Early modern literature, in search of stable orders of things in a time of drastic changes, is teeming with material objects, the stuff of everyday life. Thus, it gives access to "great topics" of the early modern age, such as the rapidly emerging and mutating capitalism, the provisional and shifting constructions of literary subjects in relation to the objects around them. This study traces the cultural biography of a material object, the most splendid edifice built in Elizabethan London: the Royal Exchange. It then analyses the rhetorical materialisations of the sonneteering vogue, with a special emphasis on the material history of the English sonnet between a manuscript and a print culture. Its last main object is Shakespeare's Falstaff, whose massive body and powerful rhetoric are centres of early modern material orders and subversions, both in the histories and in the comedy of the 'Merry Wives'. A conclusion applies the findings to the (im)material rhetoric of Thomas Nashe.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Vendeur : ISD LLC, Bristol, CT, Etats-Unis
hardcover. Etat : New. 1st. N° de réf. du vendeur 182581
Quantité disponible : 4 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : New. N° de réf. du vendeur 19086919-n
Quantité disponible : 4 disponible(s)
Vendeur : Grand Eagle Retail, Bensenville, IL, Etats-Unis
Hardcover. Etat : new. Hardcover. Early modern literature, in search of stable orders of things in a time of drastic changes, is teeming with material objects, the stuff of everyday life. Thus, it gives access to "great topics" of the early modern age, such as the rapidly emerging and mutating capitalism, the provisional and shifting constructions of literary subjects in relation to the objects around them. This study traces the cultural biography of a material object, the most splendid edifice built in Elizabethan London: the Royal Exchange. It then analyses the rhetorical materialisations of the sonneteering vogue, with a special emphasis on the material history of the English sonnet between a manuscript and a print culture. Its last main object is Shakespeare's Falstaff, whose massive body and powerful rhetoric are centres of early modern material orders and subversions, both in the histories and in the comedy of the 'Merry Wives'. A conclusion applies the findings to the (im)material rhetoric of Thomas Nashe. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783825359980
Quantité disponible : 1 disponible(s)
Vendeur : SKULIMA Wiss. Versandbuchhandlung, Westhofen, Allemagne
Etat : Wie Neu. Zustandsbeschreibung: leichte Lagerspuren. Material Culture in Early Modern English Literature. 281 Seiten, gebunden (Anglistische Forschungen; Band 429/Winter Verlag 2012). Statt EUR 36,00. Gewicht: 600 g - Gebunden/Gebundene Ausgabe. N° de réf. du vendeur 947641
Quantité disponible : 2 disponible(s)
Vendeur : GreatBookPrices, Columbia, MD, Etats-Unis
Etat : As New. Unread book in perfect condition. N° de réf. du vendeur 19086919
Quantité disponible : 4 disponible(s)
Vendeur : Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlande
Etat : New. 2012. Hardcover. . . . . . N° de réf. du vendeur V9783825359980
Quantité disponible : 2 disponible(s)
Vendeur : Kennys Bookstore, Olney, MD, Etats-Unis
Etat : New. 2012. Hardcover. . . . . . Books ship from the US and Ireland. N° de réf. du vendeur V9783825359980
Quantité disponible : 2 disponible(s)
Vendeur : AussieBookSeller, Truganina, VIC, Australie
Hardcover. Etat : new. Hardcover. Early modern literature, in search of stable orders of things in a time of drastic changes, is teeming with material objects, the stuff of everyday life. Thus, it gives access to "great topics" of the early modern age, such as the rapidly emerging and mutating capitalism, the provisional and shifting constructions of literary subjects in relation to the objects around them. This study traces the cultural biography of a material object, the most splendid edifice built in Elizabethan London: the Royal Exchange. It then analyses the rhetorical materialisations of the sonneteering vogue, with a special emphasis on the material history of the English sonnet between a manuscript and a print culture. Its last main object is Shakespeare's Falstaff, whose massive body and powerful rhetoric are centres of early modern material orders and subversions, both in the histories and in the comedy of the 'Merry Wives'. A conclusion applies the findings to the (im)material rhetoric of Thomas Nashe. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. N° de réf. du vendeur 9783825359980
Quantité disponible : 1 disponible(s)