German photography pioneer Karl Blossfeldt (1865–1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the 19th- and 20th-century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form.
Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt’s images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still lifes, piercingly final statements on their subject, and have endured owing to their aesthetics and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective.
Les informations fournies dans la section « Synopsis » peuvent faire référence à une autre édition de ce titre.
Hans Christian Adam studied psychology, art history and communication in Göttingen and Vienna. As a specialist in historical images, he has published numerous articles and books, including titles on travel and war photography. He is the author of TASCHEN's Edward Sheriff Curtis: The North American Indian, Karl Blossfeldt, and Eugène Atget: Paris.
Die Pflanzenbilder des deutschen Fotopioniers Karl Blossfeldt (1865-1932) sind von einer solchen Schönheit und Originalität, dass sie das Medium der Fotografie transzendieren. Über 30 Jahre lang nahm Blossfeldt Tausende von Fotos auf, in einer rigorosen Formensprache, die die Bildproduktion des 19. Jahrhunderts ins 20. Jahrhundert überführte und der eigentlich zweidimensionalen Kunstform eine geradezu skulpturale Qualität verlieh. Die ebenso raffiniert wie minimalistisch vor einfachen Papphintergründen inszenierten Bilder erhalten ihre Plastizität durch Blossfeldts virtuose Lichtregie. Sie geben alles von sich, nichts jedoch von dem Mann hinter der Kamera preis. Diese Stillleben, die ihre Objekte so endgültig in Form bannen, sind ein Meilenstein der Fotografiegeschichte und üben aufgrund ihrer Ästhetik noch immer eine anhaltende Faszination auf alle Kenner des Mediums aus.
Les informations fournies dans la section « A propos du livre » peuvent faire référence à une autre édition de ce titre.
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Hardback. Etat : Good. Karl Blossfeldts monochrome photographs present semiabstracted studies of diverse flora, bridging the 19th- and 20th-century worlds of image-making and bringing a distinctly sculptural aspect to a two-dimensional medium. This volume collects all known published images, capturing the innate visual poetry and formal elegance of plants. N° de réf. du vendeur CIN3836598515G
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Hardback. Etat : Good. Karl Blossfeldts monochrome photographs present semiabstracted studies of diverse flora, bridging the 19th- and 20th-century worlds of image-making and bringing a distinctly sculptural aspect to a two-dimensional medium. This volume collects all known published images, capturing the innate visual poetry and formal elegance of plants. N° de réf. du vendeur CIN3836598515G
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Hardcover. Etat : new. Hardcover. German photography pioneer Karl Blossfeldt (1865-1932) photographed plants so beautifully, and with such originality, that his work transcends the medium itself. Over more than 30 years, he took thousands of photographs, revealing a formally rigorous talent whose precision and dedication bridge the 19th- and 20th-century worlds of image-making and bring a distinctly sculptural aspect to a firmly two-dimensional art form.Beautifully but starkly composed against plain cardboard backgrounds, Blossfeldt's images, relying on a northern light for their sense of volume, reveal nothing of the man but everything of themselves. They are still lifes, piercingly final statements on their subject, and have endured owing to their aesthetics and the ongoing fascination of students and photographers. Like their maker, they are quietly and lastingly effective. Karl Blossfeldt's monochrome photographs present semiabstracted studies of diverse flora, bridging the 19th- and 20th-century worlds of image-making and bringing a distinctly sculptural aspect to a two-dimensional medium. This volume collects all known published images, capturing the innate visual poetry and formal elegance of plants. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. N° de réf. du vendeur 9783836598514
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