Tracing the issues and concerns of the first generation of artists involved in the foundation of the movement, this guide to conceptual art, includes an essay exploring the historical basis of conceptual art, and its relationship to the dominant aesthetics of the 1960s, namely the modernist theory of Clement Greenberg and his disciples.
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The author: Daniel Marzona studied art history and philosophy at the Ruhr University in Bochum. From 2001 to 2003 he worked as Associate Curator at the P. S. 1 Contemporary Art Center in New York. Marzona was one of the co-founders of the Navado Press in Trieste, which publishes artist books and works on contemporary art and architecture. He currently works as a freelance author and curator in Berlin and New York.
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