Nasty Noises: Error as a Compositional Element in Electro-Acoustic Music - Couverture souple

Gard, Stephen

 
9783836493529: Nasty Noises: Error as a Compositional Element in Electro-Acoustic Music
Couverture souple
ISBN 10 : 3836493527 ISBN 13 : 9783836493529
Editeur : VDM Verlag Dr. Müller, 2008

Synopsis

''Glitch'' is a stylistic mannerism within electro-acoustic composition that emerged in the late 1990s. Glitch, or ''microsound'', as it is known in the academic context, observes the conventions of music concrète, drawing on material sampled from the real world, and fashioning this into sonic narratives. Its signature is the ''sound of failure'', sonorities characteristic of electronic devices malfunctioning or mis-used: clicks, crackles, distortions, fractured digital files. Glitch/microsound has already diminished from a movement to a mannerism, but its legacy is a refreshment of our palette of sonorities, and an interrogation of the very act of listening. ''Nasty Noises'' is an examination of the use (and nature) of noise, error and the disjunct as musical ingredient, and the significance of glitch/microsound for electro-acoustic composers

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Présentation de l'éditeur

''Glitch'' is a stylistic mannerism within electro-acoustic composition that emerged in the late 1990s. Glitch, or ''microsound'', as it is known in the academic context, observes the conventions of music concrète, drawing on material sampled from the real world, and fashioning this into sonic narratives. Its signature is the ''sound of failure'', sonorities characteristic of electronic devices malfunctioning or mis-used: clicks, crackles, distortions, fractured digital files. Glitch/microsound has already diminished from a movement to a mannerism, but its legacy is a refreshment of our palette of sonorities, and an interrogation of the very act of listening. ''Nasty Noises'' is an examination of the use (and nature) of noise, error and the disjunct as musical ingredient, and the significance of glitch/microsound for electro-acoustic composers

Biographie de l'auteur

Stephen Gard, born Sydney, 1952, began composing at 18 with works for children''s theatre, and short films. He became a teacher, then an author of books for children. Stephen Gard managed a radio station for three years, and in 1996 returned to composition. In 2006, he completed postgraduate studies at the Sydney Conservatorium of Music.

Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.

Éditeur
VDM Verlag Dr. Müller
Date d'édition
2008
Langue
anglais
ISBN 10 
3836493527
ISBN 13 
9783836493529
Reliure
Broché
Nombre de pages
64
Coordonnées du fabricant
non disponible
Personne responsable
non disponible