vendeur : Big River Books, Powder Springs, GA, Etats-Unis
Etat : good. Dust jacket Cover has minimal some shelf wear. Book is in Very Good condition. N° de réf. du vendeur BRV.3791384856.G
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Vendeur : Else Fine Booksellers, Tacoma, WA, Etats-Unis
Hardcover. Etat : Near Fine. In publisher's original shrinkwrap. Tiny bump to lower boards. Heavy; may require additional postage for priority or international mail. No jacket, as issued. N° de réf. du vendeur 007387
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Vendeur : Bill & Ben Books, Faringdon, Royaume-Uni
Hardback. Etat : As New. "This vibrant book tells the history of the Modernist design movement and how it completely revolutionized graphic design. A completely new aesthetic approach to graphic design and typography was created in Europe between 1919 and 1933. An avant-garde group of Dadaists, Futurists, and Constructivists created a brilliantly innovative language of design. This comprehensive volume shows how the work of pioneering artists such as El Lissitzky, Jan Tschichold, and Lászlà Moholy-Nagy broke conventions in color, typography, and composition, setting new standards in graphic design that are still in use today." --. N° de réf. du vendeur 0098897
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Vendeur : Montana Book Company, Fond du Lac, WI, Etats-Unis
Hardcover. Etat : Fine. 400 pp. Tightly bound. Corners not bumped. Text is free of markings. No ownership markings. Published without dust jacket. Book is still in the original publisher shrink warp. No remainder mark. This copy is smyth sewn. Smyth sewing is a method of bookbinding where groups of folded pages (referred to as signatures) are stitched together using binder thread. Each folded signature is sewn together individually with multiple stitches and then joined with other signatures to create the complete book block. This is the traditional and best method of bookbinding. N° de réf. du vendeur 089682
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Vendeur : Your Online Bookstore, Houston, TX, Etats-Unis
hardcover. Etat : New. N° de réf. du vendeur 3791384856-11-37196679
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Vendeur : Solomon's Mine Books, Howard, PA, Etats-Unis
hardcover. Etat : New. *NEW* pictorial hardcover, sealed in plastic. Fresh from a distributor with no price tags and no remainder marks. Priority and international shipping NOT available on this item. N° de réf. du vendeur new4856txmy25
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Vendeur : Magers and Quinn Booksellers, Minneapolis, MN, Etats-Unis
hardcover. Etat : New. Brand New. N° de réf. du vendeur 1427255
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Vendeur : rareviewbooks, Kensington, MD, Etats-Unis
Hardcover. Etat : Near Fine. No Jacket. Oversized hardback book (400 pages) illustrated with numerous color reproductions. Removed from shrink wrap to photograph. INTERNATIONAL SHIPPING WILL REQUIRE ADDITIONAL CHARGE. Bookseller since 1995 (ULG2-Top-R) rareviewbooks. N° de réf. du vendeur RVB04202402
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Vendeur : Postscript Books, Newton Abbot, DEVON, Royaume-Uni
Hardcover. Etat : New. New ideas about art in the early 20th century crystallized in the development of revolutionary design and typographic principles during the years of the Weimar Republic in Germany. Following a series of essays exploring influences on the style and the importance of the Bauhaus, this highly illustrated book reproduces hundreds of examples of posters, book designs and other printed materials from many of the most influential artists of the period. N° de réf. du vendeur 530896
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