Man Ray (1890–1976) était un moderniste aux intérêts multiples, qui appliqua son talent à la peinture, à la sculpture, au cinéma, à l’estampe et à la poésie. C’est cependant son œuvre photographique, notamment ses études de nus, ses photos de mode et ses portraits, qui ont inscrit son nom parmi les pionniers, auteurs d’un nouveau chapitre de l’histoire de l’art et de la technique photographique.
À travers une large sélection de ses œuvres connues ou plus discrètes, cette monographie compose une vue d’ensemble vivante du travail protéiforme de Man Ray et de son legs photographique. Elle retrace sa vie depuis ses débuts d’artiste à New York jusqu’au rôle central qu’il joua dans l’avant-garde parisienne, qui le vit figurer dans la première exposition surréaliste avec Jean Arp, Max Ernst, André Masson, Joan Miró et Pablo Picasso, et au sein de laquelle il produisit des œuvres aussi illustres que Noire et blanche et Le Violon d'Ingres. Au fil de très nombreux exemples de natures mortes et de portraits, notamment, on découvre comment Man Ray a constamment expérimenté de nouvelles techniques et poussé la photographie hors du domaine documentaire pour la transporter vers des expressions poétiques éthérées en jouant avec l’exposition multiple, la solarisation et sa version personnelle du photogramme qu’il s’amusait à baptiser «rayographie».
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Katherine Ware es comisaria de la exposición de fotografía en el New Mexico Museum of Art. Ha publicado obras sobre Man Ray y László Moholy-Nagy.
Manfred Heiting es diseñador, conservador, experto de renombre internacional y un ávido coleccionista de fotografías y libros. Es miembro fundador del consejo del J. Paul Getty Museum y, desde 2016, catedrático distinguido de Humanidades en la universidad de UCLA. Es también editor y diseñador de Deutschland im Fotobuch, The Soviet Photobook, The Japanese Photobook y coeditor y diseñador de Autopsie: Deutschsprachige Fotobücher 1918-1945.
From multiple exposure and solarization to creating his own brand of photograms termed “rayography”: Man Ray’s innovations and imagery shook avant-garde Paris to its core. Breaking down boundaries between photography, poetry, and design to create ethereal expressions, the modernist pioneered a new chapter in the history of camerawork and art.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardcover. Etat : new. Hardcover. Man Ray (1890-1976) was a polymath modernist, working in painting, sculpture, film, printmaking, and poetry. But it was his work in photography, with nude studies, fashion work, and portraiture that saw him pioneering a new chapter in the history of camerawork and art. With a wide-ranging collection of both his famous and lesser-known works, this monograph gives a vivid overview of Man Ray's multifaceted practice and photographic legacy. It traces Ray from his artistic beginnings in New York through to his central role in the Parisian avant-garde, where he featured in the first Surrealist exhibition with Jean Arp, Max Ernst, Andre Masson, Joan Miro, and Pablo Picasso and produced such now iconic works as Noire et blanche and Le Violon d'Ingres. Through numerous examples of still life, portraiture, and beyond, we see how Ray constantly experimented with new techniques, pushing photography out of its documentary domain into ethereal, poetic expressions through multiple exposure, solarization, and the particular brand of photograms he wittily termed "rayography." From multiple exposure and solarization to creating his own brand of photograms termed "rayography": Man Ray's innovations and imagery shook avant-garde Paris to its core. Breaking down boundaries between photography, poetry, and design to create ethereal expressions, the modernist pioneered a new chapter in the history of camerawork and art. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783836593991
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Hardback. Etat : New. Man Ray (1890-1976) was a polymath modernist, working in painting, sculpture, film, printmaking, and poetry. But it was his work in photography, with nude studies, fashion work, and portraiture that saw him pioneering a new chapter in the history of camerawork and art. With a wide-ranging collection of both his famous and lesser-known works, this monograph gives a vivid overview of Man Ray's multifaceted practice and photographic legacy. It traces Ray from his artistic beginnings in New York through to his central role in the Parisian avant-garde, where he featured in the first Surrealist exhibition with Jean Arp, Max Ernst, André Masson, Joan Miró, and Pablo Picasso and produced such now iconic works as Noire et blanche and Le Violon d'Ingres. Through numerous examples of still life, portraiture, and beyond, we see how Ray constantly experimented with new techniques, pushing photography out of its documentary domain into ethereal, poetic expressions through multiple exposure, solarization, and the particular brand of photograms he wittily termed "rayography.". N° de réf. du vendeur LU-9783836593991
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Hardback. Etat : New. Man Ray (1890-1976) was a polymath modernist, working in painting, sculpture, film, printmaking, and poetry. But it was his work in photography, with nude studies, fashion work, and portraiture that saw him pioneering a new chapter in the history of camerawork and art. With a wide-ranging collection of both his famous and lesser-known works, this monograph gives a vivid overview of Man Ray's multifaceted practice and photographic legacy. It traces Ray from his artistic beginnings in New York through to his central role in the Parisian avant-garde, where he featured in the first Surrealist exhibition with Jean Arp, Max Ernst, André Masson, Joan Miró, and Pablo Picasso and produced such now iconic works as Noire et blanche and Le Violon d'Ingres. Through numerous examples of still life, portraiture, and beyond, we see how Ray constantly experimented with new techniques, pushing photography out of its documentary domain into ethereal, poetic expressions through multiple exposure, solarization, and the particular brand of photograms he wittily termed "rayography.". N° de réf. du vendeur LU-9783836593991
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